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THE

Defender Picks

 

DIMANCHE

August 20th

Captain Blood

Prytania Theatre, 10AM

Classic swashbucklin' flick starring Errol Flynn

 

Zulu Annual Sonny "Jim" Poole Picnic

City Park, 10AM

Contests for coconuts, BBQ, umbrellas, t-shirts, golf shirts and more

 

Love Letters

Little Gem Saloon, 5PM

Play about first loves and second chances

 

New Moon Women's Circle

Rosalie Apothecary, 6PM

Special solar eclipse themed circle

 

RC and the Gritz

One Eyed Jacks, 9PM

Erykah Badu's band, plus Khris Royal

 

The Max Tribe

Gasa Gasa, 9PM

Feat. Gools, Killer Dale, Jack Rabbit

 

Stripped into Submission

Hi-Ho Lunge, 10PM

Kink-themed burlesque 

LUNDI

August 21st

Solar Eclipse Paddle

Canoe and Trail Adventures, 10:30AM

Explore the swamps and bayou during the eclipse

 

Energy Clearing Class

Swan River Yoga Mandir, 7:30PM

Solar eclipse reiki course to clear your self

 

Monday Night Massacre

Rare Form, 8PM

Feat. Phantom of Paradise and Cannibal The Musical

 

Betty Who

Republic NOLA, 9PM

90's tinged Aussie artist, feat. Geographer

 

Knockout

The New Movement, 9:30PM

Battle of the funniest 

 

Instant Opus

Hi-Ho Lounge, 10PM

Feat. Eric Bloom, Russell Batiste, David Torkanowsky, Chris Severin

MARDI

August 22nd

Murder Ballads

Euclid Records, 5PM

Book signing with Dan Auerbach and Gabe Soria

 

DIY Fermented Foods

Rosalie Apothecary, 7PM

Fermented dairies, like kefire, yogurt, butter, buttermilk, and more

 

Stanton Moore Trio

Snug Harbor, 8PM

Galactic drummer's side project

 

Water Seed

Blue Nile, 9PM

Future funk stars

 

Treme Brass Band

d.b.a., 9PM

See the legendary band on their home turf

 

Rebirth Brass Band

Maple Leaf, 10PM

2 sets by the Grammy-winning brass band

 

Smoking Time Jazz Club

Spotted Cat, 10PM

Trad jazz masters

 
 

MERCREDI

August 23rd

Wine Down Wednesdays

New Orleans Jazz Museum, 6:30PM

Free yogalates at the Mint

 

The Heart of Herbalism

Rosalie Apothecary, 7PM

Syrups and immune health

 

Trapper Keeper

Side Bar, 8:30PM

Local improv music duo, feat. Dr. Jeff Albert

 

Trainspotting

Bar Redux, 9PM

Free screening of junkie masterpiece

 

Chris & Tami

The New Movement, 9:30PM

TNM's founders perform weekly free show

 

Vixens & Vinyl

One Eyed Jacks, 10:30PM

Burlesque dance party

JEUDI

August 24th

Summertime Blues

Shops at Canal Place, 5:30PM

Young professionals meet-up with blues, brews, and BBQ

 

Architecture & Design Film Festival Kick-Off

Contemporary Arts Center, 5:30PM

Opening night party and film

 

Yoga Social Club

Crescent Park, 5:45PM

Get sweaty and centered

 

Ogden After Hours

Ogden Museum, 6PM

Feat. Sweet Olive String Band

 

Ambush Reggae Band

Gasa Gasa, 9PM

Local roots reggae group

 

Royal Teeth

Tipitina's, 9PM

Feat. Merci Raines and No True Scotsman

VENDREDI

August 25th

Friday Nights at NOMA

NOMA, 5PM

Feat. The Pfister Sisters

 

Exotic Races

Fair Grounds, 5PM

Races feat. ostriches and camels

 

More Lovely and More Temperate

Valiant Theatre and Lounge, 6PM

Performance of all 154 Shakespearean sonnets

 

Lil' WeezyAna Fest

Champions Square, 7PM

Feat. Gucci Man, Rich the Kid, Kodie Shane, YoungBoy NBA, and Lil Wayne

 

Little Maker & Mr. Universe

One Eyed Jacks, 9PM

Feat. special tribute to The Band

 

Rocky Horror Picture Show

Prytania Theatre, 12AM

Feat. NOLA's foremost shadow cast The Well-Hung Speakers

SAMEDI

August 26th

It's About TIME

Studio Be, 6PM

Artist conversation about oppression via symbols like the monuments

 

New Pride Pageant

Cafe Istanbul, 6PM

Honoring Mr & Miss New Orleans Pride 2017

 

New Orleans Saints vs. Houston Texans

SuperDome, 7PM

The Saints and Texans go head to head

 

Rick & Morty Marathon

Bar Redux, 9PM

Outdoor binge session for Dan Harmon's animated series

 

Swamp Motel

Gasa Gasa, 9PM

Album release party for Louisiana rockers

 

Vox & The Hound

One Eyed Jacks, 10PM

Pop group, feat. psych band Midriff and Naughty Palace


On the Fringe II

Berlin to Broadway, Ballsy & Offensive, Poetry Brothel & More



New Orleans Fringe closes out tonight, after five days of 76 plays at over 40 venues. Read on for NoDef's last batch of reviews. 

 

From Berlin to Broadway

 

Over the course of From Berlin to Broadway, performer Bremner Duthie delivers a range of songs from the career of one of the modern's world most well known composers, Kurt Weill.  An indication stolen from the show itself: audience members are treated with both songs from underground cabarets in 1930s Germany as well as show tunes that had their début on the Broadway stage.  Performed at Byrdie's along St. Claude, Duthie's voice thoroughly resonates the many bodies as well as the space around this cozy venue with a forceful and precise mastery.

 

The performance begins as Duthie jumps quickly from his conversation with his pianist, Alan Payne, and starts belting the original German version of "What Keeps Mankind Alive?"   Switching to English, we hear the translation of the harsh and foreign guttural stops and discover lyrics that match, as an answer to the question: "The fact that millions are daily tortured / Stifled, punished, silenced and oppressed."  After the song, Duthie launches into an explanation of the life of Kurt Weill, detailing his work experience with Bertolt Brecht (the source of the more left-wing, revolutionary lyrics) and Lotte Lenya, his on-again off-again lover.

 

 

Teasing the audience with snippets of his personal experience studying and performing Kurt Weill that led led to legal recourse, Duthie's passion for the composer becomes the second strong underlying theme of the show.  It is obvious Duthie has an obsession, a positive one he is able to share with audiences around the world, having recorded some of these songs in Paris among other places.

 

 

Continuing a running narration of Weill's life, as it bounces around Nazi Germany, general European vagabondery, and disgust at hobnobbing in early Los Angeles, we hear such iconic songs as "Mack the Knife,"

 

"The Ballad of Sexual Dependency," and "Youkali."  The songs, while of course with same the resonance given by such a full-bodied performer, manage to touch a variety of emotions.  Duthie's facial expressions, thoughtful hand gestures, and slightly rocking feet allow for another layer of communication in the songs, as well as being proof of his passion.

 

 

Hearing tales of lover's quarrels and the hardships of artists, the narrative in between the songs give an interesting history of the first half of the 20th century.   Notably, lyrics for Weill range from Brecht, Walt Whitman, and Langston Hughes.  The performance ends with a touching rendition of "Speak Low," as Duthie insightfully comments, a song that could be sung either in church or on broadway, the duplicity being one of Weill's defining qualities.  An informative and passionately musical experience by a talented performer.  Catch From Berlin to Broadway every night at 7pm at Byrdie's.

 

 

READ: NoDef 2013 Fringe Reviews, Vol. 1

READ: NoDef 2013 Fringe Reviews, Vol. 2

READ: NoDef 2013 Fringe Reviews, Vol. 3 

READ: NoDef 2013 Fringe Reviews, Vol. 4

 

Ballsy, Offensive & Funny as F*ck

 

The outrageously titled play worked from the moment one stepped into the venue. The bright oranges and deep browns of the Hi-Ho Lounge set the tone for the performance. A packed house, people at the bar getting multiple drinks, a screen onstage projecting old Sesame Street clips. Ballsy, Offensive & Funny as F*ck added to the immersion.

 

The two woman show featuring the YES Girls; Cayenne Cuntessa and Lemmie Lickett, brought 45 minutes of sharp, over the top, boozy, ballsy comedic skits. Our heroines appear in bright, big-wigged, gaudy costumes swigging from bottles of Mad Dog 20/20 and command the stage with quick wit, envelope pushing, prop using fun. The audience remained with the YES Girls throughout the performance, which gave us brilliant monologues and songs about the Plan B pill and the downside to having children, sex with all the races, abortion, masturbation, mishaps and The Little Mermaid wanting to be "loved like a girl."

 

The chemistry between Cayenne Cuntessa and Lemmie Lickett is on full display, as they interplay between skits and songs, even when their singing or lines falter a bit. They appear a well seasoned comedy duo who have a good time in their production.

 

Offensive is true to name. The production is for those of you who are not easily offended by language or topics. It targets a nudie nice that really just enjoys having a drink in a bar and getting back to the simple days of Sesame Street, with a wicked twist. Attendees will never see Bert and Ernie or hear Phil Collins’ “In the Air Tonight” filtered through innocence of youth again.

 

Ballsy, Offensive & Funny as F*ck is a 18+ only show playing again at Hi-Ho Lounge (at 2239 St. Claude Ave.) on Sunday 11/24 at 7:30pm.

 

--Todd Cirillo

 

 

Down and Outskirts

 

Down and Outskirts presented by the New Orleans Poetry Brothel employs the classic trope of a play within a play. The scene is set at the Backyard Ballroom, a dingy shed with a bar out back set back from the 3500 block of St. Claude Ave. The venue is appropriate choice for the organic production.

 

Action begins immediately after audience members take their seats. Cast members wander and interact with people by reading poems and drawing “portraits”. Still others stumble about, portraying lost working girls of long-gone Storyville. They lament the red light district's shutdown at midnight or try convince themselves that it will not happen. The pre-show music was fitting, filled with songs about jellyrolls and drinking; old time blues and jazz. There is no other stage production other than the music and the poems.

 

The show officially begins with a working girl (with an exquisite voice) singing about the shutdown of Storyville. What follows is approximately 40 minutes of poetry, a bit of burlesque and a narrative that loosely stays with the Storyville theme. The program's description of Down and Outskirts as a “a disjointed tale” holds true. Most of the poems, at first listen, do not appear to have a strong or literal connection to the Storyville theme.

 

The performers all give solid readings of their pieces and deliver them in a fearless and captivating manner. The burlesque segments especially shine. The performers come at the audience from all sides of the theater which adds a wonderfully interactive element.

The concepts and philosophy driving the new New Orleans Poetry Brothel is solid. Future works hold great potential. Down and Outskirts is spoken word as strictly stage performance done very well, no small feat. This show would suit those of you who enjoy a sense of non-linear randomness in their narrative and a cast with the guts to pull it off.

 

Down and Outskirts is a 18+ only show at the Backyard Ballroom (3519 St. Claude Ave.) and plays again 11/24 at 7pm.

 

--Todd Cirillo

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Contributors

Renard Boissiere, Evan Z.E. Hammond, Naimonu James, Wilson Koewing, J.A. Lloyd, Nina Luckman, Dead Huey Long, Joseph Santiago, Andrew Smith, Cynthia Via, Austin Yde

Photographers


Art Director

Michael Weber, B.A.

Editor

Alexis Manrodt

Listings Editor

Linzi Falk

Editor Emeritus

B. E. Mintz

Editor Emeritus

Stephen Babcock

Published Daily