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Oak St, 10a.m.-6p.m.
New Orleans 8th Annual festival dedicated to dressed sandwiches on french bread
Dragon’s Den, 10p.m. (Upstairs)
The den’s Sunday get down featuring J. PHLIP + MONTY LUKE “EVERYBODY ON THE FLOOR” TOUR”
Southport Music Hall, 8p.m.
Rock out to post-grunge rockers + Black Magnolia on the Riverbend
Hi-Ho Lounge, 8p.m.
Comedians and friends from The New Movement
Octavia Books, 5p.m.
Carville introduces Packer’s book that details modern American democracy through the lives of several Americans
In collaboration with East Jeff Wellness Center, try your luck at the art of Chi
Once upon a midnight dreary, Who Dats pondered, weak and weary, of forgotten victory; nevermore, nevermore they moaned carrying their Saints to the winning end zone
Sweet Lorraine’s, 6p.m-Midnight
Fund raising event for the Historic Treme Collection with music by famed “Drummer Boy” Jordan Bankston and more
Bacchanal Monday Night Series
New Orleans cellist soothes those Monday blues with her Acadian croons
Ooh Poo Pah Doo Bar
With James Andrews & Friends
Blue Nile, 9p.m.
Local rasta tributers spread one love for Nola
Banks St. Bar, 9p.m.
Come early for red beans & rice
Gasa Gasa, 9p.m.
Antique booty music with Sasha Masakowski
Native son sets d.b.a. on fire after the Saints game with his mighty trombone and nola funk
The Neutral Ground, 10p.m.
Sweet N’awlins blues and brass
Hit up the edge of the Quarters for some Monday night blues jammin’
Cafe Negril, 9:30
Monday’s never disappoint your dancin’ shoes for this one of a kind jamcase of local talent complete with live band
Circle Bar, 10p.m.
Broolyn’s preeminent Post-Wave ensemble + fiddle and guitar duo Local Honey
Broadway St, 9a.m.-1p.m.
Uptown edition of the city's prime local market
Traditional New Orleans brass music straight from Cool Uncle Lionel and Benny Jones
The Little Gem Saloon, 5p.m.
With songs like “Redneck Riviera” Roniger blends jazz, blues and folk sounds with a southern twang
The Maple Leaf, 10:30p.m.
The OG’s of the New Orleans brass band movement
Blue Nile Balcony Room, 10:30p.m.
Do you know where your ears are? Organized by Jeff Albert with various performances
Spotted Cat, 6.p.m.
Jazz singer with a vintage twist
Gasa Gasa, 9p.m.
Every Tuesday celebrate the contemporary music scene of Nola
Sweet Lorraine’s, 8:30p.m.
Open mic slam hosted by African-American Shakespear; open to singers, poets, musicians
Bullet’s Sports Bar, 7p.m.
See Kermit at home in the 7th Ward and get to bed early
Photography at NOMA
NOMA Opens Retrospective, 132 of 10,000 Photos from Permanent Collection
The New Orleans Museum of Art has almost 10,000 photos in its permanent collection: far more than enough to wallpaper its Great Hall. Curator Russell Lord has chosen 132 for the museum’s first photography retrospective since 1978, opening to the public today, Sunday, November 10. “Photography at NOMA: Selections from the Permanent Collection” gives viewers a peek at the best of the archive and demonstrates the medium of photography’s vast range of styles, uses, and ambitions.
Lord emphasized that the exhibit, which includes photographers of many different nationalities and spans from 1843 to 1985, is not a history of photography, which is why the photos are not displayed chronologically. “When you make things chronological, it immediately implies that it is a history,” said Lord. “But this much more reflects the tastes of NOMA and its curators.”
Instead, the photographs’ sequence is based around visual themes and approaches, enabling visitors to connect the dots from photo to photo. “Sometimes it’s visual, and sometimes you have to know the story,” said Lord. “And sometimes I don’t tell you.” Certain associations are easy to make, like the visual link between a minimalist photo of seaweed draped on sand, and a portrait of a female nude. After a glance at the woman, the seaweed suddenly seems to echo her shape. With these juxtapositions, Lord aims to highlight the cyclical nature of photography.
Why 132 photographs, a seemingly random quantity? Choosing images based on complexity, compelling visual appeal, and excellent condition, Lord couldn’t bring himself to cut any more. “We would be losing something,” he said. The show focuses on classic and historic holdings, intentionally eschewing more contemporary photography; another of the exhibit’s goals is to inspire donors to help build the museum’s contemporary photography collection.
The presentation of “Photography at NOMA” is visually striking for its simplicity. Framed simply in black, photographs are mounted in a single horizontal line down gallery walls. The arrangement gives each photo equal priority. A single piece of wall text at the gallery entrance will offer viewers more background; otherwise, the photos will “sing” for themselves. “I really wanted this to be a visual story,” said Lord.
Because the show includes a range of photographs both amateur and professional, as well as advertisements, social documents, and snapshots, Lord says that calling it an exhibition of masterpieces would be a misnomer. But a photograph doesn’t have to be a masterpiece to be profound. Sometimes, all it takes is time and history to give a photo stunning context, as with a small picture of a group of German children that’s included in the exhibit. This could be a class photo, and would be utterly uninteresting if not for the swastika to the children’s right. Thus we can’t avoid associating these kids with Nazism, though they most likely had no idea what the future would hold.
Walking into “Photography at NOMA,” the first photograph you see is a recent acquisition. It’s a faded print not of a person, object, or scene, but a word: “TALBOTYPE”. Named for its inventor, William Henry Fox Talbot, the photo is a calotype, achieved by exposing paper coated with silver chloride to a bright light source. Talbot’s assistant created the photograph with a stencil of his employer’s name as a demonstration of the process, and it’s believed to be one-of-a-kind. “The word is the image, and the image is a word,” said Lord. It’s an endless circle of reference—like photography itself.
NOMA plans to release a “Photography at NOMA” book, including all of the images in the exhibit, in January 2014.
Image courtesy of the New Orleans Museum of Art
Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,
Cheryl Castjohn, Sam Nelson
Brandon Roberts, Rachel June, Daniel Paschall
Michael Weber, B.A.
B. E. Mintz
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