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THE

Defender Picks

 

Lundi

June 26th

Pizza For Pitbulls

Reginelli’s, 11AM

Eat pizza to help dogs, really. Benefitting the Love A Pitbull Foundation

 

Justin Molaison

Chickie Wah Wah, 5:30PM

Happy hour tunes

 

Let’s Get Quizzical

Port Orleans Brewing Co., 6:30PM

Food, drinks, trivia

 

Salves + Infused Oils Workshop

Rosalie Apothecary, 7PM

Last class of the Heart of Herbal Medicine Series 

 

Choral Festival

St. Louis Cathedral, 7:30PM

Presented by the N.O. Children’s Choir

 

Breathe LOVE Yoga

Revolution Fitness, 7:30PM

Hatha Yoga Basics

 

Little Tybee + Cliff Hines + Friends

Hi Ho, 8PM

Elements of folk, jazz, psych, and bossa

 

Mondays with Tasche

Mags, 8PM

Vintage soul and modern blues

 

Charlie Gabriel & Friends

Preservation Hall, 8PM

Joined by Taslimah P. Bey, Djallo Djakate, Marion Hayden

 

A Motown Monday

Circle Bar, 9:30PM

With DJ Shane Love

 

Monday Music Therapy

Lucky’s, 10PM

With CSE & Natasha Sanchez

 

MARDI

June 27th

Movie Screening

Broad Theater, 5:30PM

An intimate screening of America Divided

 

Book Signing

Garden District Book Shop, 6PM

Appearences by Courtney + J.P. Sloan

 

Movie Screening

Café Istanbul, 6:30PM

Trapped: A story of women + healthcare

 

Song Writer Sessions

Foundation Room, 7PM

Supporting NOLA’s songwriting community

 

MORBID ANGEL + Suffocation

House of Blues, 7PM

With support by Withered

 

Astrology | Transits

School for Esoteric Arts, 7PM

A lecture on reading transits in natal charts

 

Boston

Saenger Theatre, 8PM

Get ready for a giant sing along

 

Blato Zlato + Toonces

Siberia, 8PM

Balkan tunes + art-rock

 

Progression

Gasa Gasa, 9PM

Static Masks, Shame, Annette Peacock Tribute

 

MERCREDI

June 28th

Noontime Talk

NOMA, 12PM

Jim Steg: New Work, with Curator Russell Lord

 

Books Beer & Bookworm Babble

Urban South Brewery, 5PM

A fundraiser for Friends of New Orleans

 

Local Intro to Oils

Monkey Monkey, 6PM

Get the 411 on essential oils

 

Rye Tasting

Grande Krewe, 6PM

A flight of rye

 

Stick To Your Guns

Republic, 6PM

With support by Hawthorne Heights

 

Free Yogalates

The Mint, 6:30PM

Part of Wine Down Wednesdays

 

WNOE Summer Jam

House of Blues, 7PM

Jerrod Neimann with Michael Ray and more

 

Comedy Gold

House of Blues, 7PM

Stand up comedy from the Big Easy

 

Corks & Colors

NOLA Yoga Loft, 7:30PM

Let the paints and wine flow

 

Weird Wednesday’s

Bar Redux, 9PM

The Extra Terrestrial Edition

 

Mighty Brother

Saturn Bar, 10PM

With Grace Pettis

JEUDI

June 29th

Essence Festival

Superdome, 10AM

All your favorites in one place

 

Talkin’ Jazz

Jazz Museum, 2PM

With Tom Saunders

 

Ogden After Hours

The Ogden, 6PM

Featuring Andrew Duhon

 

Movie Screening

Carver Theater, 6PM

FunkJazz Kafé: Diary Of A Decade 

 

Bleed On

Glitter Box, 6PM

Fundraising for We Are #HappyPeriod, powered by Refinery29

 

Book Signing

TREO, 7PM

SHOT by Kathy Shorr

 

BYO #Scored

Music Box Village, 730

Presenting “Where I’m From”

 

JD Hill & The Jammers

Bar Redux, 8PM

Get ready to jam

 

Henry & The Invisibles

Hi Ho, 9PM

With support by Noisewater

 

Soundbytes Fest Edition

Three Keys, 9PM

With PJ Morton + Friends

 

Trance Farmers

Dragon’s Den, 10PM

Support by Yung vul

 

Push Push

Banks St Bar, 10PM

With Rathbone + Raspy

 

VENDREDI

June 30th

Electric Girls Demo Day

Monroe Hall at Loyola, 1:30PM

Check out the newest inventions

 

Field to Table Time

NOPL Youth Services, 2PM

Learn how growing + cooking = saving the world

 

Dinner & A ZOOvie

Audubon Park, 6PM

A showing of Trolls

 

Movie Night in The Garden

Hollygrove Market, 7PM

A showing of Sister Act

 

Songwriter Night

Mags, 9PM

Ft. Shannon Jae, Una Walkenhorst, Rory Sullivan

 

Alligator ChompChomp

The Circle Bar, 9:30PM

Ft. DJ Pasta and Matty N Mitch

 

Free Music Friday

Fulton Ally, 10PM

Featuring DJ Chris Jones

 

Spektrum

Techno Club, 10PM

Ft. CHKLTE + residents

 

The Longitude Event

Café Istanbul, 10PM

Presented by Urban Push Movement

 

Foundation Free Fridays

Tips, 10PM

Ft. Maggie Koerner & Travers Geoffray + Cha Wa

 

Gimme A Reason

Poor Boys Bar, 11PM

Ft. Tristan Dufrene + Bouffant Bouffant

 

SAMEDI

July 1st

SLOSHBALL

The Fly, 12PM

Hosted by Prytania Bar

 

Organic Bug Management

Hollygrove Market, 1PM

Learn about pests + organic management

 

Mystic Market

Rare Form NOLA, 2PM

Author talk, live music, art and more

 

Girls Rock New Orleans

Primary-Colton, 2:30PM

The official camper showcase

 

Serious Thing A Go Happen

Ace Hotel, 4PM

Exhibit viewing, artist talk, and after-sounds

 

Art NO(w)

Claire Elizabeth Gallery, 5PM

An eye popping opening reception

 

Antoine Diel Trio

Three Muses, 6PM

With Josh Paxton + Scott Johnson

 

CAIN Ressurection

Southport Music Hall, 9PM

Support by Overtone plus Akadia

 

Grits & Biscuits

House of Blues, 10PM

A Dirty South set

 

Jason Neville Band

BMC, 11PM

With Friends for Essence Fest

DIMANCHE

July 2nd

The Greatest Show On Earth

Prytania Theater, 10AM

Dramatic lives within a circus

 

THINK DEEP

The Drifter Hotel, 2PM

Ft. RYE, Lleauna, Tristen Dufrane

 

Night Market

Secondline Arts, 6PM

With Erica Lee

 

The Story of Stories

Académie Gnostique, 7PM

Learn about the practical magic of fairy tales

 

Silencio

One Eyed Jacks, 8PM

A tribute to David Lynch

 

Alex Bosworth

Bar Redux, 9PM

With Diako Diakoff

 

Church*

The Dragons’s Den, 10PM

SHANOOK, RUS, KIDD LOVE, ZANDER

 

International Flag Party

Howlin Wolf, 11:30PM

The hottest dance party of the year

 

New Creations Brass Band

Maple Leaf, 12AM

A special closing performance

 

Setting 'Sarah'

A Facing the Stage Interview with Skin Horse Theatre



On the eve of the New Orleans Fringe theatre fest, NoDef Drama Writer Helen Jaksch, met up with Skin Horse Theater’s Nat Kusinitz and Evan Spigelman at an Uptown coffee shop to talk about the company’s upcoming production, Sarah.

 

In their second year of performing at Fringe Fest, Skin Horse Theater is a Marigny-based experimental performance collective that tries a new approach each time out. Last year's Port/Architect utilized Japanese butoh dance and a warehouse setting to engage with the audience on an active level. For this year's production, the aims for the audience are similar, but the environment is vastly different. 

 

 

Helen Jaksch: So tell me about the piece y’all are working on now.

 

Nat Kusinitz: The piece is called Sarah. It’s another site-specific piece. We’ve drawn a lot of inspiration from the space we’re working in. Last year for Port/Architect we found the space before we knew very much about the piece. We went in and walked around and the space helped generate the piece. This one we knew we wanted to be site-specific from the beginning. We wanted to do it inside a real living room. But obviously the logistics of doing it in somebody’s actual living room were not quite…

 

Evan Spigelman: You know we can’t…we didn’t want to break anyone’s nice furniture.
 

 

Nat: Yeah, you know someone actually living in this house would be difficult, but we were lucky enough to stumble across the guys at 1239 Congress, part of the BYOV Fringe where we’re doing the piece.  They had just bought this house that they were gutting and turning into a music space/art space.

 

Evan: Yeah, it’s going to be a co-op. There’s also going to be a gluten-free bakery in the back.

 

Nat: Apparently. But we are…so we are literally going to be building the living room.

 

Evan: Kinda going in the opposite direction that Port/Architect did. In Port/Architect we looked at space and aesthetics and we were responding to that. This production we are forming the space around the play. So what’s been really exciting about this is the folks over at 1239 Congress have been really, really generous with…every time [Nat] comes in with an idea, what about this crazy blah, blah, blah…they say, well can’t you make it crazier? And so they’ve been really generous with us putting up some semi-permanent things for our piece and molding the space to our needs, working with them in terms of what we can do that they will be able to use in the future once our piece is taken down and gone. It’s been really awesome and really exciting not just to see our play gestate but to watch that’s going along parallel to it, this artist’s co-op, go from seed to sprout.

 

Helen: You said the inspiration for Sarah didn’t come from the space. So where did it come from?

 

Nat: It’s hard to talk about a little bit because as we have gotten further in the process we’ve decided that there are elements of the play that we are trying to keep under wraps a little bit, which I assume, you know, once performances begin will be a little more difficult but suffice it to say…

 

Evan: A lot of our interest in Sarah came from an interest in genre where we’re really exploring very codified, very specific genres. Especially the difference between theatre and film. And so one challenge we’ve always been so puzzled by and interested in is: what is the difference between an actor and an audience’s experience of an actor in a film and in a play? So what we wanted to do with the living room concept was figure out how to get the intimacy you get from film without all the tools like editing, cinematography, underscoring—

 

Nat: Right, right. And so we’re obviously doing it in a living room so we have a very limited audience size of 20 people per audience and so the audience will literally be this close [gestures just across the small round table] and so with that type of intimacy and literally being in the same space as the actors you can get down to being very cinematic. First of all the performances I think will become a little more cinematic because it’s less about showing and projecting what you’re doing because you’re so close …If I’m sitting this close to an actor and I can see the way that their pinky is moving [makes a small circle with his pinky]. That can give me information that I would never be able to get if the actor was 50 feet away from me onstage. That’s something we’re very interested in—having the audience be able to have that type of relationship… And in this play we’re creating a scenario in which the audience is literally inside the play and the play is surrounding them on all sides which I think is very exciting.

 

Helen: And so do you see the audience having autonomy of movement in the space? Is it going to be a little more - 

 

Nat: That’s something we did in Port/Architect. The audience followed the play around and there were segments where they were allowed to do whatever they wanted. In this piece they’ll be sitting in one place the entire time. We’re working with characters, and in particular our protagonist, who are very trapped. There’s a sense of claustrophobia in the play so I think on some level we’re trying to make the audience feel trapped…

 

Evan: You’re in this very hermetically sealed domestic space.

 

Nat: And I think there’s something very fascinating about having a small audience; it allows for a lot of things. You can’t really disappear.

 

Evan: No safety in small numbers.

 

Nat: There’s no safety, so I think it will be very interesting to see how the audience behaves.

 

Evan: I wonder how many people will hold their coughs and sneezes and things.

 

Helen: I feel like they’re going to be hyper-aware of their presence in that space.

 

Nat: I mean hopefully we’ll be able to…to create a sense that they are these invisible…

 

Evan: Voyeurs. And that’s something that you know, that film doesn’t have as much of a capacity to do. You look at something like Rear Window which is like the voyeur film. It’s more a comment. You still have the separation of the screen and me being somewhere else.

 

Helen: What’s been the development process of this as you’ve gone through?

 

Nat: It’s funny.  This has been a piece we’ve been thinking about for a very, very long time and pretty much the only consistent thing has been this relationship to film that we’re interested in exploring and also the idea that it would take place inside a house. So it’s gone through a lot of different incarnations and finally we landed on this one story we were all really interested in and we’ve been developing that story together for a very long time. And then eventually we handed that off to Brian [Dorsam] who went off and wrote the script. He brought it back to us.

 

Evan: I think it’s interesting…I imagine that a lot of the other theatre companies in town would say this. There’s no one way to make original work. And we’ve found that every time we do something it’s entirely different.

 

Nat: Yeah, we’ve had to reinvent our process for every new project.

 

Evan: So I think in a weird way this has been the most traditional because we have…before, we have written scripts completely together where we pass around a scene between the five of us or all revise together. This time around we have a playwright and a production team and while we came up with the concept and the story together, now we have those two pieces separate.

 

Nat: It’s also the one thing that I think is really exciting about this is this is the first time that we’ve been… it’s been the closest thing to a strict dramatic narrative that we’ve ever done. We were looking at a lot of Edward Albee because, you know, Who’s Afraid of Virginia Woolf? And this dinner party.

 

Evan: And Albee is interesting because you hear dinner party…well that sounds like every play I’ve ever seen, but in a good way. That’s why Albee is so interesting. Because he takes those concepts that were not new when he was writing and he makes the space feel poisonous.

 

Nat: Yeah. Exactly.

 

Evan: Even though the set-up is completely banal.

 

Nat: And that’s a lot of what we’re working with. A lot of the tension in the play. There’s a lot of elephants in the room within this play and a lot of tension surrounding the things that the characters can’t do and don’t say to one another as opposed to what they do say and do.

 

Evan: And hopefully if we do our job right the space itself will become an agent in all those misdirections. We’re trying to find all kinds of ways to infuse the space with character.

 

Nat: The house is…There are four actors in the play. The house is the fifth character.

Sarah runs as part of the New Orleans Fringe Festival November 17th-20th at 9:00pm at 1239 Congress. A practice performance will be held during NOLA Open Studios on Sat., Nov. 12. For more info, check out www.skinhorsetheater.org

Thanks for the interview,

Thanks for the interview, Helen! Just wanted to clarify; we will be teching during the open studios today, not offering a press performance. But if anyone wants to get a little peek behind the curtain, we encourage them to swing by! Thanks again Helen!!

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Contributors

Renard Boissiere, Evan Z.E. Hammond, Naimonu James, Wilson Koewing, J.A. Lloyd, Nina Luckman, Dead Huey Long, Joseph Santiago, Andrew Smith, Cynthia Via, Austin Yde

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Art Director

Michael Weber, B.A.

Editor

Alexis Manrodt

Listings Editor

Linzi Falk

Editor Emeritus

B. E. Mintz

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Stephen Babcock

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