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Lagniappe

 
THE

Defender Picks

 

LUNDI

September 15th

Aurora Nealand & The Royal Roses
Maison, 7p.m.

Nealand and her band have a fresh take on traditional jazz

 

Alexis & the Samurai
Chickie Wah Wah, 8p.m.

Indie folk duo perform every Monday

 

Panorama Jazz Band
Gasa Gasa, 10p.m.

Local jazz with international influence

 

Natural Blonde, Genders, Gold and the Rush
One Eyed Jacks, 9p.m.

Garage pop and shoegaze from NOLA and Portland, OR

 

South Jones
Banks St. Bar, 9p.m.

Come early for free red beans & rice

MARDI

September 16th

Jesmyn Ward: Men We Reaped
Garden District Books, 6-7:30p.m.

Mississippi-born writer presents her new book

 

WYES Beatles Tribute
Tad Gormley Stadium, 7p.m.

All ages-tribute show ft. The Fab Four ($40)

 

Lydia Loveless
One Eyed Jacks, 9p.m.

Alt-country songwriter brings punk to honky tonk

 

Stanton Moore Trio
Snug Harbor, 10p.m.

Moore, Singleton, and Torkanowsky play Frenchmen on Tuesdays in September ($15)

 

Open Ears Music Series
Blue Nile, 10p.m.

This week ft. Rob Wagner's String Thing

MERCREDI

September 17th

Demi Lovato
Lakefront Arena, 7p.m.

Former Disney star’s world tour comes to UNO ($28+)

 

Tin Men
d.b.a., 7p.m.

The world’s premiere washboard-sousaphone-guitar trio

 

Kelcy Mae
BEATnik, 8p.m.

NOLA songwriter combines folk, Americana, bluegrass, and pop

 

Treme Brass Band
Candlelight Lounge, 9p.m.

See the legendary band on their home turf

 

GHOUL, Black Anvil, Six Pack
Siberia, 10p.m.

Super-dark black metal and thrash metal ($10)

JEUDI

September 18th

Jazz in the Park
Armstrong Park, 4-8p.m.

This week ft. Shamar Allen and the Underdawgs and Colin Lake

 

Thursday Nights At Twilight
City Park Botanical Garden

This week ft. John Autin

 

Ogden After Hours
Ogden Museum, 6-8p.m.

This week ft. Edward David Anderson

 

Micah McKee and Little Maker
Blue Nile, 7p.m.

Folksy local singer-songwriter

 

Earth, King Dude
One Eyed Jacks, 7p.m.

Minimal instrumental and drone metal pioneers

 

A Lie of the Mind
Midcity Theatre, 7:30p.m.

Sam Shepard’s award-winning play looks deep into families’ anguish ($20)

 

Vanya and Sonia and Masha and Spike
Le Petit Theatre, 8p.m.
Christopher Durang’s Tony-winning comedy takes Chekhovian figures to Pennsylvania ($35+)

 

The Noise Complaints
Circle Bar, 10p.m.
Two-man NOLA rock’n’roll

 

Timecode:nola Premiere Party
d.b.a., 10p.m.
Filmmakers debut original shorts, each shot on one roll of Super 8 film

VENDREDI

September 19th

Music Under the Oaks
Audubon Park Newman Bandstand, 4:30-6p.m.

This week ft. Loyola Jazz Alumni Jam

 

Friday Nights at NOMA
NOMA, 5-10p.m.

Music by Cindy Scott and an outdoor screening of Sunset Boulevard

 

Makers: Women in Comedy
Ashé Cultural Arts Center, 6p.m.
Part of a PBS series on women in historically male-dominated industries (free)

 

Concerts in the Courtyard
Historic N.O. Collection, 6-8p.m.
This week ft. Debbie Davis and the Mesmerizers ($10)

 

2014: A Strauss Odyssey
Mahalia Jackson Theatre, 7:30p.m.
LPO’s 2014-2015 season kicks off ft. soprano Susanna Phillips ($20-$99)

 

A Lie of the Mind
Midcity Theatre, 7:30p.m.
Sam Shepard’s award-winning play looks deep into families’ anguish ($20)

 

Tim and Eric
The Civic, 8p.m.
Adult Swim goofs bring their absurd comedy tour to NOLA ($40)

 

Thin Walls
Shadowbox Theater, 8p.m.
A dark comedy by Michael Allen Zell

 

Vanya and Sonia and Masha and Spike
Le Petit Theatre, 8p.m.
Christopher Durang’s Tony-winning comedy takes Chekhovian figures to Pennsylvania ($35+)

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.
The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

 

Dax Riggs
One Eyed Jacks, 9p.m.
Local metal legend

 

Katey Red, Chilldren, Magnolia Rhome
Siberia, 9p.m.
Bounce night also ft. BJ So Cole, Da Danger Boyz, DJ Lil Man


Soul Sister’s 8th Annual Birthday Jam
Tipitina’s, 10p.m.
Ft. DJ Soul Sister and DJ Maseo of De La Soul

 

Debauche, Smoke n Bones
Maison, 10:30p.m.
Russian folk-punk and NOLA funk at Maison tonight

SAMEDI

September 20th

Pratik Patel of the African Wildlife Trust
Audubon Zoo, 6p.m.
Tanzanian wildlife official speaks on conservation

 

A Lie of the Mind
Midcity Theatre, 7:30p.m.
Sam Shepard’s award-winning play looks deep into families’ anguish ($20)

 

Thin Walls
Shadowbox Theater, 8p.m.
A dark comedy by Michael Allen Zell

 

Vanya and Sonia and Masha and Spike
Le Petit Theatre, 8p.m.
Christopher Durang’s Tony-winning comedy takes Chekhovian figures to Pennsylvania ($35+)

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.
The NOLA Project presents a stage adaption of Ken Kesey’s classic ($30)

 

Dr. John & The Nite Trippers
Joy Theater, 9p.m.
A New Orleans legend returns home from tour

 

Afghan Whigs
Civic, 9p.m.
Cincinnati alt rockers return with their first new album in a decade ($30)

 

Lost Bayou Ramblers, The Other Planets
One Eyed Jacks, 9p.m.
Get lost with this Grammy-nominated Cajun band

 

Black & Gold Kick Off Party
Tipitina’s, 10p.m.
Celebrate Saints season with Dumpstaphunk, Good Enough For Good Times, & Gypsyphonic Disko ($17)

 

Merchandise
Siberia, 10p.m.
Tampa post-punk; playing with Direct Attack, Heat Dust, TV-MA ($8)

 

Siren Sea
Circle Bar, 10p.m.
Independent pop duo from Dallas ($5)

 

Big Sam's Funky Nation
Blue Nile, 10p.m.
Trombonist "Big Sam" Williams leads this municipality of Who Dat Nation

 

Hot 8 Brass Band
d.b.a., 11p.m.

Experience the brass band that locals love ($10)

 

Debauche
Carrollton Station, 11p.m.
NOLA’s only Russian Mafia band play a late-night show Uptown

DIMANCHE

September 21st

Saints vs. Minnesota Vikings
Superdome, 12p.m.

First home game of the regular season. Geaux Saints!!

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 2p.m.
The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

 

Thin Walls
Shadowbox Theater, 4p.m.
A dark comedy by Michael Allen Zell

 

Louisiana History Alive!
Shadowbox Theatre, 8p.m
.
This month ft. Baroness Pontalba and "Mother of Orphans" Margaret Haughery

 

Gal Holiday & the Honky-Tonk Revue
Chickie Wah Wah, 8p.m.

Authentic N.O. honky-tonk rock

 

Hot 8 Brass Band
Howlin Wolf Den, 10p.m.
Experience the brass band locals love

 

Elaine Greer
Circle Bar, 10p.m.
Singer-songwriter based in Austin, TX ($5)


Seeing the Elephant

Traveling Exhibit of Civil War Photographs Charges NOMA



Cheryl Castjohn sifts through a Metropolitan Museum of Art exhibit of Civil War photographs that arrived at NOMA this week.

 

In an instant, The New York Times' vast search capabilities produce an excerpt from a March 1, 1861, item explicating the wartime Americanism. The piece describes a mid-19th century farmer who has become preoccupied with seeing an elephant firsthand, to the point of obsession. As the story goes, when he finally meets the juggernaut, the encounter leaves his horse frightened, his wagon smashed, his eggs and poultry ruined, and the farmer inexplicably thrilled to have finally lived out his dream. Having derived from this, “seeing the elephant” came to describe a situation where the fervor of war met the immovable object that was our federal government, a force formerly known simply as the Union.

 

The Civil War would break out 42 days later on April 12. "Seeing the elephant” became a euphemism for going to war, an ominous allusion to the fratricidal conflict that nearly tore America into two.  It would endure 1,488 days; leave 750,000 dead; and thus expend an average of 504 lives per day throughout its official duration until May 10, 1865.

 

Photography was a mere 20 years old in 1861, and the medium intertwined its destiny with the American Civil War instantly and permanently in a way that Metropolitan Museum of Art curator Jeff Rosenheim has spent five intensive (and 10 total) years unraveling, often with his bare hands.

 

The results of that work are now on view at the New Orleans Museum of Art in the Met-organized exhibit, Photography and the American Civil War. With more than 200 photographs sprawling throughout the several rooms of both the Templeman Galleries and Lupin Decorative Arts Center on NOMA’s second floor, the exhibit offers so much beyond the so-called two-dimensional photograph. The inclusion of many ambrotype and tintype cased images shows countless would-be heroes heading off to defend their interests. We glimpse their expressions in these portraits both before and after “seeing the elephant” that was the juggernaut of Union solidarity. 

 

The affordability and relative ease of photographic portrait-making had already begun to transform American life. Soldiers were having their photos taken in uniform and then leaving the pictures behind with loved ones as cartes de visites, photos characterized by their brave allegiance or fierce fighting prowess.  Some tilted their chins gallantly skyward, others sat with weapons in hand. A group of young Confederates brandish clunky but daunting Bowie knives in one photo, as they quite literally rush off to a war that was unquestionably a gun fight. When Rosenheim begins to describe the knives as “talismanic,” the exhibit’s true spirit begins to take shape. 

 

Photography and the American Civil War illuminates the point of quickening that took place when war and pictures met, and how this intense relationship has shaped ours into the visual culture it certainly has become. A medium that hadn't quite reached legal adulthood, photography turned out to be a remarkably effective democratizer. Poor people could now afford to have their pictures made. Charming photographers competed for business by taking their studios on the road in the form of skylit canvas tents. 

 

All in all, around 2000 photographers shot roughly 1 million pictures during the Civil War period. 

 

The show’s highlights include a game board whose light spaces are Union soldier portraits, an intricately carved tagua nut necklace featuring a likeness of Jefferson Davis, and several stereographs through which visitors can peer into a three-dimensional history. One stereograph has been modified to house an iPad slide show, an innovation by Rosenheim created specifically for the show. Another room is entirely devoted to the story of Reed Brockway Bontecou, a Civil War doctor who used the medium to further the care of his patients. This portion of the exhibit is a little grisly, but through the curator’s eyes we see Bontecou doing all the good that he can, by all the means that he can. The doctor created photographic patient records with the purpose of improving overall patient care. 

 

NOMA Curator of Photographs Russell Lord speculated that only the Met could summon such a wealth of artifacts and produce a show of this caliber and magnitude.  Featured at one point in the exhibit is a story of a group of emancipated New Orleans slaves who were taken to Philadelphia for the purpose of being photographed.  Meant to raise enlistment, morale and money for the Union cause, the photos would be sold and distributed as proof that the North was achieving its goals. Rosenheim notes the wide range of skin tones from dark to light evident in a group shot of the slaves.  Such proof of the miscegenation that occurred within slavery’s history makes the viewer painfully aware of the sexual enslavement of black women that occurred increasingly until the entire practice was finally abolished.

 

Rosenheim admits that his search for medical photography in particular yielded fantastical results beyond his expectation. From a live shot of a field surgery to patients seated on cots awaiting treatment in another, and finally a 10,000-patient facility, these likenesses in Rosenheim’s traveling show are the stuff that inspires cinema today. The changing visages and deforming bodies of wounded soldiers are lost physical evidence preserved solely by the advent of photography. At this juncture, Rosenheim marvels over the discoveries yet to be made public, with family photos remaining as the exhaustive databases from which lost histories can be reclaimed.

 

Photography and the American Civil War is on display at the New Orleans Museum of Art through May 4. Special admission rates apply for the exhibition.

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock