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Lagniappe

 
THE

Defender Picks

 

LUNDI GRAS

February 27th

Red Beans Parade

Marigny Route, 2PM

9th annual march celebrating NOLA's famous Lundi dish

 

Krewe of Proteus

Uptown-St. Charles Route, 5:15PM

The second-oldest parading krewe offers a legendary look at Carnival festivities 

 

Krewe of Orpheus

Uptown-St. Charles Route, 6PM

Harry Connick Jr.'s superkrewe is joined by Westworld actors and an SNL comedian

 

Washboard Chaz

The Carver Theater, 7PM

Washboard Chaz takes a break from The Tin Men tonight to lead the Lundi Gras Blues Party

 

Igor and the Red Elvises

Siberia, 6PM

Russian surf rock comes to St. Claude

 

Big Chief Alfred Doucette

Bar Redux, 8PM

Flaming Arrow Warriors Chief is joined by JD Hill & the Jammers, Big Pearl, and the Fugitives of Funk

 

Alexis & the Samurai

Chickie Wah Wah, 8PM

Indie folk duo perform every Monday

 

The Soul Rebels

Blue Nile, 11PM

Brass legends bring da funk

 

Galactic

Tipitina's, 11PM

Funk legends ($50)

 

MARDI GRAS

February 28th

Jefferson City Buzzards

Uptown-St. Charles Route, 6:45AM

The world's oldest Mardi Gras marching club kicks off the day's celebrations

 

Lyons Carnival Club

Uptown-St. Charles Route, 7AM

Catch them at one of their 10 stops, or meet them for drink at Molly's at the Market at the end of their parade

 

Mondo Kayo Social & Marching Club 

Uptown-St. Charles Route, 7:45AM

Follow Mondo Kayo to be led to an all-day dance party on Frenchmen

 

Pete Fountain's Half-Fast Walking Club

Uptown-St. Charles Route, 7:45AM

Clarinet legend leads his walking krewe to wake up the city for its big party

 

Zulu Social Aide and Pleasure Club

Uptown-St. Charles Route, 8AM

Storied African American krewe is set to dole out coconuts and joy 

 

Societe de Saint Anne

French Quarter Route, 10AM

Wander the Vieux Carre for this parade 

 

KOE

French Quarter Route, 10:15AM

A "cyber" krewe of Carnival enthusiasts from all over the world

 

Rex

Uptown-St. Charles Route, 10AM

Keep an eye out for the iconic Bouef Gras float 

 

Elks Orleanians / Crescent City

Uptown-St. Charles Route, Follows Rex

These truck parades let anyone with wheels join in on the Mardi Gras fun

 

Mardi Gras Indian Orchestra Memoria for Big Chief Roddy Lewis & Tim Green

Hi-Ho Lounge, 3PM

Featuring Jimbo Mathus' Overstuffed Po-boys

 

Fat Tuesday Fish Fry

Bar Redux, 6PM

Annual Mardi Gras fry with local catfish, handcut fries, and homemade slaw

 

Treme Brass Band

d.b.a., 9PM

See the legendary band on their home turf

 

Organized Crime

30/90, 9PM

NOLA funk-jam band with a rotating cast of band members 

 

Smokin' Time Jazz Club

The Spotted Cat, 10PM

Trad jazz masters

 

Rebirth Brass Band

Maple Leaf, 10:30PM

2 sets by the Grammy-winning brass band

 

Jason Neville Band

Vaso, 11:59PM

Member of the famed Neville clan leads his band

 

MERCREDI

March 1st

Dr. Seuss Celebration

St. Tammany Parish, all-day

Celebrate Dr. Seuss's birthday with crafts, snacks, and many fantastical tales

 

Opening Reception: "Waltzing the Muse"

Ogden Museum of Southern Art, 6PM

Ogden's newest exhibition is a Jmes Michalopoulos retrospective

 

New Orleans Jazz Vipers

The Maison, 6:30PM

Local trad jazz standard bearers

 

Pelicans vs. Detroit Pistons

Smoothie King Center, 7PM

The Birds and Pistons go head to head

 

Tin Men

d.b.a., 7PM

The world's premiere washboard-sousaphone-guitar trio

 

New Orleans Community Printshop and Darkroom

Community Print Shop, 7:30PM

Volunteer and members monthly meeting, get involved! 

 

Aurora Nealand & Tom McDermott

Chickie Wah Wah, 8PM

Nealand and McDermott have a fresh take on traditional jazz

 

Delfeayo Marsalis & The Uptown Jazz Orchestra 

Snug Harbor, 8PM & 10PM

Traditional riff and blues sounds

 

Ash Wednesday Singer-Songwriter Showcase

Siberia, 8PM

Featuring Sam Doores, Alex McMurray, Julie Odell, and more

 

Niagara & The Asphalt Jungle

Bar Redux, 9PM

Free screening of two films noir featuring a young Marilyn Monroe

 

Chris & Tami

The New Movement, 9:30PM

Weekly improv from Chris Trew and Tami Nelson

 

Walter "Wolfman" Washington

d.b.a., 10PM

Fiery blues on Frenchmen every week


McClure's Method

A New Orleans Restaurant Veteran Finds Balance in Barbecue



RIVERBEND -- Tilting a glass of strong iced coffee, Neil McClure laughs at a recollection of two friends trying to give him a break from his late night post monitoring the hickory logs inside the firebox of his Lang 84” smoker during a recent marathon session.

 

“They couldn’t even give me an hour before they came knocking at the window.  ‘Neil, we screwed up the fire.’ The fog had rolled in, the fire got low, they didn’t stoke it enough, I don’t know.  It just started losing temperature, and I’m like, ‘Y’all go to bed.  You’ve had enough drink.  You don’t even know how to tend fire.’”   

 

McClure recently traded his high stress, night-and-weekend-eating schedule as general manager of Dante’s Kitchen for a lower stress, graveyard-through-swing rotation in which his chief concern is to “watch the fire.”  In many other situations this phrase would seem metaphorical. But for an enterprising purveyor of traditional barbecue, it means just what it means. 

 

McClure loads up a chamber of his smoker with hardwood logs and sets it alight around 1 a.m.  Ten hours later, he opens the doors to customers of his popup inside of Dante’s. Until then, however, his job is to maintain an even fire that will slow cook his beef briskets, pork butts, racks of ribs, and chickens.  He opens the door to the wood chamber every half hour or so to check on it, using the blackened blade of a shovel to shift wood, rearrange embers, and settle new logs into prime position.  The goal is to avoid the white smoke of a dying fire.

 
McClure's Barbecue
Where: Dante's Kitchen, 736 Dante Street
When: Lunch Mon-Friday 11:30-1:30, Dinner Tues 6:30-8:30
Prices: Family style dinner $16.50, Lunch prices vary; Catering available

 

“When you’ve got a clean burning fire, it emits what has been termed ‘thin, blue smoke’… It’s hard to see sometimes.  If it’s really burning good you can barely see anything.”

 

Maintaining the heat throughout the smoker is important so that each individual piece of meat inside gets cooked as consistently as its neighbor, and avoiding the white smoke means the resulting barbecue won’t have a heavy creosote flavor.

 

The result of these long hours keeping the flame is outstanding barbecue and also a tired, slightly discombobulated version of McClure by the end of service, especially on Tuesday nights when he powers through to serve dinner family style. Replicating an after-church big bowl, shared-plate style experience was McClure's original plan for his own restaurant, but that approach became hard to incorporate in a lunch setting due to quick turnover at the tables. His Tuesday night crowds, though, are more open to this Southern traditional version of Bacchanal where you simply step through the door, grab a beer or two out of the ice tub, have a seat and let the food arrive. 

 

Even though McClure put a quick stop to the endless servings of meat—“One guy came in and ate a rack and a half, and I realized how bad a decision that was as a business person”—his fleet-footed staff are ready to replenish empty bowls of slaw, potato salad, and mac ‘n cheese. McClure obviously takes a pride in having his sides made fresh every day and on not taking shortcuts or dumping ingredients out of Sysco bags.  He has taken many trips through barbecue country, tasting and soliciting advice. While he learned a lot about the meat, he also noticed that side dishes could be an afterthought -  even in some high profile joints. 

 

“Maybe that’s the New Orleans foodie in me being kind of snobbish on sides, but it really was one of my efforts early on," he said. "I can’t sell beans out of a can…I cook things from scratch because that’s how we cook in New Orleans.  And maybe that’s where Louisiana barbecue will come into its own nature, just taking better care of the food.”

 

McClure acknowledges that a big part of the ongoing evolution of New Orleans’ barbecue palate is the amount of transplants from throughout the South that have arrived and slowly raised an awareness of the different techniques and flavors out there.  He freely admits to trying to knock off other restaurants’ sauces and provides seven bottles to every table that represent different capitals of consumption.

 

There is a tomato and molasses sauce flying the Kansas City banner.  He added some Louisiana heat to a mayo, cider vinegar, and pepper sauce he borrowed from Gibson’s in Decatur, Alabama.  And in paying tribute to the rival regions of the cradle of barbecue, North Carolina, he has both a sweet and tangy Western and a vinegar-based Eastern variety.

 

Not being a native of any of these places, he has used the ample time he has alone in the night to work on the flavor profiles and consistency of these sauces, and experimentation is popular with many of the diners who have no allegiance of their own either. 

 

Over the past few months his customers have fed McClure second helpings of positive reinforcement, and he is eagerly on the search for the right space and the right investors to make his own location a reality.  He has enjoyed a little more of a symbiotic relationship inside of Dante’s than other popups might have— if you consider working six shifts in a week “popping up”—but it is apparent that his transition from being the general manager of a place to being the guy who borrows the space is nearing its end.  He is still trying to kick the habit of saying “we” when referring to the established restaurant and notes that the logistical issues can be restrictive for both parties.  He is considering transitioning to operating in another restaurant’s space to move along and learn new lessons while planning his ideal method of operations. 

 

One thing he knows for sure:  the standalone McClure’s Barbecue won’t be beholden to finicky point of sale systems or overzealous wine reps. 

 

“Pen and paper,” he says, referring to how he would prefer to run tickets and balance the register.  “No more waking up in the middle of the night dreaming that the system has gone down.” 

 

Almost every neighborhood from Mid-City to the Irish Channel is a possible target, but finding a space that is willing to deal with his particularly delicious-smelling carbon footprint is an obstacle. 

 

“Wherever the wind’s blowing that’s where my business is coming from…But that’s also going to be a problem," he says. "A couple places I’ve already looked at on Freret weren’t interested in having smoke around them in their buildings.” 

 

While he might have to give up on the idea of family style, he thinks he may be able to incorporate a weekly Whole Pig Pickin’ that will encourage communal eating. 

 

“We all stand around the table eating crawfish, right?” he says.

 

He also wants to facilitate the incubation of other talents like his and offer up his future home to promising popups once a week. 

 

“You gotta pay back karma,” he says.

 

Wherever McClure ends up, he will be taking his process with him, including the long hours and methodical preparation.  He’s not an open-up and step-back type of guy. 

 

“It’s why my wife has not wanted me to do my own thing for the sixteen years we’ve been together," he says. "And now she’s kind of cool with it because she sees that I’m a lot happier.” 

 

McClure’s reroute onto the path of simplicity has him spending more time with his sons now that he’s off weekends and nights, and he has an excuse to tap out right before bath time.  In his time alone he has learned to track constellations across the sky and notice the varieties of dawn that color the riverside levee.  “It’s all about keeping it simple,” he says.  The goal is to avoid the white smoke of a dying fire.  You either know how to do it or you don’t."

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Listings Editor


Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock