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THE

Defender Picks

 

Dimanche

April 20th

Gay Easter Parade

Armstrong Park (4:30 p.m.)

Official Gay Easter parade rolls through the French Quarter

 

Goodchildren Easter Parade

Press & St. Claude (1:30 p.m.)

The Social Aide & Pleasure Club throws their annual parade through the Bywater

 

Todd Snider 

Tipitina’s (7:30 p.m.)

Folk-rock and Americana 

 

Joe Krown Trio

Maple Leaf (10:30 p.m.)

Krown, Batiste, and Washington every Sunday 

 

French Quarter Easter Parade

Canal & Bourbon St. (1 p.m.)

Chris Owens leads the charge            

 

Hot 8 Brass Band

Howlin’ Wolf- The Den (10 p.m.)

Premiere NOLA brass with hip-hop, R&B and more 

Lundi

April 21st

Dyngus Day

Siberia (6 p.m.)

Debauche performs along with the G-String Orchestra

 

Traditional Irish Music

The Irish House (7p.m.)

Murphy's bangers are the most authentic in town, & the Gaelic jam is straigh outta Offaly

 

The Grand Budapest Hotel

The Prytania Theatre

(12, 2, 4, 6, 8, 10)

Wes Anderson's latest features a star studded cast as his signature eccenctrics, this time set in a luxury lodge.

 

Pyeka Balkan Trio

The Marigny Opera House (7p.m.)

A night of "musical meditation" scored by an all female vocal trio.

 

 

Magnetic Mondays with Magnetic Ear

Gasa Gasa (10 p.m.)

Free weekly show from Martin Krusche’s jazz group

 

King James & the Special Men

BJ's Lounge (10p.m.)

Weekly Mon Gig- Burgundy in the Bywater for that downtown rhythm and blues.

 

Glen David Andrews

d.b.a. (10p.m.)

Treme trombone man brings it on a Monday


 

Johnny Sketch and the Dirty Notes

Maple Leaf Bar (10p.m.)

NOLA funk-gypsy-rockers in Carrollton

 

Charmaine Neville Band

Snug Harbor (8p.m., 10p.m.)

Weekly Mon Gig- The Neville niece brings her soul and her band to Frenchmen

Mardi

April 22nd

Octavia Books (6p.m.)

Reading: Pirates You Don't Know and Other Adventures in the Examined Life

 

Monty Banks as Frank Sinatra

Mahogany Jazz Hall (at the Harem)

Old Blue Eyes Impersonator at a Gentlemen's Club

 

Dayna Kurtz w/Rob Mache

Cafe Istanbull (8p.m.)

Sultry songstress belts out rare gems of the past and originals 

 

Albinas Prizgintas 

Trinity Episcopal Church (6p.m.)

Classical organist creates “nights full of mystery”

 

 

Rebirth Brass Band

Maple Leaf Bar (10p.m.)

2 sets by the Grammy-winning brass band

 

Kermit Ruffins & The BBQ Swingers

Bullet’s Sports Bar (7p.m.)

Come see Kermit at home in the 7th Ward, and get to bed early

 

Most Wanted Brass Band

Hi-Ho Lounge (10 p.m.)

Ex-Stooges members retake the St. Claude spot

 

Crescent City Farmers Market

Broadway St Market (9a.m.-1p.m.)

Weekly Tues Gig- Uptown edition of the city's prime local market

 

Treme Brass Band

d.b.a (10p.m.)

The 6th Ward's home brass band saunters over to Frenchmen for some New Orleans music.


NOLA Fashion Week Arrives

Emerging Designers Talk Love Stories, Bad Girls



Mercedes-Benz Fashion Week in New York may have come and gone, but the American fashion capital of the world faces some Cajun competition this week at NOLA Fashion Week. 

 

The bi-annual pattern party kicked off this weekend with workshops and shows, and there's only more to come. A slew of veteran designers like the cutting edge Iacono or the ultra femme and fanciful Jolie and Elizabeth are set to show their latest collections. Meanwhile, industry insiders will get helpful tips at workshops about putting their brand in the national conversation, and how to show some style on social media. 

 

Most events are centered around The Saratoga (212 Loyola Avenue) with workshops at Beta New Orleans (800 Common St.) Check out the full schedule here.

 

Two talented young designers emerged Sunday night at The Saratoga for their NOLA Fashion Week runway debuts. Ella Rose and Noel Martin both have roots in Louisiana, but it is their circuitous paths to the runway that make their appearance at fashion week all the sweeter.  LSU student Rose, for example, began her collage career as a painter only to find she preferred clothes to the canvas.       

 

“I started to do fashion photography and started taking the design classes.  I fell in love with the idea of putting my artwork into something wearable,” said Rose. 

 

In her fashion week featured collection, Rose utilized her painting background to bring a personal touch to her line. An old painting of poppies she drew serves as the basis for most of her patterns.   

 

“The first painting was 12 different colors and all over the place, then I broke it down,” said Rose. “I made them a little bit more mod, directional, [and] mirrored images.  They got more focused.”    

 

The result is something of a “love story.”  

 

She turned the WWI carnation into a unique blend of coquettish charm and sixties inspired funk.   

 

“It’s kind of a contemporary women’s wear for a little younger age group.  Its very girly and flirty,” said Rose.

 

Excited for the chance to develop a winter collection, her line featured mostly dresses, skirts and her favorite garment, the jacket. Thrilled at the prospect of creating her jackets, she’s even in the process of working one more into the collection before the deadline.  

 

“[The line is] definitely wearable but it’s definitely got a little bit of a funky side,” said Rose.   

 

While Rose looked to her painting past for inspiration, Martin found her initial muse worlds away in M.I.A.’s “Bad Girls” music video and the strict clothing restrictions of the Middle East.  

 

“In the video it has all these men drag racing cars, but in the middle of the night the women sneak out.  They are really oppressed by what they can and can’t do in the Middle East,” said Martin.  This includes clothing. 

 

Martin knew she wanted a career in fashion as a senior in high school, but it wasn’t until after attending college at Savannah College of Art and Design that she applied to Parsons School of Design on a whim and watched her dream really take off.   

 

“I applied to SCAD and it was something. It was really challenging. I was really inspired by all the work I saw in school. I picked up sewing quickly, [but] I decided I wanted to be closer to the industry,” said Martin. Savannah is many things, but it’s no fashion hub.    

 

True to the Middle East the collection started out with a very neutral palette, but evolved into a range of colors like olive greens, golds, yellows, blues and whites and textures.  

 

“It’s a new age, contemporary collection.  [It’s] edgy, but definitely has a huge feminine play,” she said.  “It comes across dark, so I feel there will be a sense of emotion there, but the clothes are really fun even if the mood is a little dark.”   

 

For Martin, fashion, like any other art form, must contain a message.  Building off the oppressive environment in the Middle East— something visible through their female clothing restrictions— Martin’s collection exudes ideas of female empowerment and the importance of expression.   

 

“She wants to be noticed, but she can still be professional.  She is very confident,” said Martin of her ideal customer.  “Expressing yourself through apparel and using that as a form of expression.  I think that’s what my customer does.”    

 

While one collection speaks to a more carefree, innocent audience, the other takes a sobering turn without sacrificing fun and femininity. Whichever garment you take from the hanger, both designers would agree that fashion is more than simply hemlines and thread counts.  

 

According to Martin, it’s “about having fun and telling a story through something as functional as something you wear everyday.”   

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Contributors:

Dead Huey Long, Emma Boyce, Ian Hoch, Will Dilella, Chris Rinaldi, Lianna Patch, Phil Yiannopoulos, Cate Czarnecki, Mary Kilpatrick, Norris Ortolano, Joe Shriner, Chris Staudinger, Kailyn Davillier, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham

Staff Writers

Kerem Ozkan, Cheryl Castjohn, Sam Nelson

Listings

Elisabeth Morgan

Art Listings

Cheryl Castjohn

Photographers

Brandon Robert, Daniel Paschall

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Deputy Managing Editor

M.D. Dupuy

Managing Editor

Stephen Babcock

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.