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Defender Picks



December 1st

Pelicans v. Grizzlies

Smoothie King Center, 7p.m.

Memphis takes on Nola


The Art of Giving

Ogden Museum, 5p.m.

A holiday shopping events


Until The Beat Stops

Garden District Book Shop, 6p.m.

A novel by Stella Mowen


Poetry: A Survivor’s Guide

Maple Street Book Shop, 7p.m.

Compilation by Mark Yakich



Saenger, 7:30p.m.

Broadway smash-hit


December 2nd

Tank and The Bangas Backyard Hangout

1032 St. Maurice St., 6p.m.

Also ft. The Original Pinettes Brass Band


A Dark and Stormy Night

The Arbor Room, 6:30p.m.

An evening of cocktails and ghost stories


Pelicans v. Rockets

Toyota Center, 7p.m.

Nola heads to Houston


Freeman’s: The Best New Writing on Arrival

Garden District Book Shop, 6p.m.

Compliation of writing about “arriving”


Cas Haley

Howlin’ Wolf, 10p.m.

In the Den


December 3rd

Ogden After Hours

Ogden, 5:30p.m.

This week ft. Roman Street


Prism Break

Zeitgeist, 6p.m.

An interactive video installation


The Butlers of Iberville Parish

Garden District Book Shop, 6p.m.

Dunboyne Plantation in the 1800s


An Evening with Lusher’s Creative Writing Program

Maple Street Book Shop, 5:30p.m.

Students read from their original work


December 4th

Newcomb Art Department Holiday Sale

Carroll Gallery, 10a.m.

Ft. works in glass, ceramics, printmaking, jewelry and more



Home for the Holidays

Peoples Health New Orleans Jazz Market, 8p.m.

Fundraiser honoring returned Nola homeowners


The Soul Stoned Fest

The Willow, 8:30p.m.

Art, music and visuals


Doombalaya & CakeWalk

Tipitina’s, 9p.m.

A couple Nola bands jam for the weekend


Pelicans v. Cavaliers

Smoothie King Center, 8:30p.m.

Cleveland comes to New Orelans


Friday Nights at NOMA

NOMA, 5p.m.

This week ft. Artist Perspective with John Barnes


December 5th

St. Nicholas Day Fair

French Market, 10a.m.

Ft. the Saint Nick Secondline, facepaint and more


Algiers Bonfire & Concert

Algiers Ferry Landing, 5p.m.

“A Riverfront Holiday Celebration”


12 Brews of Christmas

House of Blues, 6p.m.

$20 to taste 12 seasonal beers


NOLA Polar Express

Freret St. Publiq House, 8p.m.

Benefit for CASA New Orleans


3rd Annual Krampus Gras

The Voodoo Lounge, 10p.m.

Dancing, drinking and fundraising for Planned Parenthood


December 6th

White Christmas

Prytania, 10a.m.

Part of the Holiday Movie Series


Saints v. Panthers

Mercedes-Benz Superdome, 3:25p.m.

Carolina comes to Nola


Bikes Vs. Cars

Zeitgeist, 9p.m.

Bikes for change



Saenger, 2p.m.;7:30p.m.

Broadway smash-hit

Flood of Participation

New Orleans Opera's ‘Noye’s Fludde,’ Reviewed

On Friday, the New Orleans Opera Association presented its first of a three performances of Benjamin Britten’s Noye’s Fludde to a full house at Trinity Episcopal Church.


By staying true to the British composer’s original staging, which makes equal use of expert and amateur performers and encourages audience participation, operagoers were offered something quite different from anything they may have experienced in the Association's usual home at the Mahalia Jackson Theatre. With the sublime score, remarkable talent from professional cast and musicians, and clear enthusiasm from wholehearted newcomers, NOOA’s rendering of Noye’s Fludde made for an immensely gratifying night of opera.


The air in Trinity Episcopal Church was electrified as patrons took to the pews. As the principles from the Louisiana Philharmonic Orchestra tuned up, their fellow musicians from Greater New Orleans Youth Orchestra and Ursuline Academy Recorder Consort prepped at their confined stations. Smartly dressed in a tuxedo, Treyvon Johnson, a sixth grade student at St. Joan of Arc in LaPlace, tested his wind machine. Next to him, LPO member Mary Ann Bulla and Loyola accompanist Yui Asano sat side-by-side at the piano. Minutes after 8 pm, concertmaster Byron Tauchi asked the pianists for an A, and director Robert Lyall strode to the podium.


Before the production began, Lyall encouraged the audience to sing along with the three chorales Britten wrote into Noye’s Fludde, explaining the community-based nature of the program. Then the lights dimmed and Lyall dropped the baton on first bars of the song, “Lord Jesus, Think On Me.” Britten’s elaborate and virtuosic orchestration of the centuries-old hymn, confidently performed by the orchestras, gave the audience a first glimpse into Britten’s preternatural genius. The audience got even closer to the music when Lyall turned toward the crowd and cued all to sing along.


The cast of professional singers carried the majority of the first half of the production. Noah, played with striking composure by gifted bass Arthur Woodley, was joined by his three sons and their wives—all performed with poise and flair by a cast of singers from New Orleans and the region. The hilarious and dynamic performance of Mrs. Noah was played by show-stealing mezzo-soprano Victoria Livengood. The earth-shaking voice of God was spoken offstage by WDSU senior news anchor Norman Robinson.


As the threat of the Flood grew nearer, choruses of children from 36 schools in the region joined the cast. Trumpets reverberated from the balcony, and two by two, children dressed as all manner of animals and insects galloped down the aisles singing (and squeaking), “Kyrie! Kyrie! Kyrie, eleison!”—delighting audiences with their costumes and voices. The performances of these opera starlets were remarkably sincere, with most immersing themselves into their roles. The young actresses playing the raven and dove (Lusher student Elijah St. Martin and Trinity Choir member Molly Kane, respectively) were rarely seen moving without flapping their wings.


As the story concluded with one last chorale, the Trinity Bell Choir rang out from the balcony and all members of each orchestra and choir were joined by the audience to sing “What Though in Solemn Silence All.” Before the orchestra could hit the final note, the performers were met with extended applause from the audience. Principals Woodley and Livengood received a standing ovation.


After the applause died down and the lights came up, young percussionist Marley Bogran, whose performance included striking coffee cups with a wooden spoon, gave a thumbs up to a member of the LPO. She responded with a smile and a nod.


New Orleans Opera Association has succeeded in a rather daunting undertaking: collaborating with a number of local organizations to present Britten’s elaborate Noye’s Fludde in a way that was technically straightforward, unfeigned, and a lot of fun to be a part of. It’s not to be missed.


NOOA’s presentation of Noye’s Fludde continues Saturday, November 16 at 8 pm and Sunday, November 17 at 2:30 pm at Trinity Episcopal Church (1329 Jackson Ave.). Tickets start at $20 for adults and $5 for children. Visit the NOOA website or call 504-529-3000 for more information.

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Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Theatre Critic

Michael Martin


Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond


Paolo Roy

Art Director:

Michael Weber, B.A.


B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus

Stephen Babcock