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One Eyed Jacks, 9p.m.
A tribute to The Last Waltz - Part II
Smoothie King Center, 6p.m.
The world of Portlandia blazes down South
Tulane’s Dixon Hall, 2p.m.
Its not Christmas without the Nutcracker
Royal Sonesta, 8p.m.
Trumpet Mafia, Jonathan Batiste & Special Guests
Local grammy nominees take the stage
Jackson Square, 6:30p.m.
Join in the tradition of communal holiday song by candlelight in front of the Cathedral
da Dome, 12p.m.
Who dat rivals migrate to the Crescent City for some action
Tulane’s Dixon Hall, 2p.m.
Its not Christmas without the Nutcracker (final show)
Preservation Hall, 2:30p.m.
Holday jams with Lars Edegran and Big Al Carson
House of Blues, 6p.m.
A concert for Daniel Price foundation ft. Trombone Shorty, Rebirth Brass Band, TYSSON
The Joy Theater, 3p.m. & 7:30p.m.
A glow in the dark dancing light show
Snakes in the Temple
5th Circuit Court Lamps at Center of Unfolding Courtroom Mystery
The twelve sit loosely coiled holding up large opaque globes of light in the West Courtroom. Noted by everyone who appears for court, or works in the building, no one has a clue how they got there. They are the brass snake lamps of the Fifth Circuit, the most enduring mystery of a New Orleans landmark.
The Fifth Circuit Court of Appeals building, named since 1994 after Judge John Minor Wisdom, turns 100 years old next year. The Court plans to celebrate the centenary with festivities coinciding with its annual judicial conference. Six hundred people - judges, spouses, and guests -- will be on hand. Many will remember the landmark civil rights decisions issued by the Court, often written by Judge Wisdom. Others may roam the large marble hallways designed by James Gamble Rodgers in the style of Italian Renaissance Revival, marveling over the intricate interior.
For Jesse Cannon, Assistant Circuit Executive for Space and Facilities, the coming centenary offers a chance to show the wonders and mysteries unknown to people wandering nearby Lafayette Park or hurriedly passing the front doors at 600 Camp Street. Cannon, an architect, has been studying the Wisdom Building since he first arrived during a twelve-month pilot program back in 1987.
"We've always had a desire to learn more about this building," Cannon says.
The rattlesnakes - yes, rattlesnakes - of the West Courtroom remain mystery number one.
Cannon knows that the 12 lamps - two in front, two in back, four on each side - came with the original decor of the building. He knows the U.S. Treasury supervised the two million dollar design and construction, completed in 1915. But that's all he knows for certain, though he researches and deduces.
"Wherever these fixtures were formed, the lighting fixtures in the other two courtrooms had to come from the same place," he says. "It would only make sense."
Those lamps consist of traditional bald eagles, but each room has a different design. They decorate the East and En Banc courtrooms, where the Fifth Circuit always held court.
The West Courtroom, in contrast, housed the federal district court for the Eastern District of Louisiana until 1963. The snakes oversaw all manner of federal trials. The courts left in 1963 for renovation. Hurricane Betsy changed plans. The building spent years as a temporary school; children learning by the light of the snake lamps.
When the Fifth Circuit returned to its home in 1973, court business and personnel had increased so much that the Appeals Court took over entirely. Today, all three courtrooms - East, En Banc (where all the judges of the Fifth Circuit will hear a case) and West - are used regularly one week a month and as well during special sessions.
But, why snakes?
Sure, for a room that's filled with lawyers, what better symbol can there be than rattlesnakes? But Cannon thinks the designers had more serious intentions.
"One of the interpretations is that the snakes represented good and evil, which here in the courtroom is a pretty ideal, convenient if you will, interpretation," he says. "Also snakes represented healing. Images of serpents were placed outside temples and other religious buildings several thousand years ago to protect those temples from evil."
Think of the Rod of Asclepius or the Caduces, the basis for the symbol still used today in medicine. Cannon, belonging to the prestigious Fellow American Institute of Architects, points out that the building was clearly designed to be a judicial temple by the architect. The decor in the great marble hallways is distinctly classical in its design. Other judicial buildings created during that era have the same Greek and Roman imagery.
In the En Banc courtroom, he points to small, grotesquely gothic faces looking down from the hand-stained ceiling. He sees intentionality in the creation of all these complex symbols.
"The architects certainly wanted to evoke some sense of justice and the court system," he says. "They may have done the same research and came up with these symbols from past cultures." The great hallways contain panoplies of classical imagery.
Like all mysteries, everyone's entitled to their opinion. The Circuit Court library has a four-page history that says of the snakes, "Some say it is an homage to Texas. Some say it is in recognition of a famous statues called Rattlesnake by Frederic Remington."
Cannon today works with the General Services Administration on maintenance and restoration projects. He's primarily concerned with keeping the historical integrity of the finishings and the fixtures that were part of the original construction, including those brass rattlesnakes. He's located blueprints, photographs, and other drawings relating to the construction of the building. He's recently gotten the original drawings from the National Archives that are now on display.
"Over the last 27 years or so, we've been constantly looking for source material that will give us a better understanding and appreciation of the history of the building," he says. "So it's an ongoing process."
Someday he and the rest of the staff of the Wisdom Building hope to solve the mystery of the brass rattlesnakes.
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