Search
| Clear, 78 F (26 C)
| RSS | |

SECTIONS:

 

Arts · Politics · Crime
· Sports · Food ·
· Opinion · NOLA ·
Lagniappe

 
THE

Defender Picks

 

Dimanche

April 26th

Slayer

Civic Theater, 8p.m.

Metal gods of yester-year offer an alternative to funk fest

 

Allen Toussaint

Snug Harbor, 9p.m., 11p.m.

A rare chance to see the master pianist and songwriter in a small venue

 

Helen Gillet

Circle Bar, 10p.m.

Local avant-garde cellist

 

Country Music Fest

Mags, 7p.m.

Lineup includes he Best Western Swingers, Todd Day Wait's Pigpen, The Good Gollies and Gal Holiday & the Honky Tonk Revue

 

Dead Feat

Howlin Wolf

Anders Osborne, Paul Barrere and Fred Tackett Acoustic Duo, Bill Kreutzmann, Billy Iuso

 

Sonny Landreth, Tab Benoit

Rock n’ Bowl

 

The Nth Power

Republic

New big thing in funk mashes up with members of Dumpstaphunk, Glactic, and Bonerama

 

Adam Deitch, Donald Harrison

One Eyed Jacks

 

Tank & the Bangas, Sweet Crude

One Eyed Jacks

Two young Louisiana bands with distinct sound and show verging on performance art

 

The Word, Robert Randolph and the Family Band

Joy Theater

 

Mike Clark, Nicholas Payton, Wil Blades

Little Gem, 8p.m.

Jazz (not big brass) from three masters

 

JJ Grey & Mofro

Tips, 9p.m.

Southern rock, blues, and funk


Alice Among the Sculptures: NOLA Project Opens 'Adventures in Wonderland'


In the NOLA Project's latest outdoor, theatrical romp, the NOMA Sculpture Garden is woven into Wonderland and the audience decides on their play. Then, there are the fart noises. Adventures in Wonderland, which opens Wednesday (May 7), seeks to pull the scenery and the crowd into the production for an immersive twilight journey through the land first dreamed up by Lewis Carroll in 1865.

 

For the NOLA Project, strict interpretations of Carroll's work and the unwritten rules of theatre are not in the cards. British accents remain intact, but company playwright Pete McElligott and director Andrew Larimer added some new faces and tinkered with story lines for the fresh adaptation designed to accommodate the space under the oaks, and the 2014 theatre-goer.

 

In McElligott's version, Alice gains a pair of sisters. Along with providing some added narrative thrust at the show's opening and closing, the siblings form the basis for the production's interactive slant from the outset.

 

Immediately upon passing from City Park to the Sydney and Walda Besthoff Sculpture Garden, audiences are given a choice to follow Alice (Molly Ruben Long) on a fast track through the grounds (her costume includes running shoes to prove she's ready), or her sister Esther (Kyle June Williams) on a more moderately-paced walking path. For those who don't like their actors telling them where to go, pulling up a lawn chair to the Mad Hatter's tea party is also an option.

 

The separate, roving tales give the company a chance to incorporate a wider breadth of art into the production than in past collaborations with NOMA. In turn, the sculptures repay the favor by providing fresh ways to look at some of Carroll's famed characters.

 

For instance, a stop on Alice's jaunt includes the Garden's much-loved giant Spider. Housing the Carroll concocted caterpillar, Louise Bourgeois' work communicates the scale of the shrunken Alice, and the ominous nature of her predicament. Later, the Mock Turtle teaches George Segal's figures on benches, and the White Rabbit was spotted talking to a separate, hand-rendered turtle. Whether the sculptures are props or characters remains a mystery. But, like the disappearance of the queen's tarts, their mere presence only adds opportunities for wordplay and whimsy.

 

While time is always a little elusive in Wonderland, the approach of sundown during the second half of the show allows for an even more transporting feeling. The Cheshire Cat, played with cartoonish pluck by both Dylan Hunter and Ross Britz, gains a light on his colorful costume and suddenly becomes a little more sneaky when hiding in the bushes. Meanwhile, the illuminated sculptures provide the glow of a stage, with the added benefit of Spanish Moss swaying overhead. Providing further dimension, the characters maintain their poses even when they don't have an audience.

 

The room to roam and a constant silliness that would have been out of place in previous Shakespearean productions gives Wonderland a bristling energy that's made to reach beyond seasoned theatre-goers.With pleasing moments inserted for the whole family and three different viewings possible, the NOLA Project is undoubtedly hoping that New Orleanians fall down the rabbit hole more than once.

 

NOLA Project's Adventures in Wonderland runs May 7-25 at the New Orleans Museum of Art Sculpture Garden. Tickets are $18 for Adults, and $12 for NOMA Members, University Students, and Children (7 to 17).




view counter
view counter
NOLA Til Ya Die
view counter
view counter
view counter
view counter
view counter
view counter
view counter


Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Theatre Critic

Michael Martin

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock