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THE

Defender Picks

 

dimanche

February 7th

9th Annual Bacchus Bash

Tip’s, 10p.m.

Presented by Trombone Shorty and Orleans Avenue

 

Krewe of Bacchus

Uptown, 5:15p.m.

Party with the Greek god of wine

 

Krewe of Thoth

Uptown, 12p.m.

Grab 3-D necklaces and stuffed polar bears

 

Joe Krown Trio

Maple Leaf, 10p.m.

Post-Bacchus bash

Lundi Gras

February 8th

Krewe of Orpheus

Uptown, 6p.m.

Usually with big musical guests

 

Quintron & Miss Pussycat’s Annual Lundi Gras Party

One Eyed Jacks, 9p.m.

With guests BABES, Ernie Vincent and more

 

Bundi Gras

Hi-Ho Lounge, 10p.m.

BateBunda, Rusty Lazer, LoveBomb Go-Go and Valerie Sassyfras

 

Tank and the Bangas

Gasa Gasa, 10p.m.

With Alexis & the Samurai

 

Galactic

Tip’s, 10p.m.

Post-parade jams

 

Pelicans v. Timberwolves

Target Center, 7p.m.

New Orleans takes on Minnesota

Mardi Gras

February 9th

The Fattest Tuesday All Day Extravaganza

Hi-Ho Lounge, 1p.m.

Music and the Krewe of Booze

 

Krewe of Zulu

Uptown, 8a.m.

Awake? Catch yourself a coconut.

 

Krewe of Rex

Uptown, 10a.m.

The King of Carnival

 

Mardi Gras with Rebirth Brass Band

Maple Leaf, 10p.m.

Celebrate Fat Tuesday with your favorites

 

2 Chainz + Migos

Saenger, 8p.m.

Mardi Gras Madness

mercredi

February 10th

Pelicans v. Jazz

Smoothie King Center, 7p.m.

Nola back home to take on Utah

 

Mildred Pierce

Prytania, 10a.m.

A mother heads towards disaster in this film noir

 

Station Eleven

Garden District, 6p.m.

By Emily St. John Mandel

 

World Music Wednesday

Maple Leaf, 8p.m.

This week ft. Cole Williams Band


Richard's Roost

Artist Jim Richard Talks About Making Himself at NOMA, and Starting Over



Jim Richard’s “Make Yourself at Home,” on view at the New Orleans Museum of Art through February 24, 2013, remains one of the best shows of the year. A modernist journey through the colorful interiors of homes filled with a mix of high art, tchotchkes, and period furniture, Richard’s twelve-work exhibit showcases his deep knowledge of contemporary and historical art alongside refined technical skill, and pokes a little fun at modern art in the meantime.

 

When not creating paintings and collages, Richard teaches painting at the University of New Orleans. Below, he answers a few questions about “Make Yourself at Home” and his creative process for NoDef. 

 

NOLA Defender: How long does it take you to complete a painting, from your beginning collage(s) to the final work? What does your process look like?

 

Jim Richard: The paintings vary wildly in time consumed. A friendly one can take a few weeks, a difficult one requiring more than usual repainting can take a couple of months. Paintings on paper and collages, of course, go much faster. These days, my planning process is more and more dependent on the computer. I scan in hundreds of images and use them as digital collage material. I use the finished digital collages as models for paintings and works on paper. I also regularly do cut-and-paste collages, some of which become models for paintings.

 

ND: Do you find inspiration in others’ houses? (And do people open their houses to you?)

 

JR: I collect my interior images from books, magazines and advertising. I avoid using houses of people I know, because it makes them too vulnerable to negative comments about their taste in décor when my shows are reviewed in newspapers or magazines.

 

ND: After your studio was destroyed during Katrina, you began collaging. How else did you deal with the loss of your past work?

 

JR: After Katrina, the most difficult loss was the forty years’ worth of records of all the work I have done. I was able to retrieve some of that from past galleries, but much is just gone. As for the lost works themselves, I just put all my focus on new work. Each new piece was part of a fresh start.

 

ND: Where do you see your style moving?

 

JR: Stylistically, I am trying to use Photoshop and Illustrator to break up and simplify my complex images. For many years, I used a dark, cartoon-like contour line to delineate every item in my compositions. Lately, I have eliminated that outline, which has allowed for considerably more freedom. I am also allowing the computer to offer me color possibilities that can make my color choices less predictable.

ND: What do you focus on in your classes at UNO?

 

JR: At UNO, I encourage students to be young artists of their own time, to look at as much contemporary art as possible (along with their art historical favorites) and to measure their success against the best art they have seen. My goal is to get them to see and think like artists. I talk a great deal about technique, but that is not my primary focus. Once they are able to picture good art, they are absolutely ingenious at finding their own ways to make it happen.

 

ND: Who are your favorite contemporary artists, both in and beyond New Orleans?

 

JR: My earliest influences were the French and German modernists, then the Abstract Expressionists, then Pop and Conceptualism/Minimalism. I was especially affected by the Rauschenberg Combine pieces and the Lichtenstein paintings of brushstrokes. On the side, I was very interested in the Bay Area Figurative Painters of the 50s/60s.

 

I look at a great deal of contemporary work, including many young artists. Some people off the top of my head are Rachel Harrison, Tom Sachs, Tim Hawkinson, Martha Rosler, Wayne Gonzales, Jessica Stockholder, Tom Friedman, Thomas Nozkowski, Sara Sze, Robert Irwin, Gerhard Richter, and Tara Donovan.

 

“Make Yourself at Home” is displayed in NOMA’s Great Hall. It’s more than worth a trip to City Park to see Richard’s works over the last 19 years of his career!

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Listings Editor

Lucy Leonard

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock