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Defender Picks



November 26th


Prytania, 12p.m.;2:30p.m.;5p.m.;7:30p.m.;10p.m.

Last installation of Hunger Games



Zeitgeist, 7:30p.m.

American indie film


Ed Volker

Chickie Wah Wah, 9p.m.

The Radiators lead man


The Trio

Maple Leaf, 10p.m.

Ft. Johnny Vidacovich and special guests


Cornhole Thursdays in the Courtyard

Gasa Gasa, 9p.m.

Celebrate Turkey Day with cornhole


November 27th

Pelicans v. Clippers

Staples Center, 9:30p.m.



New Orleans Suspects

Maple Leaf, 10:30p.m.

Old fashioned neighborhood party


Royal T

Gasa Gasa, 10p.m.

Also ft. Painted Hands and Vapo Rats


Big Sam’s Funky Nation

Tip’s, 9p.m.

Classsic Nola jams


James Hall

Circle Bar, 10p.m.

Rock singer and guitarist


Young Jeezy

Republic, 10p.m.

Album release party


November 28th

Pelicans v. Jazz

Vivint Smart Home Arena

Utah takes on New Orleans


Mac Miller

The Joy, 8p.m.

Also ft. Tory Lanez, Michael Christmas and Njomza


Classic Weekend Jam

Lakefront Arena, 8p.m.

Ft. Yo Gotti and Rick Ross


Bayou Classic

Superdome, 4p.m.

Southern University v. Grambling State University


Football & Courtyard Bar

Gasa Gasa, 7p.m.

Football and alcohol— need we say more?


Bad Girls of Burlesque

House of Blues, 8p.m.

Drinks, music and burlesque


November 29th

Saints v. Texans

NRG Stadium, 12p.m.

Nola takes on Houston


Holiday Inn

Prytania, 10a.m.

1942 flick starring Fred Astaire


Joe Krown Trio

Maple Leaf, 10p.m.

Also ft. Walter “Wolfman Washington and Russell Batiste


Gospel Brunch

House of Blues, 10a.m.

Definitely try the chicken and waffles


Hot 8 Brass Band

Howlin’ Wolf, 10p.m.

Classic NOLA jams


November 30th

Big K.R.I.T.

House of Blues, 8p.m.

Part of the Kritically Acclaimed Tour



Higher Heights Reggae Band

Blue Nile, 9p.m.

Get your reggae jams on


Glen David Andrews

b.b.a., 10p.m.

Nola jams


Aurora Nealand & Royal Roses

Maison, 7p.m.

Traditional jazz meets modernity

Snakes in the Temple

5th Circuit Court Lamps at Center of Unfolding Courtroom Mystery

The twelve sit loosely coiled holding up large opaque globes of light in the West Courtroom. Noted by everyone who appears for court, or works in the building, no one has a clue how they got there. They are the brass snake lamps of the Fifth Circuit, the most enduring mystery of a New Orleans landmark.


The Fifth Circuit Court of Appeals building, named since 1994 after Judge John Minor Wisdom, turns 100 years old next year. The Court plans to celebrate the centenary with festivities coinciding with its annual judicial conference. Six hundred people - judges, spouses, and guests -- will be on hand.  Many will remember the landmark civil rights decisions issued by the Court, often written by Judge Wisdom. Others may roam the large marble hallways designed by James Gamble Rodgers in the style of Italian Renaissance Revival, marveling over the intricate interior.


For Jesse Cannon, Assistant Circuit Executive for Space and Facilities, the coming centenary offers a chance to show the wonders and mysteries unknown to people wandering nearby Lafayette Park or hurriedly passing the front doors at 600 Camp Street. Cannon, an architect, has been studying the Wisdom Building since he first arrived during a twelve-month pilot program back in 1987.  


"We've always had a desire to learn more about this building," Cannon says.


The rattlesnakes - yes, rattlesnakes - of the West Courtroom remain mystery number one.


Cannon knows that the 12 lamps - two in front, two in back, four on each side - came with the original decor of the building. He knows the U.S. Treasury supervised the two million dollar design and construction, completed in 1915.  But that's all he knows for certain, though he researches and deduces. 


"Wherever these fixtures were formed, the lighting fixtures in the other two courtrooms had to come from the same place," he says. "It would only make sense." 


Those lamps consist of traditional bald eagles, but each room has a different design. They decorate the East and En Banc courtrooms, where the Fifth Circuit always held court.


The West Courtroom, in contrast, housed the federal district court for the Eastern District of Louisiana until 1963. The snakes oversaw all manner of federal trials. The courts left in 1963 for renovation. Hurricane Betsy changed plans. The building spent years as a temporary school; children learning by the light of the snake lamps. 


When the Fifth Circuit returned to its home in 1973, court business and personnel had increased so much that the Appeals Court took over entirely.  Today, all three courtrooms - East, En Banc (where all the judges of the Fifth Circuit will hear a case) and West - are used regularly one week a month and as well during special sessions. 


But, why snakes? 


Sure, for a room that's filled with lawyers, what better symbol can there be than rattlesnakes?  But Cannon thinks the designers had more serious intentions.


"One of the interpretations is that the snakes represented good and evil, which here in the courtroom is a pretty ideal, convenient if you will, interpretation," he says. "Also snakes represented healing. Images of serpents were placed outside temples and other religious buildings several thousand years ago to protect those temples from evil."


Think of the Rod of Asclepius or the Caduces, the basis for the symbol still used today in medicine. Cannon, belonging to the prestigious Fellow American Institute of Architects, points out that the building was clearly designed to be a judicial temple by the architect. The decor in the great marble hallways is distinctly classical in its design. Other judicial buildings created during that era have the same Greek and Roman imagery. 


In the En Banc courtroom, he points to small, grotesquely gothic faces looking down from the hand-stained ceiling.  He sees intentionality in the creation of all these complex symbols. 


"The architects certainly wanted to evoke some sense of justice and the court system," he says. "They may have done the same research and came up with these symbols from past cultures."  The great hallways contain panoplies of classical imagery.


Like all mysteries, everyone's entitled to their opinion.  The Circuit Court library has a four-page history that says of the snakes, "Some say it is an homage to Texas.  Some say it is in recognition of a famous statues called Rattlesnake by Frederic Remington." 


Cannon today works with the General Services Administration on maintenance and restoration projects.  He's primarily concerned with keeping the historical integrity of the finishings and the fixtures that were part of the original construction, including those brass rattlesnakes.  He's located blueprints, photographs, and other drawings relating to the construction of the building.  He's recently gotten the original drawings from the National Archives that are now on display. 


"Over the last 27 years or so, we've been constantly looking for source material that will give us a better understanding and appreciation of the history of the building," he says. "So it's an ongoing process." 


Someday he and the rest of the staff of the Wisdom Building hope to solve the mystery of the brass rattlesnakes.

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