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THE

Defender Picks

 

MARDI

March 28th

Book Reading: Elizabeth Pearce

Garden District Book Shop, 6PM

From her new book "Drink Dat New Orleans: A Guide to the Best Cocktail Bars, Dives, & Speakeasies"

 

Spring Publishing Camp

Tubby & Coo's Mid-City Book Shop, 7PM

Book publishing workshop

 

Gabby Douglas

Dillrd University, 7PM

Olympic gymnast talks fame and fitness

 

Laelume

The Carver, 7PM

World soul jazz music

 

Laughter Without Borders

Loyola University, 7PM

Clowns for a cause, to benefit Syrian refugees

 

Tuesday Night Haircuts

St. Roch Tavern, 8PM

Tonight: beer, haircuts, karaoke

 

Thinkin' With Lincoln 

Bayou Beer Garden, 8PM

Outdoor trivia

 

Water Seed

Blue Nile, 9PM

Interstellar future funk

 

Stanton Moore Trio

Snug Harbor, 10PM

Galactic drummer’s side project - also at 8PM

MERCREDI

March 29th

Response: Artists in the Park

Botanical Garden, 10AM

Art exhibit and sale en plein air

 

Studio Opening Party

Alex Beard Studio, 5PM

Drinks, food, painting to celebrate the artist's studio opening

 

Sippin' in the Courtyard

Maison Dupuy Hotel, 5PM

Fancy foods, music by jazz great Tim Laughlin, and event raffle

 

Work Hard, Play Hard

Benachi House & Gardens, 6PM

Southern Rep's fundraising dinner and party 

 

Lecture: Patrick Smith

New Canal Lighthouse, 6PM

Coastal scientist discusses his work

 

Pelicans vs. Dallas Mavericks

Smoothie King Center, 7PM

The Birds and the Mavs go head to head

 

Drag Bingo

Allways Lounge, 7PM

Last game planned in the Allways's popular performance & game night

 

They Blinded Me With Science: A Bartender Science Fair

2314 Iberville St., 7:30PM

Cocktails for a cause

 

Brian Wilson 

Saenger Theatre, 8PM

The Beach Boy presents "Pet Sounds" 

 

Movie Screening: Napoleon Dynamite

Catahoula Hotel, 8PM

Free drinks if you can do his dance. Vote for Pedro!

 

Blood Jet Poetry Series

BJs in the Bywater, 8PM

Poetry with Clare Welsh and Todd Cirillo

 

Horror Shorts

Bar Redux, 9PM

NOLA's Horror Films Fest screens shorts

 

A Boogie Wit Da Hoodie

Howlin Wolf, 10PM

Bronx hip hop comes south

 

JEUDI

March 30th

Aerials in the Atrium

Bywater Art Lofts, 6PM

Live art in the air

 

Ogden After Hours

Ogden Museum, 6PM

Feat. Mia Borders

 

Pete Fountain: A Life Half-Fast

New Orleans Jazz Museum, 6PM

Exhibit opening on the late Pete Fountain

 

Big Freedia Opening Night Mixer

Mardi Gras Museum of Costumes and Culture, 6PM

Unveiling of Big Freedia's 2018 Krew du Viewux costume

 

An Edible Evening

Langston Hughes Academy, 7PM

8th annual dinner party in the Dreamkeeper Garden

 

RAW Artists Present: CUSP

The Republlic, 7PM

Immersive pop-up gallery, boutique, and stage show

 

Electric Swandive, Hey Thanks, Something More, Chris Schwartz

Euphorbia Kava Bar, 7PM

DIY rock, pop, punk show

 

The Avett Brothers

Saenger Theatre, 7:30PM

Americana folk-rock

 

Stand-Up NOLA

Joy Theater, 8PM

Comedy cabaret

 

Stooges Brass Band

The Carver, 9PM

NOLA brass all-stars

 

Wolves and Wolves and Wolves and Wolves

Gasa Gasa, 9PM

Feat. Burn Like Fire and I'm Fine in support

 

Fluffing the Ego

Allways Lounge, 10:30PM

Feat. Creep Cuts and Rory Danger & the Danger Dangers

 

Fast Times Dance Party

One Eyed Jacks, 10:30PM

80s dance party

 


Hang Tin: Chaz Fest Recap (PHOTOS)


Photos by Ryan Hodgson-Rigsbee

According to a friend of mine, the homes in the Bywater are “so close together you can hear your neighbor reading a magazine.”  This past Wednesday, the two stages of Chaz Fest brought more interesting noises to incidentally overhear if you were in the neighboring blocks.  

 

The sounds of merriment are available as soon as you start walking down the driveway that separates two of the houses that border the “Truck Farm.”  This spacious, tree-shaded acre was created a decade ago by removing the chain link fences that separated various backyards and combining them into one property. 

 

Improvements to the grounds include fluorescent orange spray-painted tree roots and string lights of varying sizes and colors.  The off-kilter shack that seems to have been planted by a tornado, the faded paper lanterns tacked up with rusty nails, and the bright, hand painted signs give the sub-tropical spot a Neverland type of feel.  As soon as you’ve spent an hour there dodging palm fronds at eye level and drinking the oft-advertised Hard Liquor, you may find yourself forgetting about the outside world.

 

If the Truck Farm is Neverland, then its residents and custodians are the Lost Boys and Chaz Fest is the festival that refuses to grow up.  The festival, with its thumb-your-nose origin story and perceived remoteness maintains an imperviousness to capitalization or cultural commodification.  Alex McMurray, musical polygamist and Chaz Fest’s chief organizer, has no aspirations of becoming Quint Davis, and over the years has learned that DIY comes with its fair share of PITA. He darts around the grounds either double-checking the PA, side-hugging a friend, or swaying from his ankles onstage: producer, patron, and participant. 

 

Which isn’t to say that the day is disorganized or unprofessional.  The food--some homemade, some provided by local restos like Yuki and the Joint BBQ--was first rate, and the schedule never suffered from overlong sets or technical difficulties.  Often a band on one stage would start immediately after another had just finished, pulling the crowd through the thickets with intentional chords.  The artists themselves seemed to enjoy the laid back nature of the festival.  With no backstage, private tents, or golf cart chauffeurs the artists were free to stash their gear and rejoin the crowd as audience members. 

 

The lineup provided an uncropped snapshot of the local scene.  There are, of course, the bands that Alex McMurray fronts, the Tin Men and the Valparaiso Men’s Chorus--as comfortable at Le Bon Temps and Carrollton Station as they are at home in a Ninth Ward venue, but doubly confident letting loose outdoors.  Helen Gillet played as part of an ensemble.  The Geraniums don’t gig that much anymore, but their set of post-punk favorites lit a candle for the long-departed, less self-referential New Orleans of the nineties. 

 

The Tintypes are hard to write about without using the cliche “fresh faces,” because that’s exactly what the earnest, young country roots band has.  The TBC Brass Band played an energetic set, segueing as they usually do from song to song, drawing a dancing mob to the loose straw in front of the main stage.  Walt McClements from Why Are We Building Such a Big Ship? went one-man gypsy music peddler as Lonesome Leash, grabbing some hometown love before heading to France.  R. Scully and the Rough Seven closed out the night and either wore you out or pumped you up for another couple hours of partying.

 

Beyond the edges of the stages, the festival-goers provide their own cross-section of the city.  While Chaz Fest has a reputation as a renegade festival with a penchant for rum and whiskey drinking, the reality is that, just like another festival that takes place this week, there is something for everyone.  At the Truck Farm this correspondent encountered people operating with the most tenuous grasp on consciousness.  Whether they were overindulgent adults or tired toddlers propped against their parents’ legs, they nodded in time with the music while around them everyone else visited, held hands, laughed, and swiped crumbs out of their laps. 

 

One of McMurray’s most apt sing-along choruses goes, “If you can’t make it here, then you better not leave,” a warning to the loser who thinks he might have it easier in a different city.  It’s a humorous concept, not completely off base.  But next year, whether you’re an out of towner or a citizen whose knowledge of street names gets foggy past Elysian Fields, take this as a challenge: if you can make it here, you won’t want to leave. 

 

 

 




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Contributors:

Evan Z.E. Hammond, Dead Huey, Andrew Smith

Listings Editor


Photographers


Art Director:

Michael Weber, B.A.

Editor:

Alexis Manrodt

Published Daily

Editor Emeritus:

B. E. Mintz

Editor Emeritus



Stephen Babcock