Search
| Clear, 86 F (30 C)
| RSS | |

SECTIONS:

 

Arts · Politics · Crime
· Sports · Food ·
· Opinion · NOLA ·
Lagniappe

 
THE

Defender Picks

 

MARDI

July 29th

Crescent City Farmers Market

Broadway Street, 9a.m.-1p.m.

Uptown edition of the city's prime local market

 

Zephyrs vs. Iowa
Zephyr Stadium, 7p.m.
Local baseball in Metairie

 

Kermit Ruffins & The BBQ Swingers
Bullet’s Sports Bar, 7p.m.
See Kermit at home in the 7th Ward and get to bed early

 

Ruby the Rabbitfoot
the BEATnik, 8p.m.
South Georgia singer-songwriter ($8)

 

Comedy Beast
Howlin Wolf Den, 8:30p.m.
Free standup comedy show

 

Lions, Big Awesome, All People, Tare
Hey Cafe, 9p.m.
Community Record’s DIY Summer Bummer Fest, part 3 ($5)

 

Open Ears Music Series
Blue Nile, 10p.m.
Ft. Trapper Keeper

MERCREDI

July 30th

Double Indemnity
Prytania Theatre, 10a.m.
Barbara Stanwyck and Fred MacMurray star in the classic noir

 

Zephyrs vs. Iowa
Zephyr Stadium, 5p.m.
Local baseball in Metairie

 

Wednesdays on the Point
Algiers Ferry Dock, 5:30-8:30 p.m.
This week ft. Bag of Donuts, DJ Rik Ducci

 

Dawn and Hawks
the BEATnik, 9p.m.
Americana singer-songwriters from Austin, TX

 

The Dirty Nil, Pears, High
Gasa Gasa, 9p.m.
Sloppy loud rock’n’roll out of Ontario, Canada

JEUDI

July 31st

Thursdays at Twilight
City Park Botanical Garden, 6p.m.
This week ft. Ole Man River Band ($10)

 

Ogden After Hours
Ogden Museum, 6-8p.m.
This week ft. Ruby and the Rogues ($10)

 

Zephyrs vs. Iowa
Zephyr Stadium, 7p.m.
Local baseball in Metairie

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about the social effects of the Iraq War ($15)

 

Twelfth Night
Tulane Dixon Hall, 7:30p.m.
New Orleans Shakespeare Festival presents

 

Cabaret
Tulane Dixon Hall, 8p.m.
Summer Lyric Theatre presents

 

The Gallery
Southport Hall, 8p.m.
Hooky indie rock out of western Massachusetts ($10)

 

Flesh Lights, Trampoline Team, Fez
Saturn Bar, 9p.m.

Naughty punk rock from Austin & NOLA ($7)

 

Bounce 4 Year Anniversary
Republic, 10p.m.
Ft. Big Freedia, Sissy Nobby & more ($10)

 

Monica McIntyre
Cafe Istanbul, 10p.m.
Cellist celebrates her birthday

 

Reggae Night
Blue Nile, 11p.m.
Hosted by DJ T-Roy

VENDREDI

August 1st

Satchmo Summerfest
Old U.S. Mint, 12-10p.m.
Friday ft. James Andrews, Dirty Dozen Brass Band, Wycliffe Gordon, & more

 

Friday Nights at NOMA
NOMA, 5-9p.m.
Gallery talk by Anne Roberts, music by Cristina Perez

 

What Made Milwaukee Famous

Euclid Records, 5p.m.

Preview their Gasa Gasa show tonight—free!

 

French Film Festival
Prytania Theatre, beginning 5:30p.m.
At 5:30, Tom at the Farm; at 7:45, Yves St. Laurent

 

Rolland Golden: Life, Love, and Art in the French Quarter
Garden District Gallery, 6p.m.
Local artist signs new memoir of his life 1955-1976

 

Zephyrs vs. Iowa
Zephyr Stadium, 7p.m.
Local baseball in Metairie

 

Kermit Ruffins & the BBQ Swingers
Blue Nile, 7p.m.
Catch Kermit on Frenchmen

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about the social effects of the Iraq War ($20)

 

Twelfth Night
Tulane Dixon Hall, 7:30p.m.
New Orleans Shakespeare Festival presents

 

Cabaret
Tulane Dixon Hall, 8p.m.
Summer Lyric Theatre presents

 

Sarah McLachlan
Saenger Theater, 8p.m.
Canadian superstar’s new album is Shine On

 

Grieves, Son Real
One Eyed Jacks, 9p.m.
Seattle-based MC ($15)

 

Foundation Free Fridays
Tipitina’s, 10p.m.
This week ft. Iko Allstars

 

What Made Milwaukee Famous
Gasa Gasa, 10p.m.
w/ Breton Sound, A. Sinclair ($7)

SAMEDI

August 2nd

Satchmo Summerfest
Old U.S. Mint, 12-10p.m.
Saturday ft. Glen David Andrews, Brass-A-Holics, Topsy Chapman & more

 

French Film Festival
Prytania Theatre, beginning 12p.m.
At noon, Le Chef; at 1:45, Marius; at 3:45, Mr Leos CaraX; at 5:30, Tom at the Farm

 

White Linen Night
CAC & 300-600 blocks Julia St., beginning 6p.m.
Julia Street art scene’s big night out

 

Zephyrs vs. Nashville
Zephyr Stadium, 6p.m.

Local baseball in Metairie

 

Jesse McCartney
House of Blues, 6:30p.m.
90s teen pop sensation, now sponsored by Twix ($25)

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about Iraq War's social effects ($20) (final performance)

 

Twelfth Night
Tulane Dixon Hall, 7:30p.m.
New Orleans Shakespeare Festival presents

 

Cabaret
Tulane Dixon Hall, 8p.m.
Summer Lyric Theatre presents

 

Hank III
House of Blues, 8p.m.
AKA Shelton Hank Williams, AKA Hank Williams III ($31)

 

Big History Hiatus Show
Tipitina’s, 10p.m.
with Sweet Crude, Vox and the Hound ($10)

 

Ex-Cult, BABES, Giorgio Murderer
Saturn Bar, 10p.m.
Raucous post-rock out of Memphis ($7)

 

HUSTLE!
Hi-Ho Lounge, 11p.m.
DJ Soul Sister’s rare groove dance party

 

Mykki Blanco
One Eyed Jacks, 12a.m.
Queer hip-hop artist & performance artist ($12)
 

DIMANCHE

August 3rd

Satchmo Summerfest
Old U.S. Mint, 12-10p.m.
Sunday features Original Pinettes, Kermit Ruffins, Jeremy Davenport & more

 

French Film Festival
Prytania Theatre, beginning 12p.m.
At noon, A Summer’s Tale; at 2:30, Fanny; at 5, Mood Indigo

 

Twelfth Night
Tulane Dixon Hall, 1:30p.m.
New Orleans Shakespeare Festival presents

 

Cabaret
Tulane Dixon Hall, 2p.m.
Summer Lyric Theatre presents

 

Zephyrs vs. Nashville
Zephyr Stadium, 4p.m.
Local baseball in Metairie

 

Justin Timberlake
Smoothie King Center, 8p.m.
Not A Bad Thing ($56+)

 

John Moreland
the BEATnik, 8p.m.
Tulsa, OK singer-songwriter
 


Iles of Light

Bill Iles' Transcendental Forests



Painter Bill Iles reigns in Southern terrain to controlled, comprehensive and complex works. His oil paintings depict forest scenes of Southwestern Louisiana, inspired by the land around Lake Charles and Dry Creek, the small town where he was born.

 

Those who have ventured out of New Orleans and had the chance to see Southern fall landscapes will appreciate his body of work showing in March at the Cole Pratt Gallery (3800 Magazine St.)

Bill Iles shows his most recent forested landscapes.
Where: Cole Pratt Gallery, Magazine St.
WhenMarch 2, 2013 - March 31, 2013
Opening: March 2, 5:30 p.m.
 

 

Featured in the Louisiana Endowment for the Humanities publication A Unique Slant of Light: the Bicentennial History of Art in Louisiana, Iles is a prolific artist with a secure spot in our country’s perspective of the natural world. However, he does not leave the viewer with any lofty impressions. Kind and open, he has a generous personality and thoughtful perspective on his life work. 

 

“Our ability to see is such a precious gift,” he says. And it’s easy to see how much he has devoted his life to this gift. On the day he delivered his paintings to the gallery, we talked about light and vision.  It’s clear that his eyes are as important a tool to him as his brush. His paintings deal a lot with perception and putting down human vision into concrete images.

 

We talked about how when the daylight is fading, and there’s barely any light left in the sky. It’s really our imagination that gives color to the outline of grass and trees, he said.

 

“We think we see more color than we actually do,” he said.

 

The muted blues and greens of the bark of the trees in Late Autumn are a good example of this phenomenon, and in Dusk falls on the Winter Woods he pushes the palette almost to the point of being monochromatic.

 

Repetitive and meditative, his color palette and composition express a certain serenity that doesn’t actually exist in reality. Given the complexity and often unideal nature of life, his work aims to harmonize the chaos of the woods. His emotional attachment to these scenes stems from his childhood in the woods of Lousiana, where his father would take him hunting. 

 

Unwilling to shoot the animals, he would “hide out” in a corner of the woods, observing. These formative years were the beginning of a life-long exploration of wilderness. In a press release issued by the Cole Pratt Gallery, Iles quotes Emerson’s essay On Nature:  “In the tranquil landscape, and especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature.”

 

Iles is heavily influenced by transcendental thought, and like other artists before him like Poussin or William Morris, he seeks to make sense of reality by creating a harmonious and balanced image.

 

The “line of the horizon” that Emerson wrote about is a significant reference for Iles to choose. Unlike many other landscape artists, who begin their work by painting the background sky or water, Iles intuitively starts his paintings with the foreground image, like the way our eye works. In a few of his paintings, like "Embankment Viewed from the Creek," we have to concentrate and struggle to make out the brush and trees before we arrive in the distance. 

 

In a 2010 article for myneworleans.com, John R. Kemp writes of Iles: “Muted beech trees in the foreground of his paintings act almost as barriers that viewers must breach before emerging into the distant sunlight and bright colors.”

 

Looking at his work definitely requires a certain amount of time and focus because his vegetation sometimes borders on abstraction. The reward of doing this is stepping back and making sense of the assembly of colors and textures, and realizing that there are some bigger pictures in the horizon of Iles’ paintings. 

 

Erin Rose
view counter
view counter
view counter
view counter
view counter
NOLA Til Ya Die
view counter


Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Managing Editor

Stephen Babcock

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.