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Defender Picks

 

Vendredi

April 18th

Sirens Album Release

Gasa Gasa (7 p.m.)

With Madonnathan & All People, Brent Houzenga, and more  

 

Nigel Hall and Friends 

Blue Nile (10 p.m.)

with Eric Bolivar, Andrew Block, Eric Bloom, and Eric Vogel 

 

Uptown Get Down feat. Chicken George

Tipitina's (9 p.m.)

Plus DJ Quickie Mart, Unicorn Fukr & more

 

Ellis Marsalis Quartet

Snug Harbor (8 p.m., 10 p.m.)

Famous local Jazz pianist and bandleader performs  

 

Singin' in the Rain Screening

NOMA’s Sculpture Garden (5 p.m.)

Friday nights at NOMA and Moonlight Movies come together  

 

YG

House of Blues (9 p.m.)

Rapper makes stop on his My Krazy Life tour  

 

Guitar Lightnin' Lee

Kermit’s Mother in Law Lounge (10 p.m.)

Bluesy New Orleans guitar   

Samedi

April 19th

Booksigning with Arita Bohannan

Gallery Burguieres (7 p.m.)

Author reads and signs copies of crime drama ‘Docket 76’  

 

Easter Keg Hunt

 

NOLA Brewing (1 p.m.)

?Scavenger hunt beginning at the taproom, to benefit Gulf Restoration Network 

 

Gaynielle Neville

Maple Leaf (10:30 p.m.)

CD Release Party  

 

Mystikal

Howlin’ Wolf (9:30 p.m.)

Plus YMCMB Flow, G Unit’s Kidd Kidd, 5th Ward Weebie, and 3D Natee

 

SwampGrease feat. Nigel Hall & Terence Higgins 

Tipitina's (9 p.m.)

Andrew Block, Eric Vogel, Erica Falls, Kendrick Marshall, plus John Lisi and Delta Funk

 

Shoebox Lounge

Shadowbox Theatre (8 p.m.)

Shoes, booze, and prostitutes

 

Earth Day Fest

Armstrong Park (10 a.m.- 7 p.m.)

Green Business Expo, music, and more from La. Bucket Brigade 

 

HUSTLE with DJ Soul Sister

Hi Ho Lounge (11 p.m.- 3 a.m.)

Rare grooves from the '70's every Saturday 

 

Corey Henry's Treme Funktet

Blue Nile (10 p.m.)

Local trombonist and his band play traditional NOLA music, from blues, to jazz, to gospel 

 


Photography at NOMA

NOMA Opens Retrospective, 132 of 10,000 Photos from Permanent Collection



The New Orleans Museum of Art has almost 10,000 photos in its permanent collection: far more than enough to wallpaper its Great Hall. Curator Russell Lord has chosen 132 for the museum’s first photography retrospective since 1978, opening to the public today, Sunday, November 10. “Photography at NOMA: Selections from the Permanent Collection” gives viewers a peek at the best of the archive and demonstrates the medium of photography’s vast range of styles, uses, and ambitions.

 

Lord emphasized that the exhibit, which includes photographers of many different nationalities and spans from 1843 to 1985, is not a history of photography, which is why the photos are not displayed chronologically. “When you make things chronological, it immediately implies that it is a history,” said Lord. “But this much more reflects the tastes of NOMA and its curators.”

 

Instead, the photographs’ sequence is based around visual themes and approaches, enabling visitors to connect the dots from photo to photo. “Sometimes it’s visual, and sometimes you have to know the story,” said Lord. “And sometimes I don’t tell you.” Certain associations are easy to make, like the visual link between a minimalist photo of seaweed draped on sand, and a portrait of a female nude. After a glance at the woman, the seaweed suddenly seems to echo her shape. With these juxtapositions, Lord aims to highlight the cyclical nature of photography.

 

Why 132 photographs, a seemingly random quantity? Choosing images based on complexity, compelling visual appeal, and excellent condition, Lord couldn’t bring himself to cut any more. “We would be losing something,” he said. The show focuses on classic and historic holdings, intentionally eschewing more contemporary photography; another of the exhibit’s goals is to inspire donors to help build the museum’s contemporary photography collection.

 

The presentation of “Photography at NOMA” is visually striking for its simplicity. Framed simply in black, photographs are mounted in a single horizontal line down gallery walls. The arrangement gives each photo equal priority. A single piece of wall text at the gallery entrance will offer viewers more background; otherwise, the photos will “sing” for themselves. “I really wanted this to be a visual story,” said Lord.

 

Because the show includes a range of photographs both amateur and professional, as well as advertisements, social documents, and snapshots, Lord says that calling it an exhibition of masterpieces would be a misnomer. But a photograph doesn’t have to be a masterpiece to be profound. Sometimes, all it takes is time and history to give a photo stunning context, as with a small picture of a group of German children that’s included in the exhibit. This could be a class photo, and would be utterly uninteresting if not for the swastika to the children’s right. Thus we can’t avoid associating these kids with Nazism, though they most likely had no idea what the future would hold.

 

Walking into “Photography at NOMA,” the first photograph you see is a recent acquisition. It’s a faded print not of a person, object, or scene, but a word: “TALBOTYPE”. Named for its inventor, William Henry Fox Talbot, the photo is a calotype, achieved by exposing paper coated with silver chloride to a bright light source. Talbot’s assistant created the photograph with a stencil of his employer’s name as a demonstration of the process, and it’s believed to be one-of-a-kind. “The word is the image, and the image is a word,” said Lord. It’s an endless circle of reference—like photography itself.

 

NOMA plans to release a “Photography at NOMA” book, including all of the images in the exhibit, in January 2014.

 

Image courtesy of the New Orleans Museum of Art

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Contributors:

Dead Huey Long, Emma Boyce, Ian Hoch, Will Dilella, Chris Rinaldi, Lianna Patch, Phil Yiannopoulos, Cate Czarnecki, Mary Kilpatrick, Norris Ortolano, Joe Shriner, Chris Staudinger, Kailyn Davillier, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham

Staff Writers

Kerem Ozkan, Cheryl Castjohn, Sam Nelson

Listings

Elisabeth Morgan

Art Listings

Cheryl Castjohn

Photographers

Brandon Robert, Daniel Paschall

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Deputy Managing Editor

M.D. Dupuy

Managing Editor

Stephen Babcock

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.