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THE

Defender Picks

 

Dimanche

November 23rd

Po-Boy Fest

Oak St, 10a.m.-6p.m.

New Orleans 8th Annual festival dedicated to dressed sandwiches on french bread

 

CHURCH

Dragon’s Den, 10p.m. (Upstairs)

The den’s Sunday get down featuring J. PHLIP + MONTY LUKE “EVERYBODY ON THE FLOOR” TOUR”

 

Puddle of Mudd

Southport Music Hall, 8p.m.

Rock out to post-grunge rockers + Black Magnolia on the Riverbend

 

NOLA Comedy Hour

Hi-Ho Lounge, 8p.m.

Comedians and friends from The New Movement

Lundi

November 24th

 

George Packer (with James Carville) - The Unwinding

Octavia Books, 5p.m.

Carville introduces Packer’s book that details modern American democracy through the lives of several Americans

 

Tai Chi/Chi Kung

NOMA, 6p.m.

In collaboration with East Jeff Wellness Center, try your luck at the art of Chi

 

Saints vs Baltimore Ravens

Superdome, 7:30p.m.

Once upon a midnight dreary, Who Dats pondered, weak and weary, of forgotten victory; nevermore, nevermore they moaned carrying their Saints to the winning end zone

 

1815-A Bicentennial Moment-2015

Sweet Lorraine’s, 6p.m-Midnight

Fund raising event for the Historic Treme Collection with music by famed “Drummer Boy” Jordan Bankston and more

 

Helen Gillet

Bacchanal Monday Night Series

New Orleans cellist soothes those Monday blues with her Acadian croons

 

Blue Monday ft. Travis “Trumpet Black” Hill & Heart Attacks

Ooh Poo Pah Doo Bar

With James Andrews & Friends

 

Higher Heights Reggae Band

Blue Nile, 9p.m.

Local rasta tributers spread one love for Nola

 

South Jones

Banks St. Bar, 9p.m.

Come early for red beans & rice

 

Antique Booty Music

Gasa Gasa, 9p.m.

Antique booty music with Sasha Masakowski

 

Glen David Andrews

d.b.a., 10p.m.

Native son sets d.b.a. on fire after the Saints game with his mighty trombone and nola funk

 

The Genial Orleanians

The Neutral Ground, 10p.m.

Sweet N’awlins blues and brass 

 

Smoky Blues Jam

BMC, 10p.m. 

Hit up the edge of the Quarters for some Monday night blues jammin’

 

Super Jam

Cafe Negril, 9:30

Monday’s never disappoint your dancin’ shoes for this one of a kind jamcase of local talent complete with live band

 

Future Punx with SSTR

Circle Bar, 10p.m.

Broolyn’s preeminent Post-Wave ensemble + fiddle and guitar duo Local Honey

 

Mardi

November 25th

Crescent City Farmers Market

Broadway St, 9a.m.-1p.m.

Uptown edition of the city's prime local market

 

Treme Brass Band

d.b.a., 9p.m.

Traditional New Orleans brass music straight from Cool Uncle Lionel and Benny Jones

 

Jon Roniger

The Little Gem Saloon, 5p.m.

With songs like “Redneck Riviera” Roniger blends jazz, blues and folk sounds with a southern twang

 

Rebirth Brass Band

The Maple Leaf, 10:30p.m.

The OG’s of the New Orleans brass band movement

 

Open Ears Music Series ftg The Kirk Nasty

Blue Nile Balcony Room, 10:30p.m.

Do you know where your ears are? Organized by Jeff Albert with various performances

 

Meschiya Lake & the Little Big Horns

Spotted Cat, 6.p.m.

Jazz singer with a vintage twist

 

Progression Music Series ft. Merrily and the Poison Orchard & The Humble Kid

Gasa Gasa, 9p.m.

Every Tuesday celebrate the contemporary music scene of Nola  

 

Jazz & Poetry

Sweet Lorraine’s, 8:30p.m.

Open mic slam hosted by African-American Shakespear; open to singers, poets, musicians

 

Kermit Ruffins & The BBQ Swingers

Bullet’s Sports Bar, 7p.m.

See Kermit at home in the 7th Ward and get to bed early


Photography at NOMA

NOMA Opens Retrospective, 132 of 10,000 Photos from Permanent Collection



The New Orleans Museum of Art has almost 10,000 photos in its permanent collection: far more than enough to wallpaper its Great Hall. Curator Russell Lord has chosen 132 for the museum’s first photography retrospective since 1978, opening to the public today, Sunday, November 10. “Photography at NOMA: Selections from the Permanent Collection” gives viewers a peek at the best of the archive and demonstrates the medium of photography’s vast range of styles, uses, and ambitions.

 

Lord emphasized that the exhibit, which includes photographers of many different nationalities and spans from 1843 to 1985, is not a history of photography, which is why the photos are not displayed chronologically. “When you make things chronological, it immediately implies that it is a history,” said Lord. “But this much more reflects the tastes of NOMA and its curators.”

 

Instead, the photographs’ sequence is based around visual themes and approaches, enabling visitors to connect the dots from photo to photo. “Sometimes it’s visual, and sometimes you have to know the story,” said Lord. “And sometimes I don’t tell you.” Certain associations are easy to make, like the visual link between a minimalist photo of seaweed draped on sand, and a portrait of a female nude. After a glance at the woman, the seaweed suddenly seems to echo her shape. With these juxtapositions, Lord aims to highlight the cyclical nature of photography.

 

Why 132 photographs, a seemingly random quantity? Choosing images based on complexity, compelling visual appeal, and excellent condition, Lord couldn’t bring himself to cut any more. “We would be losing something,” he said. The show focuses on classic and historic holdings, intentionally eschewing more contemporary photography; another of the exhibit’s goals is to inspire donors to help build the museum’s contemporary photography collection.

 

The presentation of “Photography at NOMA” is visually striking for its simplicity. Framed simply in black, photographs are mounted in a single horizontal line down gallery walls. The arrangement gives each photo equal priority. A single piece of wall text at the gallery entrance will offer viewers more background; otherwise, the photos will “sing” for themselves. “I really wanted this to be a visual story,” said Lord.

 

Because the show includes a range of photographs both amateur and professional, as well as advertisements, social documents, and snapshots, Lord says that calling it an exhibition of masterpieces would be a misnomer. But a photograph doesn’t have to be a masterpiece to be profound. Sometimes, all it takes is time and history to give a photo stunning context, as with a small picture of a group of German children that’s included in the exhibit. This could be a class photo, and would be utterly uninteresting if not for the swastika to the children’s right. Thus we can’t avoid associating these kids with Nazism, though they most likely had no idea what the future would hold.

 

Walking into “Photography at NOMA,” the first photograph you see is a recent acquisition. It’s a faded print not of a person, object, or scene, but a word: “TALBOTYPE”. Named for its inventor, William Henry Fox Talbot, the photo is a calotype, achieved by exposing paper coated with silver chloride to a bright light source. Talbot’s assistant created the photograph with a stencil of his employer’s name as a demonstration of the process, and it’s believed to be one-of-a-kind. “The word is the image, and the image is a word,” said Lord. It’s an endless circle of reference—like photography itself.

 

NOMA plans to release a “Photography at NOMA” book, including all of the images in the exhibit, in January 2014.

 

Image courtesy of the New Orleans Museum of Art

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock