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Lagniappe

 
THE

Defender Picks

 

LUNDI

July 28th

How We Got The Funk
Ashé Cultural Arts Center, 6p.m.
UBW founder Jawole Zollar leads a social & historical dance class (donation)

 

Zephyrs vs. Omaha
Zephyr Stadium, 7p.m.
Local baseball in Metairie

 

Louise Michel
Cafe Istanbul, 7p.m.
Fired workers plot revenge in this 2008 French film

 

William Shakespeare’s Star Wars: Verily, A New Hope
Midcity Theatre, 7:30
Episode IV retold in iambic pentameter

 

Daughters of Dolma
Zeitgeist, 7:30p.m.
Doc about daily lives of Tibetan Buddhist nuns

 

The Guru
Circle Bar, 10p.m.
With Fpoon and The Roses ($5)
 

MARDI

July 29th

Crescent City Farmers Market

Broadway Street, 9a.m.-1p.m.

Uptown edition of the city's prime local market

 

Zephyrs vs. Iowa
Zephyr Stadium, 7p.m.
Local baseball in Metairie

 

Kermit Ruffins & The BBQ Swingers
Bullet’s Sports Bar, 7p.m.
See Kermit at home in the 7th Ward and get to bed early

 

Ruby the Rabbitfoot
the BEATnik, 8p.m.
South Georgia singer-songwriter ($8)

 

Comedy Beast
Howlin Wolf Den, 8:30p.m.
Free standup comedy show

 

Lions, Big Awesome, All People, Tare
Hey Cafe, 9p.m.
Community Record’s DIY Summer Bummer Fest, part 3 ($5)

 

Open Ears Music Series
Blue Nile, 10p.m.
Ft. Trapper Keeper

MERCREDI

July 30th

Double Indemnity
Prytania Theatre, 10a.m.
Barbara Stanwyck and Fred MacMurray star in the classic noir

 

Zephyrs vs. Iowa
Zephyr Stadium, 5p.m.
Local baseball in Metairie

 

Wednesdays on the Point
Algiers Ferry Dock, 5:30-8:30 p.m.
This week ft. Bag of Donuts, DJ Rik Ducci

 

Dawn and Hawks
the BEATnik, 9p.m.
Americana singer-songwriters from Austin, TX

 

The Dirty Nils, Pears, High
Gasa Gasa, 9p.m.
Sloppy loud rock’n’roll out of Ontario, Canada

JEUDI

July 31st

Thursdays at Twilight
City Park Botanical Garden, 6p.m.
This week ft. Ole Man River Band ($10)

 

Zephyrs vs. Iowa
Zephyr Stadium, 7p.m.
Local baseball in Metairie

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about the social effects of the Iraq War ($15)

 

The Gallery
Southport Hall, 8p.m.
Hooky indie rock out of western Massachusetts ($10)

 

Monica McIntyre
Cafe Istanbul, 10p.m.
Cellist celebrates her birthday

 

Reggae Night
Blue Nile, 11p.m.
Hosted by DJ T-Roy

VENDREDI

August 1st

Satchmo Summerfest
Old U.S. Mint, 12-10p.m.
Friday ft. James Andrews, Dirty Dozen Brass Band, Wycliffe Gordon, & more

 

Friday Nights at NOMA
NOMA, 5-9p.m.
Gallery talk by Anne Roberts, music by Cristina Perez

 

French Film Festival
Prytania Theatre, beginning 5:30p.m.
At 5:30, Tom at the Farm; at 7:45, Yves St. Laurent

 

Rolland Golden: Life, Love, and Art in the French Quarter
Garden District Gallery, 6p.m.
Local artist signs a new memoir of his life, 1955-1976

 

Kermit Ruffins & the BBQ Swingers
Blue Nile, 7p.m.
Catch Kermit on Frenchmen

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about the social effects of the Iraq War ($20)

 

Grieves, Son Real
One Eyed Jacks, 9p.m.
Seattle-based MC ($15)

 

What Made Milwaukee Famous
Gasa Gasa, 10p.m.
w/ Breton Sound, A. Sinclair ($7)


Photography at NOMA

NOMA Opens Retrospective, 132 of 10,000 Photos from Permanent Collection



The New Orleans Museum of Art has almost 10,000 photos in its permanent collection: far more than enough to wallpaper its Great Hall. Curator Russell Lord has chosen 132 for the museum’s first photography retrospective since 1978, opening to the public today, Sunday, November 10. “Photography at NOMA: Selections from the Permanent Collection” gives viewers a peek at the best of the archive and demonstrates the medium of photography’s vast range of styles, uses, and ambitions.

 

Lord emphasized that the exhibit, which includes photographers of many different nationalities and spans from 1843 to 1985, is not a history of photography, which is why the photos are not displayed chronologically. “When you make things chronological, it immediately implies that it is a history,” said Lord. “But this much more reflects the tastes of NOMA and its curators.”

 

Instead, the photographs’ sequence is based around visual themes and approaches, enabling visitors to connect the dots from photo to photo. “Sometimes it’s visual, and sometimes you have to know the story,” said Lord. “And sometimes I don’t tell you.” Certain associations are easy to make, like the visual link between a minimalist photo of seaweed draped on sand, and a portrait of a female nude. After a glance at the woman, the seaweed suddenly seems to echo her shape. With these juxtapositions, Lord aims to highlight the cyclical nature of photography.

 

Why 132 photographs, a seemingly random quantity? Choosing images based on complexity, compelling visual appeal, and excellent condition, Lord couldn’t bring himself to cut any more. “We would be losing something,” he said. The show focuses on classic and historic holdings, intentionally eschewing more contemporary photography; another of the exhibit’s goals is to inspire donors to help build the museum’s contemporary photography collection.

 

The presentation of “Photography at NOMA” is visually striking for its simplicity. Framed simply in black, photographs are mounted in a single horizontal line down gallery walls. The arrangement gives each photo equal priority. A single piece of wall text at the gallery entrance will offer viewers more background; otherwise, the photos will “sing” for themselves. “I really wanted this to be a visual story,” said Lord.

 

Because the show includes a range of photographs both amateur and professional, as well as advertisements, social documents, and snapshots, Lord says that calling it an exhibition of masterpieces would be a misnomer. But a photograph doesn’t have to be a masterpiece to be profound. Sometimes, all it takes is time and history to give a photo stunning context, as with a small picture of a group of German children that’s included in the exhibit. This could be a class photo, and would be utterly uninteresting if not for the swastika to the children’s right. Thus we can’t avoid associating these kids with Nazism, though they most likely had no idea what the future would hold.

 

Walking into “Photography at NOMA,” the first photograph you see is a recent acquisition. It’s a faded print not of a person, object, or scene, but a word: “TALBOTYPE”. Named for its inventor, William Henry Fox Talbot, the photo is a calotype, achieved by exposing paper coated with silver chloride to a bright light source. Talbot’s assistant created the photograph with a stencil of his employer’s name as a demonstration of the process, and it’s believed to be one-of-a-kind. “The word is the image, and the image is a word,” said Lord. It’s an endless circle of reference—like photography itself.

 

NOMA plans to release a “Photography at NOMA” book, including all of the images in the exhibit, in January 2014.

 

Image courtesy of the New Orleans Museum of Art

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Managing Editor

Stephen Babcock

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.