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THE

Defender Picks

 

VENDREDI

July 25th

Friday Nights at NOMA
NOMA, 5-9p.m.
Murals On Screen film series begins with Multiple Perspectives: the Crazy Machine

 

Gal Holiday & the Honky-Tonk Revue
Siberia, 6p.m.
Authentic N.O. honky-tonk rock (free)

 

Zephyrs vs. Omaha
Zephyr Stadium, 7p.m.
Local baseball in Metairie

 

Closed Curtain
Zeitgeist, 7:30p.m.
Jafar Panahi made his new film despite Iran’s ban on his work

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about the social effects of the Iraq War ($20)

 

Johnny Angel & Helldorado
Old U.S. Mint, 8p.m.
Country Western swing from New Orleans ($10)

 

Gisela in Her Bathtub & A Hand of Bridge
Marigny Opera House, 8p.m.
9th Ward Opera Company presents two one-act operas ($20)

 

King Buzzo, Dax Riggs
One Eyed Jacks, 9p.m.
Melvins leader goes solo acoustic ($15)

 

The Hood Internet, Jermaine Quiz
Hi-Ho Lounge, 9p.m.
Mashup DJ extraordinaires ($12)

 

PUJOL, Natural Child, Heavy Lids, Planchettes
Siberia, 10p.m.
Garage rock from Nashville & NOLA

 

Foundation Free Fridays
Tipitina’s, 10p.m.
This week ft. Eddie Roberts & Friends

 

Rocky Horror Picture Show
Prytania, 10p.m.
Ft. The Well Hung Speakers shadow cast

SAMEDI

July 26th

Hush… Hush, Sweet Charlotte
Historic New Orleans Collection, 10:30a.m.
1964 film stars Bette Davis, Olivia de Havilland, Joseph Cotten

 

Renee Broadhead: Unveiled and P.L. Jones: Bonded By Blood
Garden District Books, 2-3:30p.m.
Two YA authors read from their supernatural novels

 

Big Easy Rollergirls Double Header
UNO Human Performance Center, 5p.m.
vs. Hattiesburg & Chicago ($15)

 

Zephyrs vs. Omaha
Zephyr Stadium, 6p.m.
Local baseball in Metairie

 

Symbols of the Illuminati in New Orleans
Zeitgeist, 6:30p.m.
They’re reeeeeal (presented by Tony Green)

 

New Orleans Voodoo vs. San Antonio Talons
Smoothie King Center, 7p.m.
Local arena football

 

Ceremony, Nothing, Back to Back, Heat Dust
Mudlark, 7p.m.
Cali & Philly punk rock ($5)

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about the social effects of the Iraq War ($20)

 

Gisela in Her Bathtub & A Hand of Bridge
Marigny Opera House, 8p.m.
9th Ward Opera Company presents two one-act operas ($20)

 

Steely Dan
Lakefront Arena, 8p.m.
Kings of cool-dad rock ($62+)

 

Bantam Foxes
Old U.S. Mint, 8p.m.
Local indie band incorporates fuzzy blues rock ($10)

 

Rocky Horror Picture Show
Prytania, 10p.m.
Ft. shadow cast the Well Hung Speakers

 

HUSTLE!
Hi-Ho Lounge, 11p.m.
DJ Soul Sister’s rare groove dance party
 


Richard's Roost

Artist Jim Richard Talks About Making Himself at NOMA, and Starting Over



Jim Richard’s “Make Yourself at Home,” on view at the New Orleans Museum of Art through February 24, 2013, remains one of the best shows of the year. A modernist journey through the colorful interiors of homes filled with a mix of high art, tchotchkes, and period furniture, Richard’s twelve-work exhibit showcases his deep knowledge of contemporary and historical art alongside refined technical skill, and pokes a little fun at modern art in the meantime.

 

When not creating paintings and collages, Richard teaches painting at the University of New Orleans. Below, he answers a few questions about “Make Yourself at Home” and his creative process for NoDef. 

 

NOLA Defender: How long does it take you to complete a painting, from your beginning collage(s) to the final work? What does your process look like?

 

Jim Richard: The paintings vary wildly in time consumed. A friendly one can take a few weeks, a difficult one requiring more than usual repainting can take a couple of months. Paintings on paper and collages, of course, go much faster. These days, my planning process is more and more dependent on the computer. I scan in hundreds of images and use them as digital collage material. I use the finished digital collages as models for paintings and works on paper. I also regularly do cut-and-paste collages, some of which become models for paintings.

 

ND: Do you find inspiration in others’ houses? (And do people open their houses to you?)

 

JR: I collect my interior images from books, magazines and advertising. I avoid using houses of people I know, because it makes them too vulnerable to negative comments about their taste in décor when my shows are reviewed in newspapers or magazines.

 

ND: After your studio was destroyed during Katrina, you began collaging. How else did you deal with the loss of your past work?

 

JR: After Katrina, the most difficult loss was the forty years’ worth of records of all the work I have done. I was able to retrieve some of that from past galleries, but much is just gone. As for the lost works themselves, I just put all my focus on new work. Each new piece was part of a fresh start.

 

ND: Where do you see your style moving?

 

JR: Stylistically, I am trying to use Photoshop and Illustrator to break up and simplify my complex images. For many years, I used a dark, cartoon-like contour line to delineate every item in my compositions. Lately, I have eliminated that outline, which has allowed for considerably more freedom. I am also allowing the computer to offer me color possibilities that can make my color choices less predictable.

ND: What do you focus on in your classes at UNO?

 

JR: At UNO, I encourage students to be young artists of their own time, to look at as much contemporary art as possible (along with their art historical favorites) and to measure their success against the best art they have seen. My goal is to get them to see and think like artists. I talk a great deal about technique, but that is not my primary focus. Once they are able to picture good art, they are absolutely ingenious at finding their own ways to make it happen.

 

ND: Who are your favorite contemporary artists, both in and beyond New Orleans?

 

JR: My earliest influences were the French and German modernists, then the Abstract Expressionists, then Pop and Conceptualism/Minimalism. I was especially affected by the Rauschenberg Combine pieces and the Lichtenstein paintings of brushstrokes. On the side, I was very interested in the Bay Area Figurative Painters of the 50s/60s.

 

I look at a great deal of contemporary work, including many young artists. Some people off the top of my head are Rachel Harrison, Tom Sachs, Tim Hawkinson, Martha Rosler, Wayne Gonzales, Jessica Stockholder, Tom Friedman, Thomas Nozkowski, Sara Sze, Robert Irwin, Gerhard Richter, and Tara Donovan.

 

“Make Yourself at Home” is displayed in NOMA’s Great Hall. It’s more than worth a trip to City Park to see Richard’s works over the last 19 years of his career!

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Managing Editor

Stephen Babcock

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.