Search
| ,
| RSS | |

SECTIONS:

 

Arts · Politics · Crime
· Sports · Food ·
· Opinion · NOLA ·
Lagniappe

 
THE

Defender Picks

 

SAMEDI

February 25th

Krewe of Iris

Uptown-St. Charles Route, 11AM

All-female group is one of Carnival's oldest krewes

 

Krewe of Tucks

Uptown-St. Charles Route, 12PM

1,300 men and women make up one of the most satirical and irreverent krewes in Mardi Gras

 

Krewe of Endymion 

Mid-City Route, 4:15PM

One of the biggest and most extravagant parades, Endymion is long enough to last all night

 

Big Freedia

One Eyed Jacks, 9PM

Bounce Queen moves ‘dat azz

 

Leroy Jones Quartet

The Bombay Club, 8:30PM

Classic jazz trumpet

 

Sticky Fingers

House of Blues, 8PM

Australian reggae rockers

 

SiriusXM Jam On Presents: Galactic

Tipitina’s, 11PM

First-rate funk band is joined tonight by Stoop Kids

 

Hustle with DJ Soul Sister

Hi-Ho Lounge, 11PM

Underground disco and rare groove dance party 

 

Rebirth Brass Band

Howlin’ Wolf, 10PM

Beloved brass band takes the stage

 

Washboard Chaz Blues Trio

Blue Nile, 7PM

The iconic Washboard Chaz takes a break from the Tin Men to lead this trio 

DIMANCHE

February 26th

Krewe of Okeanos

Uptown-St. Charles Route, 11AM

Celebrating it's 68th year, Okeanos is heavy on tradition

 

Krewe of Mid-City

Uptown-St. Charles Route, 11:45AM

Yes, the Mid-City krewe is parading along the Uptown route

 

Krewe of Thoth

Uptown-St. Charles Route, 12PM

Thoth seeks to bring Carnival joy to the sick and infirm 

 

Krewe of Bacchus

Uptown-St. Charles Route, 5:15PM

Celebrating the God of wine, feasts, and general good times, Bacchus is one of the most anticipated parades 

 

Sweet Megg and the Wayfarers

Rare Form, 4PM

NYC-based hot jazz, blues and swing

 

Palmetto Bug Stompers 

d.b.a., 6PM

Local trad jazz masters

 

Academy Awards Watch Party

Prytania Theatre, 6PM 

Enjoy snacks, cocktails and more as the rich & famous vie for those golden statuettes ($25)

 

Swingin’ Sundays

The Allways Lounge, 8PM

Weekly recurring dance lessons to live swing music (FREE)

 

LEON + Jacob Banks

Gasa Gasa, 10PM

European invasion from Swedish indie pop star LEON and UK-based R&B singer Jacob Banks ($15)

 

Dumpstaphunk + Miss Mojo

Howlin' Wolf, 10PM

Ivan & krewe bring da funk, joined by Miss Mojo

 

Big Chief Monk Boudreaux & John Papa Gros

d.b.a., 11PM

Golden Eagles Chief brings Mardi Gras Indian funk

 

Jason Neville Band

Vaso, 11PM

Get Up, Get Down, Get Funky, Get Loose


Richard's Roost

Artist Jim Richard Talks About Making Himself at NOMA, and Starting Over



Jim Richard’s “Make Yourself at Home,” on view at the New Orleans Museum of Art through February 24, 2013, remains one of the best shows of the year. A modernist journey through the colorful interiors of homes filled with a mix of high art, tchotchkes, and period furniture, Richard’s twelve-work exhibit showcases his deep knowledge of contemporary and historical art alongside refined technical skill, and pokes a little fun at modern art in the meantime.

 

When not creating paintings and collages, Richard teaches painting at the University of New Orleans. Below, he answers a few questions about “Make Yourself at Home” and his creative process for NoDef. 

 

NOLA Defender: How long does it take you to complete a painting, from your beginning collage(s) to the final work? What does your process look like?

 

Jim Richard: The paintings vary wildly in time consumed. A friendly one can take a few weeks, a difficult one requiring more than usual repainting can take a couple of months. Paintings on paper and collages, of course, go much faster. These days, my planning process is more and more dependent on the computer. I scan in hundreds of images and use them as digital collage material. I use the finished digital collages as models for paintings and works on paper. I also regularly do cut-and-paste collages, some of which become models for paintings.

 

ND: Do you find inspiration in others’ houses? (And do people open their houses to you?)

 

JR: I collect my interior images from books, magazines and advertising. I avoid using houses of people I know, because it makes them too vulnerable to negative comments about their taste in décor when my shows are reviewed in newspapers or magazines.

 

ND: After your studio was destroyed during Katrina, you began collaging. How else did you deal with the loss of your past work?

 

JR: After Katrina, the most difficult loss was the forty years’ worth of records of all the work I have done. I was able to retrieve some of that from past galleries, but much is just gone. As for the lost works themselves, I just put all my focus on new work. Each new piece was part of a fresh start.

 

ND: Where do you see your style moving?

 

JR: Stylistically, I am trying to use Photoshop and Illustrator to break up and simplify my complex images. For many years, I used a dark, cartoon-like contour line to delineate every item in my compositions. Lately, I have eliminated that outline, which has allowed for considerably more freedom. I am also allowing the computer to offer me color possibilities that can make my color choices less predictable.

ND: What do you focus on in your classes at UNO?

 

JR: At UNO, I encourage students to be young artists of their own time, to look at as much contemporary art as possible (along with their art historical favorites) and to measure their success against the best art they have seen. My goal is to get them to see and think like artists. I talk a great deal about technique, but that is not my primary focus. Once they are able to picture good art, they are absolutely ingenious at finding their own ways to make it happen.

 

ND: Who are your favorite contemporary artists, both in and beyond New Orleans?

 

JR: My earliest influences were the French and German modernists, then the Abstract Expressionists, then Pop and Conceptualism/Minimalism. I was especially affected by the Rauschenberg Combine pieces and the Lichtenstein paintings of brushstrokes. On the side, I was very interested in the Bay Area Figurative Painters of the 50s/60s.

 

I look at a great deal of contemporary work, including many young artists. Some people off the top of my head are Rachel Harrison, Tom Sachs, Tim Hawkinson, Martha Rosler, Wayne Gonzales, Jessica Stockholder, Tom Friedman, Thomas Nozkowski, Sara Sze, Robert Irwin, Gerhard Richter, and Tara Donovan.

 

“Make Yourself at Home” is displayed in NOMA’s Great Hall. It’s more than worth a trip to City Park to see Richard’s works over the last 19 years of his career!

view counter
view counter
view counter
view counter
view counter
view counter
Follow Us on Facebook
view counter
view counter
view counter


Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Listings Editor


Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock