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Defender Picks



March 28th

Book Reading: Elizabeth Pearce

Garden District Book Shop, 6PM

From her new book "Drink Dat New Orleans: A Guide to the Best Cocktail Bars, Dives, & Speakeasies"


Spring Publishing Camp

Tubby & Coo's Mid-City Book Shop, 7PM

Book publishing workshop


Gabby Douglas

Dillrd University, 7PM

Olympic gymnast talks fame and fitness



The Carver, 7PM

World soul jazz music


Laughter Without Borders

Loyola University, 7PM

Clowns for a cause, to benefit Syrian refugees


Tuesday Night Haircuts

St. Roch Tavern, 8PM

Tonight: beer, haircuts, karaoke


Thinkin' With Lincoln 

Bayou Beer Garden, 8PM

Outdoor trivia


Water Seed

Blue Nile, 9PM

Interstellar future funk


Stanton Moore Trio

Snug Harbor, 10PM

Galactic drummer’s side project - also at 8PM


March 29th

Response: Artists in the Park

Botanical Garden, 10AM

Art exhibit and sale en plein air


Studio Opening Party

Alex Beard Studio, 5PM

Drinks, food, painting to celebrate the artist's studio opening


Sippin' in the Courtyard

Maison Dupuy Hotel, 5PM

Fancy foods, music by jazz great Tim Laughlin, and event raffle


Work Hard, Play Hard

Benachi House & Gardens, 6PM

Southern Rep's fundraising dinner and party 


Lecture: Patrick Smith

New Canal Lighthouse, 6PM

Coastal scientist discusses his work


Pelicans vs. Dallas Mavericks

Smoothie King Center, 7PM

The Birds and the Mavs go head to head


Drag Bingo

Allways Lounge, 7PM

Last game planned in the Allways's popular performance & game night


They Blinded Me With Science: A Bartender Science Fair

2314 Iberville St., 7:30PM

Cocktails for a cause


Brian Wilson 

Saenger Theatre, 8PM

The Beach Boy presents "Pet Sounds" 


Movie Screening: Napoleon Dynamite

Catahoula Hotel, 8PM

Free drinks if you can do his dance. Vote for Pedro!


Blood Jet Poetry Series

BJs in the Bywater, 8PM

Poetry with Clare Welsh and Todd Cirillo


Horror Shorts

Bar Redux, 9PM

NOLA's Horror Films Fest screens shorts


A Boogie Wit Da Hoodie

Howlin Wolf, 10PM

Bronx hip hop comes south



March 30th

Aerials in the Atrium

Bywater Art Lofts, 6PM

Live art in the air


Ogden After Hours

Ogden Museum, 6PM

Feat. Mia Borders


Pete Fountain: A Life Half-Fast

New Orleans Jazz Museum, 6PM

Exhibit opening on the late Pete Fountain


Big Freedia Opening Night Mixer

Mardi Gras Museum of Costumes and Culture, 6PM

Unveiling of Big Freedia's 2018 Krew du Viewux costume


An Edible Evening

Langston Hughes Academy, 7PM

8th annual dinner party in the Dreamkeeper Garden


RAW Artists Present: CUSP

The Republlic, 7PM

Immersive pop-up gallery, boutique, and stage show


Electric Swandive, Hey Thanks, Something More, Chris Schwartz

Euphorbia Kava Bar, 7PM

DIY rock, pop, punk show


The Avett Brothers

Saenger Theatre, 7:30PM

Americana folk-rock


Stand-Up NOLA

Joy Theater, 8PM

Comedy cabaret


Stooges Brass Band

The Carver, 9PM

NOLA brass all-stars


Wolves and Wolves and Wolves and Wolves

Gasa Gasa, 9PM

Feat. Burn Like Fire and I'm Fine in support


Fluffing the Ego

Allways Lounge, 10:30PM

Feat. Creep Cuts and Rory Danger & the Danger Dangers


Fast Times Dance Party

One Eyed Jacks, 10:30PM

80s dance party


Fest Vet

George Ray's 32 Years Behind the Scenes

Last Saturday, thousands danced in the streets to the sounds zydeco music, but amidst the joyful chaos, George Ray sat quietly content. Dark eyes peered up from under a bright orange hat, monogrammed "French Quarter Fest" in bold black letters. The wizened man kindly smiled, offering his hand in greeting, "Pleased to meet you." The familiar grip of a working man's calloused hand tightened around my own in a firm shake.


A cast of hundreds of unassuming workers dedicate their time and energy to bringing the French Quarter Festival to life. Though all of their dedication is commendable, George is a little different. He is the most tenured part of the fest, working for the institution since Year One.


You can see his life experiences on his face and hear the wisdom in his word. Maybe one can see the fascinating story that all New Orleanians share, a love for their city and its customs, in his face. Or maybe, his importance is simply illustrated by the team of workers running around with credentials that read only “George’s Crew.”


There was no crew when the festival started in 1984. Back then, George started running bags of ice and production materials and the stages only covered Jackson Square. George fondly remembers how he originally got the job, "I had been working for Peter Meyer Advertising since 1976, when Sandra Dartus, the original festival director, who I had worked with previously on other events, asked if I would like to try working this new festival they were planning." 


Ray says that the early years were challenging yet rewarding at the same time. He was surrounded by some of the greatest musical talent to come out of the Quarter such as the Dukes of Dixieland and Allen Toussaint. Then, he got to watch the party grow and expand every year. By 1991, FQF was occupying real estate in Woldenberg Park as well.


As time progressed, George continued to adapt to the changing demands, offering his colorful advice from the perspective of the common crewman, "They used to only buy 10 pound bags of ice, but in this Louisiana heat that bag would melt before you could get it to a vendor!" George shakes his head as he remembers the countless dripping bags of icy water, "I told them we needed to start buying the 40 pound bags and they asked 'But George don't you think that's too heavy for you to be carrying?' I told them no, these big bags of ice are going to be a huge relief for us.”


These days, the veteran has golf carts and a squad of helpers to move ice. Fest organizers describe the team's work as “special operations.” George’s Crew can be counted on to fill any holes whether that means moving materials, hanging signs, or picking up the slack on staging or loading trucks.


Adaptability is key to George’s success. He was living in Gentilly on Elysian fields when Katrina hit and flooded his house with ten feet of water. Not to be discouraged, he was back to working the French Quarter Fest the following year despite the record low attendance for the 2006 festival.  


French Quarter Fest and Satchmo Fest both rebounded beyond the highest pre-Storm goals, but George is not about to quit his day job, literally. He is still a loyal Peter Mayer Advertising employee during business hours and works security at both the Mahalia Jackson and Saenger Theatre at night. He simply laughs when I ask him how he finds time to sleep. 


During the Show, days working the festival start before seven in the morning when he first arrives at the site and begins delegating the day's work to his crews. In the evenings, he is the last man of his group to leave.   


This April, George played a different role this time. He continued supervising the crew, but found himself separated from his guys. Logistics dictated that the best place to station himself was outside of the primary staging area on Decatur. From his perch, he could direct the chaos and provide security for a space holding festival's materials. 

The loyalty and respect that others reserve for him is evident as countless workers enter and exit the doors beside us. All of them offer up a greeting to him and he returns an approving nod and an encouraging word.  "I get here before my crews show up because I want to be able to know ahead of time who needs to go where, and I can be there to make sure everything that needs to get done happens."  There is a severity in his tone as he recounts his mornings before the festival.


But not to be left twiddling his thumbs between callers, he greets people as they pass and offers them an official schedule, "I think I've handed out more of these than ya'll have." He mischievously taps the official guides in the cardboard box, clearly labeled with "Developed in Partnership with NOLA Defender"  


For someone to outperform themselves for 32 years there must be a secret. But, when asked how he manages to do such a good job for so many years, he merely shrugs and replies with characteristic humility. "People always say 'Oh George you do such a good job!' or 'Another great year George!' but it's my crew, they make me look good!" 

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Evan Z.E. Hammond, Dead Huey, Andrew Smith

Listings Editor


Art Director:

Michael Weber, B.A.


Alexis Manrodt

Published Daily

Editor Emeritus:

B. E. Mintz

Editor Emeritus

Stephen Babcock