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THE

Defender Picks

 

Jeudi

April 24th

Big Freedia, The Star Steppin' Cosmonaughties, & More

Armstrong Park (3 p.m.)

Jazz in the Park continues with bounce, dance, and Kermit Ruffins & the Barbeque Swingers 

 

New Orleans Nightingales

The Allways Lounge (9 p.m.)

Jazz Fest series gala kick off  

 

The Trio feat. Eric "Jesus" Coomes, Nicholas Payton

Maple Leaf (10 p.m.)

Funk bassist + New Orleans’ BAM (Black American Music) trumpeter  

 

Tinariwen and Bombino

House of Blues (9 p.m.)

Desert rock inspired by the Sahara  

 

Bayous de Vilaine

Ogden Museum (6 p.m.)

Sippin' in Seersucker trunk show from Jolie & Elizabeth, plus music for tonight's after hours event 

 

Cirque d'Licious

Hi-Ho Lounge (10p.m.)

Ginger Licious hosts cabaret, burlesque, vaudeville and more!

 

Soul Rebels

Les Bon Temps Roule (11p.m.)

Roll with the Rebels on Magazine

 

 

 

Vendredi

April 25th

Jazz Fest

Fair Grounds (11 a.m.- 7 p.m.)

Headliners include The Avett Brothers, Public Enemy and, Aurora Nealand 

 

Underground Railroad Film Screening

NOMA (5 p.m.)

Fridays at NOMA features art and music inside, film in the Sculpture Garden, plus food and drink 

 

Rotary Downs + Mike Dillon 

Gasa Gasa (9 p.m.)

New Orleans psych pop, rock n' roll 

 

Backbeat Jazz Fest Series  

Blue Nile (10 p.m.)

Soul Rebels, Nigel Hall & the Congregation, and more 

 

Nina Simone Tribute

Cafe Istanbul (11 p.m.)

Tank and the Bangas + Mykia Jovan 

 

Andrew Duhon

Circle Bar (10 p.m.)

Local bluesy singer/songwriter  

 

Trombone Shorty + Orleans Ave.

House of Blues (8 p.m.)

Plus New Breed Brass Band. Tickets are $50  

 

Dumpstaphunk + Easy All Stars + More

Howlin' Wolf (10 p.m.)

Ivan Neville's band joins fellow funk bands on stage, with the Roosevelt Collier Band 

 

Bootsy Collins + DJ Soul Sister

Joy Theater (9 p.m.)

Funk legend joins New Orleans' own queen of rare grooves 

Samedi

April 26th

Jazz Fest

Fair Grounds (11 a.m.- 7 p.m.)

Headliners include Robin Thicke, 101 Runners, Branford Marsalis Quartet, and Phish 

 

Shamarr Fest

Shamrock (10 p.m.)

Shamar Allen & The Underdawgs, Hot 8 Brass Band, John Popper of Blues Traveler, and more

 

Cowboy Mouth

Tipitina's (9 p.m.)

plus Honey Island Swamp Band 

 

Katdelic

Blue Nile (2 a.m.)

Funk, rock, and hip hop from San Francisco

 

Heatwave

Prytania Bar (9 p.m.)

All-vinyl dance party spinning Motown/garage rock/R&B/soul/oldies

 

HUSTLE with DJ Soul Sister 

Hi Ho Lounge (11 p.m.)

Queen of rare grooves spins all-vinyl boogie, funk, and more into the wee hours of the morning 

 

Grayson Capps

Carrollton Station (10 p.m.)

plus the Lost Cause Minstrels + Jamie Lynn Vessels

Dimanche

April 27th

Jazz Fest

Fair Grounds (11 a.m.- 7 p.m.)

Headliners include Vampire Weekend, New Birth Brass Band, John Boutte, and more

 

Swinging Sundays

Allways Lounge (8 p.m.)

Swing dance lessons and party, live band from 9 p.m.-midnight 

 

Mogwai

Civic Theatre (8 p.m.)

Prog rock, Majeure opens

 

George Clinton & Parliament Funkadelic

House of Blues (9 p.m.)

Key holder to the city of New Orleans, Clinton, joins DJ Soul Sister


Richard's Roost

Artist Jim Richard Talks About Making Himself at NOMA, and Starting Over



Jim Richard’s “Make Yourself at Home,” on view at the New Orleans Museum of Art through February 24, 2013, remains one of the best shows of the year. A modernist journey through the colorful interiors of homes filled with a mix of high art, tchotchkes, and period furniture, Richard’s twelve-work exhibit showcases his deep knowledge of contemporary and historical art alongside refined technical skill, and pokes a little fun at modern art in the meantime.

 

When not creating paintings and collages, Richard teaches painting at the University of New Orleans. Below, he answers a few questions about “Make Yourself at Home” and his creative process for NoDef. 

 

NOLA Defender: How long does it take you to complete a painting, from your beginning collage(s) to the final work? What does your process look like?

 

Jim Richard: The paintings vary wildly in time consumed. A friendly one can take a few weeks, a difficult one requiring more than usual repainting can take a couple of months. Paintings on paper and collages, of course, go much faster. These days, my planning process is more and more dependent on the computer. I scan in hundreds of images and use them as digital collage material. I use the finished digital collages as models for paintings and works on paper. I also regularly do cut-and-paste collages, some of which become models for paintings.

 

ND: Do you find inspiration in others’ houses? (And do people open their houses to you?)

 

JR: I collect my interior images from books, magazines and advertising. I avoid using houses of people I know, because it makes them too vulnerable to negative comments about their taste in décor when my shows are reviewed in newspapers or magazines.

 

ND: After your studio was destroyed during Katrina, you began collaging. How else did you deal with the loss of your past work?

 

JR: After Katrina, the most difficult loss was the forty years’ worth of records of all the work I have done. I was able to retrieve some of that from past galleries, but much is just gone. As for the lost works themselves, I just put all my focus on new work. Each new piece was part of a fresh start.

 

ND: Where do you see your style moving?

 

JR: Stylistically, I am trying to use Photoshop and Illustrator to break up and simplify my complex images. For many years, I used a dark, cartoon-like contour line to delineate every item in my compositions. Lately, I have eliminated that outline, which has allowed for considerably more freedom. I am also allowing the computer to offer me color possibilities that can make my color choices less predictable.

ND: What do you focus on in your classes at UNO?

 

JR: At UNO, I encourage students to be young artists of their own time, to look at as much contemporary art as possible (along with their art historical favorites) and to measure their success against the best art they have seen. My goal is to get them to see and think like artists. I talk a great deal about technique, but that is not my primary focus. Once they are able to picture good art, they are absolutely ingenious at finding their own ways to make it happen.

 

ND: Who are your favorite contemporary artists, both in and beyond New Orleans?

 

JR: My earliest influences were the French and German modernists, then the Abstract Expressionists, then Pop and Conceptualism/Minimalism. I was especially affected by the Rauschenberg Combine pieces and the Lichtenstein paintings of brushstrokes. On the side, I was very interested in the Bay Area Figurative Painters of the 50s/60s.

 

I look at a great deal of contemporary work, including many young artists. Some people off the top of my head are Rachel Harrison, Tom Sachs, Tim Hawkinson, Martha Rosler, Wayne Gonzales, Jessica Stockholder, Tom Friedman, Thomas Nozkowski, Sara Sze, Robert Irwin, Gerhard Richter, and Tara Donovan.

 

“Make Yourself at Home” is displayed in NOMA’s Great Hall. It’s more than worth a trip to City Park to see Richard’s works over the last 19 years of his career!

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Contributors:

Dead Huey Long, Emma Boyce, Ian Hoch, Will Dilella, Chris Rinaldi, Lianna Patch, Phil Yiannopoulos, Cate Czarnecki, Mary Kilpatrick, Norris Ortolano, Joe Shriner, Chris Staudinger, Kailyn Davillier, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham

Staff Writers

Kerem Ozkan, Cheryl Castjohn, Sam Nelson

Listings

Elisabeth Morgan

Art Listings

Cheryl Castjohn

Photographers

Brandon Robert, Daniel Paschall

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Deputy Managing Editor

M.D. Dupuy

Managing Editor

Stephen Babcock

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.