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THE

Defender Picks

 

Jeudi

March 5th

Jyl Benson and Sam Hanna
Octavia Books, 6p.m.
New book focuses on New Orleans' Casual Restaurant Recipes

 

Bounce ft. Sissy Nobby

Republic, 10p.m.

Wobble, baby

 

The Soul Rebels

Le Bon Temps Rouler, 10p.m.

Enjoy these brass rebels and a game of pool!

 

Greensky Bluegrass

Tipitina’s, 8:30p.m.

This Michigan quintet knows how to rock bluegrass

Vendredi

March 6th

Six Years of Beers

NOLA Brewing Co, 5:30p.m.

Release of the 6th Anniversary Ale (a sour ale this year) ft. music with Tauk, Gravity A, New Orleans Suspects

 

Gogol Bordello

House of Blues, 9p.m.

Gypsy Punk band from the Lower East Side

 

Francisco Goldman

Tulane Auditorium, 6p.m.

Academic all-star chats about Interior Circuit

 

Celtics v. Pelicans

SKC, 7p.m

 

Mario Cart Challenge

Republic, Doors 10p.m., free before 12 w/ college ID

Multiple N64s set up for the annual Mario Kart Challenge - compete to win a section and bottle of booze; music by DJ G

Samedi

March 7th

Julia Street

Monthly art crawl, 6-9p.m.

 

Haiku With Ghosts

Foundation Gallery, 6-10p.m.

Opening reception for Demond Matsuo’s new show

 

Soul Fest

Audubon Zoo, 10a.m.-5:30p.m.

Day 1 of music, food and fun at the zoo!

 

Jim Roche: Culture Mechanic

Ogden, 6p.m.

Opening of acclaimed retrospective

 

Grizzlies v. Pelicans

SKC, 6p.m.

 

Katt Williams

Lakefront Arena, 8p.m.

Popular comedian on his Born Again...Again tour

 

Tank and the Bangas

Old US Mint, 8p.m.

Local spoken wordsmiths exude creativity through song

Dimanche

March 8th

Tobymac, Mandisa, & Capital Kings

Saenger Theater, 7p.m.

Grammy Award Winners on tour w/ electronic pop duo the Capital Kings

 

Bo Burnham (Sold Out)

Civic Theater, 8p.m.

Wunderkind comedian wombed on the web

 

Glen David Andrews

Botanical Gardens, 4p.m.

Party in the Garden with Andrews and Swamp Donkeys

 

Soul Fest

Audubon Zoo, 10a.m.-5:30p.m.

Day 2 of music, food and fun at the zoo!


Jay-Z, Kanye Watch Throne


by Charlie Christian

After arriving early at the Watch the Throne Experience (presented by Swag Industries in collaboration with Coutour Lifestyle, LLC),a lap of the Superdome was in order to polish off some High Life. New Orleans looked tucked in for the night: cars sliding past on the expressway, Occupiers snuggled low in their tents, even abandoned hospitals stood complacent and resigned. The lights ringing the Dome shifted idly from purple to blue to gold. Except for the drunk couple fighting next to the broken open port-o-potty it felt like a scene from Sleepless in Seattle. That is all to say that what transpired in the Arena a short while later at the hands of Jay-Z and Kanye West was the complete, m***er f***ing opposite. 

 

 

Having lingered too long, we were rounding the upper hallway when the operatic A-bomb that is “H.A.M.” lashed from the speakers. The audience cracked open, letting out a collective roar rivaling any decibels heard in the Dome Sunday night. Good, God! There they were, out in the middle of the audience, each man on his own raised platform tag-teaming verses back and forth over bobbing flat-brims and raised cell phones. “Merry Christmas, Charlie,” spoke the cosmos. “Thank you, Universe. Thank you!!”

 

 

Kanye and Jay Z roamed around their stages in-the-round working the crowd to a foaming. delirium. Slowly, their platforms started to rise. Up, up, up. They stood what looked like two stories above the crowd, now working the edges noticeably less, as TV screens on the sides of the towers looped images of snarling dogs, menacing Great White sharks, and clawing falcons.   (The montage seemed prime for a Herzog commentary: “Uns de aboosed animal shelta dat iz de American urban laanscape is beneath dem now az dey rize triumphrant like Gods.”)

 

After “H.A.M.” and  “Who Gon Stop Me” the platforms lowered. The opening bars of “Try a Little Tenderness” rolled over the crowd, Otis Redding’s woefully croon giving the audience a brief reprieve from the frenetic bluster. With an American flag spread behind the main stage, Ye and J emerged side by side basking in grandeur of it all. They actually seemed as happy as I was, like even they couldn’t believe this was real. Then the hook caught, “Got-a got-a, na na na.” We were off again. Fire balls plumed up from behind them as lazers - so many lazers - shot out overhead. This is what the “Waiting for Tonight” video would have looked like if it had been directed by Michael Bay.

 

 

The dynamic duo then split up, trading off for tit-for-tat mini-sets of their respective hits. Jay ran through “Where I’m from,” “Nigga What? Nigga Who?,” “Hard Knock LIfe,” “Izzo,” “Dirt off Your Shoulders,” “Big Pimpin’,” and “99 Problems.” Kayne led us through his backpack days to his black Bowie phase with “Jesus Walks,” “Golddigger,” “Heartless,” “Touch the Sky,” “All the Lights,” and “Good Life.”  

 

Do they give out awards for concerts? Cause if so this should win Best Show of the Year and a Lifetime Achievement Award simultaneously. The show was truly the physical embodiment of the album’s excess and braggadocio. That excess seemed less self-congratulatory and more celebratory, cathartic even. Kayne and Jay Z owned the faces on the the big screen, we shouted for their songs and we live vicariously through them, not the other way around. But that didn’t seem to be the point. As silly as it sounsd, the concert was lless a show by them and more a show for us.

 

 

I felt all of this as the closer “Niggas in Paris” hit its final notes. I still felt it as they did “Paris” a second time. The luster started to fade on the third. I was going the down the escalator as they ran through it for the seventh time. (Honest. Cross my heart. Seven times.) Hubris seemed to have gotten the best of them. The entire night was about putting on a show for the little people who paid $60 for the nose-bleeds. In return they levied an ego-soothing seven-peat encore tax. So be it. Lady friend in tow, I walked back out in the same docile city I left a few hours before. It was unchanged. I, however, was better, fuller than before. Guess a little of the glitter rubbed off.  




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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock