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Defender Picks

 

MERCREDI

March 29th

Response: Artists in the Park

Botanical Garden, 10AM

Art exhibit and sale en plein air

 

Studio Opening Party

Alex Beard Studio, 5PM

Drinks, food, painting to celebrate the artist's studio opening

 

Sippin' in the Courtyard

Maison Dupuy Hotel, 5PM

Fancy foods, music by jazz great Tim Laughlin, and event raffle

 

Work Hard, Play Hard

Benachi House & Gardens, 6PM

Southern Rep's fundraising dinner and party 

 

Lecture: Patrick Smith

New Canal Lighthouse, 6PM

Coastal scientist discusses his work

 

Pelicans vs. Dallas Mavericks

Smoothie King Center, 7PM

The Birds and the Mavs go head to head

 

Drag Bingo

Allways Lounge, 7PM

Last game planned in the Allways's popular performance & game night

 

They Blinded Me With Science: A Bartender Science Fair

2314 Iberville St., 7:30PM

Cocktails for a cause

 

Brian Wilson 

Saenger Theatre, 8PM

The Beach Boy presents "Pet Sounds" 

 

Movie Screening: Napoleon Dynamite

Catahoula Hotel, 8PM

Free drinks if you can do his dance. Vote for Pedro!

 

Blood Jet Poetry Series

BJs in the Bywater, 8PM

Poetry with Clare Welsh and Todd Cirillo

 

Horror Shorts

Bar Redux, 9PM

NOLA's Horror Films Fest screens shorts

 

A Boogie Wit Da Hoodie

Howlin Wolf, 10PM

Bronx hip hop comes south

 

JEUDI

March 30th

Aerials in the Atrium

Bywater Art Lofts, 6PM

Live art in the air

 

Ogden After Hours

Ogden Museum, 6PM

Feat. Mia Borders

 

Pete Fountain: A Life Half-Fast

New Orleans Jazz Museum, 6PM

Exhibit opening on the late Pete Fountain

 

Big Freedia Opening Night Mixer

Mardi Gras Museum of Costumes and Culture, 6PM

Unveiling of Big Freedia's 2018 Krew du Viewux costume

 

An Edible Evening

Langston Hughes Academy, 7PM

8th annual dinner party in the Dreamkeeper Garden

 

RAW Artists Present: CUSP

The Republlic, 7PM

Immersive pop-up gallery, boutique, and stage show

 

Electric Swandive, Hey Thanks, Something More, Chris Schwartz

Euphorbia Kava Bar, 7PM

DIY rock, pop, punk show

 

The Avett Brothers

Saenger Theatre, 7:30PM

Americana folk-rock

 

Stand-Up NOLA

Joy Theater, 8PM

Comedy cabaret

 

Stooges Brass Band

The Carver, 9PM

NOLA brass all-stars

 

Wolves and Wolves and Wolves and Wolves

Gasa Gasa, 9PM

Feat. Burn Like Fire and I'm Fine in support

 

Fluffing the Ego

Allways Lounge, 10:30PM

Feat. Creep Cuts and Rory Danger & the Danger Dangers

 

Fast Times Dance Party

One Eyed Jacks, 10:30PM

80s dance party

 


Flood of Participation

New Orleans Opera's ‘Noye’s Fludde,’ Reviewed



On Friday, the New Orleans Opera Association presented its first of a three performances of Benjamin Britten’s Noye’s Fludde to a full house at Trinity Episcopal Church.

 

By staying true to the British composer’s original staging, which makes equal use of expert and amateur performers and encourages audience participation, operagoers were offered something quite different from anything they may have experienced in the Association's usual home at the Mahalia Jackson Theatre. With the sublime score, remarkable talent from professional cast and musicians, and clear enthusiasm from wholehearted newcomers, NOOA’s rendering of Noye’s Fludde made for an immensely gratifying night of opera.

 

The air in Trinity Episcopal Church was electrified as patrons took to the pews. As the principles from the Louisiana Philharmonic Orchestra tuned up, their fellow musicians from Greater New Orleans Youth Orchestra and Ursuline Academy Recorder Consort prepped at their confined stations. Smartly dressed in a tuxedo, Treyvon Johnson, a sixth grade student at St. Joan of Arc in LaPlace, tested his wind machine. Next to him, LPO member Mary Ann Bulla and Loyola accompanist Yui Asano sat side-by-side at the piano. Minutes after 8 pm, concertmaster Byron Tauchi asked the pianists for an A, and director Robert Lyall strode to the podium.

 

Before the production began, Lyall encouraged the audience to sing along with the three chorales Britten wrote into Noye’s Fludde, explaining the community-based nature of the program. Then the lights dimmed and Lyall dropped the baton on first bars of the song, “Lord Jesus, Think On Me.” Britten’s elaborate and virtuosic orchestration of the centuries-old hymn, confidently performed by the orchestras, gave the audience a first glimpse into Britten’s preternatural genius. The audience got even closer to the music when Lyall turned toward the crowd and cued all to sing along.

 

The cast of professional singers carried the majority of the first half of the production. Noah, played with striking composure by gifted bass Arthur Woodley, was joined by his three sons and their wives—all performed with poise and flair by a cast of singers from New Orleans and the region. The hilarious and dynamic performance of Mrs. Noah was played by show-stealing mezzo-soprano Victoria Livengood. The earth-shaking voice of God was spoken offstage by WDSU senior news anchor Norman Robinson.

 

As the threat of the Flood grew nearer, choruses of children from 36 schools in the region joined the cast. Trumpets reverberated from the balcony, and two by two, children dressed as all manner of animals and insects galloped down the aisles singing (and squeaking), “Kyrie! Kyrie! Kyrie, eleison!”—delighting audiences with their costumes and voices. The performances of these opera starlets were remarkably sincere, with most immersing themselves into their roles. The young actresses playing the raven and dove (Lusher student Elijah St. Martin and Trinity Choir member Molly Kane, respectively) were rarely seen moving without flapping their wings.

 

As the story concluded with one last chorale, the Trinity Bell Choir rang out from the balcony and all members of each orchestra and choir were joined by the audience to sing “What Though in Solemn Silence All.” Before the orchestra could hit the final note, the performers were met with extended applause from the audience. Principals Woodley and Livengood received a standing ovation.

 

After the applause died down and the lights came up, young percussionist Marley Bogran, whose performance included striking coffee cups with a wooden spoon, gave a thumbs up to a member of the LPO. She responded with a smile and a nod.

 

New Orleans Opera Association has succeeded in a rather daunting undertaking: collaborating with a number of local organizations to present Britten’s elaborate Noye’s Fludde in a way that was technically straightforward, unfeigned, and a lot of fun to be a part of. It’s not to be missed.

 

NOOA’s presentation of Noye’s Fludde continues Saturday, November 16 at 8 pm and Sunday, November 17 at 2:30 pm at Trinity Episcopal Church (1329 Jackson Ave.). Tickets start at $20 for adults and $5 for children. Visit the NOOA website or call 504-529-3000 for more information.

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Contributors:

Evan Z.E. Hammond, Dead Huey, Andrew Smith

Listings Editor


Photographers


Art Director:

Michael Weber, B.A.

Editor:

Alexis Manrodt

Published Daily

Editor Emeritus:

B. E. Mintz

Editor Emeritus



Stephen Babcock