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THE

Defender Picks

 

DIMANCHE

March 26th

Bloody Mary Fest

Howlin' Wolf, 12PM

Over a dozen NOLA spots offer their best bloodies, plus food

 

Alternative Medicine Symposium

Magnolia Yoga Studio, 1PM

Free female-led discussion and open house

 

Red

Playmakers Theater, 2PM

Final staging of drama about painter Mark Rothko

 

Jamie Galloway Crawfish Boil

Maple Leaf Bar, 3PM

5th annual boil commemorating the life of the beloved chef and musician

 

LGBT Spring Fest

Woonderland Production Studios, 3PM

Live music, drinks, water slides, more

 

Music Under the Oaks

Audubon Park, 5PM

LPO Woodwind Quintet performs

 

Palmetto Bug Stompers 

d.b.a., 6PM

Local trad jazz masters

 

Board Game Night

Tubby & Coo's Mid-City  Book Shop, 6PM

Bring games, or join one at the store

 

Hot 8 Brass Band

Howlin’ Wolf Den, 10PM

Mix of brass standards and funky covers

 

Pat Casey & the New Sound

Spotted Cat, 10PM

Boundary pushing fusion jazz

 

Joe Krown Trio

Maple Leaf, 10PM

Krown on the B3 with Russell Batiste and Walter “Wolfman” Washington


Snakes in the Temple

5th Circuit Court Lamps at Center of Unfolding Courtroom Mystery



The twelve sit loosely coiled holding up large opaque globes of light in the West Courtroom. Noted by everyone who appears for court, or works in the building, no one has a clue how they got there. They are the brass snake lamps of the Fifth Circuit, the most enduring mystery of a New Orleans landmark.

 

The Fifth Circuit Court of Appeals building, named since 1994 after Judge John Minor Wisdom, turns 100 years old next year. The Court plans to celebrate the centenary with festivities coinciding with its annual judicial conference. Six hundred people - judges, spouses, and guests -- will be on hand.  Many will remember the landmark civil rights decisions issued by the Court, often written by Judge Wisdom. Others may roam the large marble hallways designed by James Gamble Rodgers in the style of Italian Renaissance Revival, marveling over the intricate interior.

 

For Jesse Cannon, Assistant Circuit Executive for Space and Facilities, the coming centenary offers a chance to show the wonders and mysteries unknown to people wandering nearby Lafayette Park or hurriedly passing the front doors at 600 Camp Street. Cannon, an architect, has been studying the Wisdom Building since he first arrived during a twelve-month pilot program back in 1987.  

 

"We've always had a desire to learn more about this building," Cannon says.

 

The rattlesnakes - yes, rattlesnakes - of the West Courtroom remain mystery number one.

 

Cannon knows that the 12 lamps - two in front, two in back, four on each side - came with the original decor of the building. He knows the U.S. Treasury supervised the two million dollar design and construction, completed in 1915.  But that's all he knows for certain, though he researches and deduces. 

 

"Wherever these fixtures were formed, the lighting fixtures in the other two courtrooms had to come from the same place," he says. "It would only make sense." 

 

Those lamps consist of traditional bald eagles, but each room has a different design. They decorate the East and En Banc courtrooms, where the Fifth Circuit always held court.

 

The West Courtroom, in contrast, housed the federal district court for the Eastern District of Louisiana until 1963. The snakes oversaw all manner of federal trials. The courts left in 1963 for renovation. Hurricane Betsy changed plans. The building spent years as a temporary school; children learning by the light of the snake lamps. 

 

When the Fifth Circuit returned to its home in 1973, court business and personnel had increased so much that the Appeals Court took over entirely.  Today, all three courtrooms - East, En Banc (where all the judges of the Fifth Circuit will hear a case) and West - are used regularly one week a month and as well during special sessions. 

 

But, why snakes? 

 

Sure, for a room that's filled with lawyers, what better symbol can there be than rattlesnakes?  But Cannon thinks the designers had more serious intentions.

 

"One of the interpretations is that the snakes represented good and evil, which here in the courtroom is a pretty ideal, convenient if you will, interpretation," he says. "Also snakes represented healing. Images of serpents were placed outside temples and other religious buildings several thousand years ago to protect those temples from evil."

 

Think of the Rod of Asclepius or the Caduces, the basis for the symbol still used today in medicine. Cannon, belonging to the prestigious Fellow American Institute of Architects, points out that the building was clearly designed to be a judicial temple by the architect. The decor in the great marble hallways is distinctly classical in its design. Other judicial buildings created during that era have the same Greek and Roman imagery. 

 

In the En Banc courtroom, he points to small, grotesquely gothic faces looking down from the hand-stained ceiling.  He sees intentionality in the creation of all these complex symbols. 

 

"The architects certainly wanted to evoke some sense of justice and the court system," he says. "They may have done the same research and came up with these symbols from past cultures."  The great hallways contain panoplies of classical imagery.

 

Like all mysteries, everyone's entitled to their opinion.  The Circuit Court library has a four-page history that says of the snakes, "Some say it is an homage to Texas.  Some say it is in recognition of a famous statues called Rattlesnake by Frederic Remington." 

 

Cannon today works with the General Services Administration on maintenance and restoration projects.  He's primarily concerned with keeping the historical integrity of the finishings and the fixtures that were part of the original construction, including those brass rattlesnakes.  He's located blueprints, photographs, and other drawings relating to the construction of the building.  He's recently gotten the original drawings from the National Archives that are now on display. 

 

"Over the last 27 years or so, we've been constantly looking for source material that will give us a better understanding and appreciation of the history of the building," he says. "So it's an ongoing process." 

 

Someday he and the rest of the staff of the Wisdom Building hope to solve the mystery of the brass rattlesnakes.

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Contributors:

Evan Z.E. Hammond, Dead Huey, Andrew Smith

Listings Editor


Photographers


Art Director:

Michael Weber, B.A.

Editor:

Alexis Manrodt

Published Daily

Editor Emeritus:

B. E. Mintz

Editor Emeritus



Stephen Babcock