Search
| Scattered Clouds, 82 F (28 C)
| RSS | |

SECTIONS:

 

Arts · Politics · Crime
· Sports · Food ·
· Opinion · NOLA ·
Lagniappe

 
THE

Defender Picks

 

jeudi

September 3rd

Earth

OEJ, 7p.m.

Rock/metal from Olympia, Washington

 

Ogden After Hours

Ogden, 6p.m.

This week ft. Chase Gassaway

 

EDEN

Contemporary Arts Center, 7p.m. 

Film screening explores the life a Parisian musician after the peak of his musical career

 

Bayou International Reggae Night 

Blue Nile, 11p.m.

Reggae spun by DJ T

 

Brass-A-Holics

Freret St. Publiq House, 9:30p.m.

The classic Nola crew rocks Freret

 

Thursdays at Twilight

City Park, 6p.m.

This week ft. Joe Krown Swing Band

 

Tulane v. Duke

Yulman Stadium, 8:30p.m.

Tulane's first home football game of the season

vendredi

September 4th

Mötley Crüe

Smoothie King Center, 8p.m.

The heavy metal band’s final tour

 

Louisiana Seafood Festival 

City Park Festival Grounds, 11a.m.

Celebration of the state’s seafood and music

 

Saints vs. Packers

Lambeau Field, 6p.m.

Last preseason game

 

 

Friday Nights at NOMA

NOMA, 5p.m.

Arts and Letters with Thomas Beller

 

Foundation Free Fridays

Tip’s, 9p.m.

Free evening of music this week ft. Flow Tribe and Stoop Kids

 

futureBased + Carneyval

Republic, 10p.m. 

Get your electronic fix

samedi

September 5th

Super Fresh Hip Hop Fest

Lakefront Arean, 8p.m.

Salt N Pepa, Slick Rick and others take Nola

 

Louisiana Seafood Festival 

City Park Festival Grounds, 11a.m.

Celebration of the state’s seafood and music

 

Disorientation

Howlin’ Wolf, 9:30p.m.

Naughty Professor + Elysian Feel and more

 

 

Bourbon Street Extravaganza

Bourbon and St. Ann Streets, 6p.m.

Free outdoor concert as part of Southern Decadence

 

Crescent City Farmer’s Market

700 Magazine St., 8a.m.-12p.m.

Downtown edition of the city's prime local market

dimanche

September 6th

Louisiana Seafood Festival 

City Park Festival Grounds, 11a.m.

Last day to grab some seafood and catch some jams

 

Mistress America

Prytania, 12p.m.;2p.m.;4p.m.;6p.m.;8p.m.;10p.m.

A college freshman is seduced by her step-sister’s mad schemes

 

What So Not

Republic, 9p.m.

Australian electronic music project

 

September Open Mic & Slam

Old Marquer Theater, 6:30p.m.

Monthly slam and fundraiser 

 

Southern Decadence Walking Parade

Golden Lantern, 2p.m.

Pride and parades


Flood of Participation

New Orleans Opera's ‘Noye’s Fludde,’ Reviewed



On Friday, the New Orleans Opera Association presented its first of a three performances of Benjamin Britten’s Noye’s Fludde to a full house at Trinity Episcopal Church.

 

By staying true to the British composer’s original staging, which makes equal use of expert and amateur performers and encourages audience participation, operagoers were offered something quite different from anything they may have experienced in the Association's usual home at the Mahalia Jackson Theatre. With the sublime score, remarkable talent from professional cast and musicians, and clear enthusiasm from wholehearted newcomers, NOOA’s rendering of Noye’s Fludde made for an immensely gratifying night of opera.

 

The air in Trinity Episcopal Church was electrified as patrons took to the pews. As the principles from the Louisiana Philharmonic Orchestra tuned up, their fellow musicians from Greater New Orleans Youth Orchestra and Ursuline Academy Recorder Consort prepped at their confined stations. Smartly dressed in a tuxedo, Treyvon Johnson, a sixth grade student at St. Joan of Arc in LaPlace, tested his wind machine. Next to him, LPO member Mary Ann Bulla and Loyola accompanist Yui Asano sat side-by-side at the piano. Minutes after 8 pm, concertmaster Byron Tauchi asked the pianists for an A, and director Robert Lyall strode to the podium.

 

Before the production began, Lyall encouraged the audience to sing along with the three chorales Britten wrote into Noye’s Fludde, explaining the community-based nature of the program. Then the lights dimmed and Lyall dropped the baton on first bars of the song, “Lord Jesus, Think On Me.” Britten’s elaborate and virtuosic orchestration of the centuries-old hymn, confidently performed by the orchestras, gave the audience a first glimpse into Britten’s preternatural genius. The audience got even closer to the music when Lyall turned toward the crowd and cued all to sing along.

 

The cast of professional singers carried the majority of the first half of the production. Noah, played with striking composure by gifted bass Arthur Woodley, was joined by his three sons and their wives—all performed with poise and flair by a cast of singers from New Orleans and the region. The hilarious and dynamic performance of Mrs. Noah was played by show-stealing mezzo-soprano Victoria Livengood. The earth-shaking voice of God was spoken offstage by WDSU senior news anchor Norman Robinson.

 

As the threat of the Flood grew nearer, choruses of children from 36 schools in the region joined the cast. Trumpets reverberated from the balcony, and two by two, children dressed as all manner of animals and insects galloped down the aisles singing (and squeaking), “Kyrie! Kyrie! Kyrie, eleison!”—delighting audiences with their costumes and voices. The performances of these opera starlets were remarkably sincere, with most immersing themselves into their roles. The young actresses playing the raven and dove (Lusher student Elijah St. Martin and Trinity Choir member Molly Kane, respectively) were rarely seen moving without flapping their wings.

 

As the story concluded with one last chorale, the Trinity Bell Choir rang out from the balcony and all members of each orchestra and choir were joined by the audience to sing “What Though in Solemn Silence All.” Before the orchestra could hit the final note, the performers were met with extended applause from the audience. Principals Woodley and Livengood received a standing ovation.

 

After the applause died down and the lights came up, young percussionist Marley Bogran, whose performance included striking coffee cups with a wooden spoon, gave a thumbs up to a member of the LPO. She responded with a smile and a nod.

 

New Orleans Opera Association has succeeded in a rather daunting undertaking: collaborating with a number of local organizations to present Britten’s elaborate Noye’s Fludde in a way that was technically straightforward, unfeigned, and a lot of fun to be a part of. It’s not to be missed.

 

NOOA’s presentation of Noye’s Fludde continues Saturday, November 16 at 8 pm and Sunday, November 17 at 2:30 pm at Trinity Episcopal Church (1329 Jackson Ave.). Tickets start at $20 for adults and $5 for children. Visit the NOOA website or call 504-529-3000 for more information.

view counter
view counter
view counter
Follow Us on Facebook
view counter
view counter
view counter
view counter
view counter
Mardi Gras Zone
view counter


Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Theatre Critic

Michael Martin

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock