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THE

Defender Picks

 

MARDI

March 28th

Book Reading: Elizabeth Pearce

Garden District Book Shop, 6PM

From her new book "Drink Dat New Orleans: A Guide to the Best Cocktail Bars, Dives, & Speakeasies"

 

Spring Publishing Camp

Tubby & Coo's Mid-City Book Shop, 7PM

Book publishing workshop

 

Gabby Douglas

Dillrd University, 7PM

Olympic gymnast talks fame and fitness

 

Laelume

The Carver, 7PM

World soul jazz music

 

Laughter Without Borders

Loyola University, 7PM

Clowns for a cause, to benefit Syrian refugees

 

Tuesday Night Haircuts

St. Roch Tavern, 8PM

Tonight: beer, haircuts, karaoke

 

Thinkin' With Lincoln 

Bayou Beer Garden, 8PM

Outdoor trivia

 

Water Seed

Blue Nile, 9PM

Interstellar future funk

 

Stanton Moore Trio

Snug Harbor, 10PM

Galactic drummer’s side project - also at 8PM

MERCREDI

March 29th

Response: Artists in the Park

Botanical Garden, 10AM

Art exhibit and sale en plein air

 

Studio Opening Party

Alex Beard Studio, 5PM

Drinks, food, painting to celebrate the artist's studio opening

 

Sippin' in the Courtyard

Maison Dupuy Hotel, 5PM

Fancy foods, music by jazz great Tim Laughlin, and event raffle

 

Work Hard, Play Hard

Benachi House & Gardens, 6PM

Southern Rep's fundraising dinner and party 

 

Lecture: Patrick Smith

New Canal Lighthouse, 6PM

Coastal scientist discusses his work

 

Pelicans vs. Dallas Mavericks

Smoothie King Center, 7PM

The Birds and the Mavs go head to head

 

Drag Bingo

Allways Lounge, 7PM

Last game planned in the Allways's popular performance & game night

 

They Blinded Me With Science: A Bartender Science Fair

2314 Iberville St., 7:30PM

Cocktails for a cause

 

Brian Wilson 

Saenger Theatre, 8PM

The Beach Boy presents "Pet Sounds" 

 

Movie Screening: Napoleon Dynamite

Catahoula Hotel, 8PM

Free drinks if you can do his dance. Vote for Pedro!

 

Blood Jet Poetry Series

BJs in the Bywater, 8PM

Poetry with Clare Welsh and Todd Cirillo

 

Horror Shorts

Bar Redux, 9PM

NOLA's Horror Films Fest screens shorts

 

A Boogie Wit Da Hoodie

Howlin Wolf, 10PM

Bronx hip hop comes south

 

JEUDI

March 30th

Aerials in the Atrium

Bywater Art Lofts, 6PM

Live art in the air

 

Ogden After Hours

Ogden Museum, 6PM

Feat. Mia Borders

 

Pete Fountain: A Life Half-Fast

New Orleans Jazz Museum, 6PM

Exhibit opening on the late Pete Fountain

 

Big Freedia Opening Night Mixer

Mardi Gras Museum of Costumes and Culture, 6PM

Unveiling of Big Freedia's 2018 Krew du Viewux costume

 

An Edible Evening

Langston Hughes Academy, 7PM

8th annual dinner party in the Dreamkeeper Garden

 

RAW Artists Present: CUSP

The Republlic, 7PM

Immersive pop-up gallery, boutique, and stage show

 

Electric Swandive, Hey Thanks, Something More, Chris Schwartz

Euphorbia Kava Bar, 7PM

DIY rock, pop, punk show

 

The Avett Brothers

Saenger Theatre, 7:30PM

Americana folk-rock

 

Stand-Up NOLA

Joy Theater, 8PM

Comedy cabaret

 

Stooges Brass Band

The Carver, 9PM

NOLA brass all-stars

 

Wolves and Wolves and Wolves and Wolves

Gasa Gasa, 9PM

Feat. Burn Like Fire and I'm Fine in support

 

Fluffing the Ego

Allways Lounge, 10:30PM

Feat. Creep Cuts and Rory Danger & the Danger Dangers

 

Fast Times Dance Party

One Eyed Jacks, 10:30PM

80s dance party

 


Richard's Roost

Artist Jim Richard Talks About Making Himself at NOMA, and Starting Over



Jim Richard’s “Make Yourself at Home,” on view at the New Orleans Museum of Art through February 24, 2013, remains one of the best shows of the year. A modernist journey through the colorful interiors of homes filled with a mix of high art, tchotchkes, and period furniture, Richard’s twelve-work exhibit showcases his deep knowledge of contemporary and historical art alongside refined technical skill, and pokes a little fun at modern art in the meantime.

 

When not creating paintings and collages, Richard teaches painting at the University of New Orleans. Below, he answers a few questions about “Make Yourself at Home” and his creative process for NoDef. 

 

NOLA Defender: How long does it take you to complete a painting, from your beginning collage(s) to the final work? What does your process look like?

 

Jim Richard: The paintings vary wildly in time consumed. A friendly one can take a few weeks, a difficult one requiring more than usual repainting can take a couple of months. Paintings on paper and collages, of course, go much faster. These days, my planning process is more and more dependent on the computer. I scan in hundreds of images and use them as digital collage material. I use the finished digital collages as models for paintings and works on paper. I also regularly do cut-and-paste collages, some of which become models for paintings.

 

ND: Do you find inspiration in others’ houses? (And do people open their houses to you?)

 

JR: I collect my interior images from books, magazines and advertising. I avoid using houses of people I know, because it makes them too vulnerable to negative comments about their taste in décor when my shows are reviewed in newspapers or magazines.

 

ND: After your studio was destroyed during Katrina, you began collaging. How else did you deal with the loss of your past work?

 

JR: After Katrina, the most difficult loss was the forty years’ worth of records of all the work I have done. I was able to retrieve some of that from past galleries, but much is just gone. As for the lost works themselves, I just put all my focus on new work. Each new piece was part of a fresh start.

 

ND: Where do you see your style moving?

 

JR: Stylistically, I am trying to use Photoshop and Illustrator to break up and simplify my complex images. For many years, I used a dark, cartoon-like contour line to delineate every item in my compositions. Lately, I have eliminated that outline, which has allowed for considerably more freedom. I am also allowing the computer to offer me color possibilities that can make my color choices less predictable.

ND: What do you focus on in your classes at UNO?

 

JR: At UNO, I encourage students to be young artists of their own time, to look at as much contemporary art as possible (along with their art historical favorites) and to measure their success against the best art they have seen. My goal is to get them to see and think like artists. I talk a great deal about technique, but that is not my primary focus. Once they are able to picture good art, they are absolutely ingenious at finding their own ways to make it happen.

 

ND: Who are your favorite contemporary artists, both in and beyond New Orleans?

 

JR: My earliest influences were the French and German modernists, then the Abstract Expressionists, then Pop and Conceptualism/Minimalism. I was especially affected by the Rauschenberg Combine pieces and the Lichtenstein paintings of brushstrokes. On the side, I was very interested in the Bay Area Figurative Painters of the 50s/60s.

 

I look at a great deal of contemporary work, including many young artists. Some people off the top of my head are Rachel Harrison, Tom Sachs, Tim Hawkinson, Martha Rosler, Wayne Gonzales, Jessica Stockholder, Tom Friedman, Thomas Nozkowski, Sara Sze, Robert Irwin, Gerhard Richter, and Tara Donovan.

 

“Make Yourself at Home” is displayed in NOMA’s Great Hall. It’s more than worth a trip to City Park to see Richard’s works over the last 19 years of his career!

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Contributors:

Evan Z.E. Hammond, Dead Huey, Andrew Smith

Listings Editor


Photographers


Art Director:

Michael Weber, B.A.

Editor:

Alexis Manrodt

Published Daily

Editor Emeritus:

B. E. Mintz

Editor Emeritus



Stephen Babcock