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THE

Defender Picks

 

MARDI

September 2nd

Yulman Stadium Dedication
Tulane Yulman Stadium, 3-5p.m.
Opening ceremonies for the Green Wave’s new stadium
 

Hidden Treasures: Restaurant Edition
Old U.S. Mint, 6 & 7p.m.
Two nightly tours of the Louisiana State Museum’s collection of restaurant ephemera ($20)

 

Progression Music Series
Gasa Gasa, 8p.m.
This week ft. Barry's Pocket + Christin Bradford Band

 

Comedy Beast
Howlin Wolf Den, 8:30p.m.
Free comedy show

 

Nik Turner's Hawkwind, Witch Mountain, Hedersleben, Mountain of Wizard
Siberia, 9p.m.
Hawkwind and Space Ritual saxophonist still touring the world ($12)

 

Punk Night
Dragon’s Den, 10p.m.
This week ft. The Boy Sprouts, The Noise Complaints, Mystery Girl, Interior Decorating

MERCREDI

September 3rd

Restaurant Week Kickoff Party
The Chicory, 6-8p.m.
The Restaurant Association invites the public to sample bites and libations ($25)

 

The He and She Show
Siberia, 6p.m.
Live stand-up ft. Doug and Teresa Wyckoff, Andrew Polk, Molly Rubin-Long, Duncan Pace ($7)

 

Katy Simpson Smith: The Story of Land and Sea
Columns Hotel, 7p.m.
Author presents her debut novel of the American Revolution

 

Alien Ant Farm
Southport Hall, 7:30p.m.
With H2NY, Kaleido, Music from Chaos ($15)

 

Pocket Aces Brass Band
Howlin Wolf Den, 8p.m.
Get your funky brass fill on a Wednesday ($5)

JEUDI

September 4th

Carol McMichael Reese: New Orleans Under Reconstruction
Garden District Book Shop, 6p.m.
Panel discussion by contributors to this informed book on post-Katrina N.O.

 

Katy Simpson Smith: The Story of Land and Sea
Octavia Books, 6p.m.
Author presents her debut novel of the American Revolution

 

Hidden Treasures: Restaurant Edition
Old U.S. Mint, 6 & 7p.m.

Two nightly tours of the Louisiana State Museum’s collection of restaurant ephemera ($20)

 

Ogden After Hours
Ogden Museum, 6-8p.m.

This week ft. Mike Dillon, James Singleton and Johnny Vidacovich

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.

The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

VENDREDI

September 5th

Music Under the Oaks
Audubon Park Newman Bandstand, 4:30-6p.m.

This week ft. John Mahoney Big Band

 

Mark Shapiro: Carbon Shock
Octavia Books, 6p.m.

Journalist’s new book explores intersection of environment and economics

 

Dernière séance
Alliance Française, 7p.m.
A cinema manager turns killer when he learns his beloved theater will close ($5)

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.

The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

 

Foundation Free Fridays: Flow Tribe
Tiptina’s, 10p.m.

CD Release party with Cha Waa, Seven Handle Circus

 

Freddy Mercury Night
Neutral Ground Coffeehouse, 10p.m.

Is this real life? Is just fantasy?

 

Royal Teeth, Coyotes
Freret Street Publiq House, 10p.m.

Local indie pop & rock on Freret

 

G-Eazy
Republic, 11p.m.
Loyola grad returns to his home stage ($20)


Room 220: Novelist Carmen Boullosa at Loyola


from Room 220

Mexican novelist Carmen Boullosa will give a presentation related to her new Spanish-language novel, Tejas, at 7 p.m. on Thursday, March 7, in Nunemaker Auditorium on Loyola University New Orleans’ campus (6363 St. Charles Ave.). Boullosa is one of Mexico’s leading novelists, poets and playwrights.

 

Her presentation Thursday will focus on the Mexican-American War and Mexico’s loss of the Texan territory, key events in her latest book. Boullosa is a distinguished lecturer at City College in New York, and has been a fellow at New York Public Library and the Guggenheim Foundation. Some of her other novels are translated into English, including They’re Cows, We’re Pigs, Leaving Tabasco, and Cleopatra Dismounts.

 

From the BOMB magazine interview with Boullosa:

 

Ruben Gallo: A number of your books, including They’re CowsLlanto andDuerme [1994] are stories set in specific historical settings. How do you weave historical material into your fiction? What books did you read to get a sense of what life was like in the period you were describing? Do you use documents from archival sources?

 

Carmen Boullosa:In the three novels you mention, fiction and reality were equally important to me. Each of these novels was born as a powerful and seductive imaginary world—a universe I yearned to enter, where I could give free rein to my imagination. At the same time, I was fascinated by the historical context, and with each project, I began to explore and research the period. My curiosity pulled me in two opposite directions: I read original documents and historical commentaries, and I thought about the past constantly, 24 hours a day—I wanted to give new life to those events and bring them into the present. At the same time, I needed to transform history into fiction: characters and events had to be worked through, elaborated, fine-tuned, and adapted to the imaginary world of the novel. After reading documents and historical treatises, I began to write the novel, and this, for me, is a craft not unlike bricklaying. I’m not thinking of American construction workers, who arrive with ready-made walls and simply put them in place, but about Mexican bricklayers who painstakingly erect a building stone by stone, brick by brick. If you place a rock in the wrong place, it all comes tumbling down. And in a novel, if you put a sentence in the wrong place, the fictional building comes tumbling down.

 

I never feel that I have to be true to history: I have to be true to my story, so that it holds up. My novels use historical scenarios, but they are not at the service of history: they are neither memoirs nor testimonies. Like all novelists, I like reality, and I also like to betray reality by correcting its flaws and ultimately reinventing it.

This event is free and open to the public.




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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock