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Lagniappe

 
THE

Defender Picks

 

vendredi

September 4th

Mötley Crüe

Smoothie King Center, 8p.m.

The heavy metal band’s final tour

 

Louisiana Seafood Festival 

City Park Festival Grounds, 11a.m.

Celebration of the state’s seafood and music

 

Saints vs. Packers

Lambeau Field, 6p.m.

Last preseason game

 

 

Friday Nights at NOMA

NOMA, 5p.m.

Arts and Letters with Thomas Beller

 

Foundation Free Fridays

Tip’s, 9p.m.

Free evening of music this week ft. Flow Tribe and Stoop Kids

 

futureBased + Carneyval

Republic, 10p.m. 

Get your electronic fix

samedi

September 5th

Super Fresh Hip Hop Fest

Lakefront Arean, 8p.m.

Salt N Pepa, Slick Rick and others take Nola

 

Louisiana Seafood Festival 

City Park Festival Grounds, 11a.m.

Celebration of the state’s seafood and music

 

Disorientation

Howlin’ Wolf, 9:30p.m.

Naughty Professor + Elysian Feel and more

 

 

Bourbon Street Extravaganza

Bourbon and St. Ann Streets, 6p.m.

Free outdoor concert as part of Southern Decadence

 

Crescent City Farmer’s Market

700 Magazine St., 8a.m.-12p.m.

Downtown edition of the city's prime local market

dimanche

September 6th

Louisiana Seafood Festival 

City Park Festival Grounds, 11a.m.

Last day to grab some seafood and catch some jams

 

Mistress America

Prytania, 12p.m.;2p.m.;4p.m.;6p.m.;8p.m.;10p.m.

A college freshman is seduced by her step-sister’s mad schemes

 

What So Not

Republic, 9p.m.

Australian electronic music project

 

September Open Mic & Slam

Old Marquer Theater, 6:30p.m.

Monthly slam and fundraiser 

 

Southern Decadence Walking Parade

Golden Lantern, 2p.m.

Pride and parades


Feeling the Pull

The Defender Talks With Gravity A



Last week, Laura Cayouette attended Gravity A's standing 10 pm Wednesday gig at Banks Street Bar  in Mid-City. Gravity A's music is an eclectic mix ranging from a cover of a 1972 Herbie Hancock song to fun funky dance tunes and trance-like electronica.The band, comprised of Jonathan Solomon on bass, Mike (Fou) Fouquier on drums, Andrew (Drew) Meehan on keyboards and Aaron Lind on guitar - all play in bare feet.

Laura Cayouette: You're are playing at Bayou Boogaloo?

Andrew (Drew) Meehan: Yes Indeed.

 

 

LC: Bayou Boogaloo is known for its traditional New Orleans music including brass bands and Mardi Gras Indians. What would y'all call your music?

Mike (Fou) Fouquier: New Orleans Funktronica. That's the term we've been leaning towards lately. 

LC: Define New Orleans Funktronica.

MF: Nope.

(Laughing)

LC: What does it mean to you to be a New Orleans musician when you're not part of that traditional culture?

MF: I thinks it's a privilege to be able to hear shit-tons of awesome music in different genres every night of the week and appreciate it and be able to play more than any other band in any other city could play within their home city. I think that's the most important thing about being a New Orleans musician.

AM: It's cool to play a lot of the same places where a lot of people you really like play just 'cuz it's New Orleans so everyone's played everywhere.

 

 

LC: Where's your favorite place to play?

AM: I like the Blue Nile

MF: Tipitina's

Aaron Lind: I like the Dragon's Den.

Jonathan Solomon: I like all those places, probably Blue Nile.

 

 

LC: So, there's a little bit of a consensus. Let's see if I can get a consensus on this. The best snowball in the city is...

AM: The best snowball in the city? Occurred in Fou's bedroom in nineteen ninety uh...(all laughing) Hey, you set it up dirty, I come wid it! The best one is the drive-thru daiquiri one at Jefferson Highway across the street from the hospital in Old Jefferson. That's the best snowball. During Christmas, you get Cajun eggnog.

JS: Man, what do you put on top of that shit?

AM: Nutmeg. What else?

 

 

LC: Do y'all have a favorite New Orleans band outside yourselves?

MF: Imagination Movers.  

AM: Yeah, they're pretty cool. They got DJ Jubilee.

JS: They've got the funk.

AM: But they still incorporated the rap.

MF: I think I gotta say Dumpstaphunk right now as a band that contains mostly New Orleans musicians. I like Dr. Claw as a New Orleans band, but apparently, nobody that's in that band except for... actually nobody is actually from New Orleans. None of them live in New Orleans, but they play New Orleans funk/R&B really well. Adam Deitch, Nick Daniels, Ian Neville lives in New Orleans---

AM: ---I've been liking Government Magic. Their new album's really good.

MF: I'm down with Government Magic.

AL: How about Matt People's Collective. http://mattpeoples.com/

 

 

LC: How did y'all come to be a group?

JS: That's a long one.

LC: Well, give me the Reader's Digest version.

AM: It was lots of years ago. We eventually all made a band together.

JS: Fou and I started the band, then Drew joined it and then quit and then that's how we got Aaron and then Drew came back a few years later.

MF: And that's when the snowball happened. 

AM: Aw, bringin' it back around!

(Laughing)

LC: It's interesting that you two started the band because as you were playing, I noticed that you have a connection and play with and toward each other. So, how long have y'all known each other?

JS: Since high school.

MF: Since 2000, ten years.

 

 

LC: How long ago did you start playing together?

JS: Ten Years ago.

MF: Yeah, when we met. We played a little punk rock music and then we didn't see each other for like two years and then they tore down the Movie Pitchers on Bienville Street and then we didn't see each other for two years and then by chance, we ran into each other in Baton Rouge.

 

 

LC: Where does "Gravity A" come from?

MF: Actually, Gravity A comes from our first guitarist, Carter. He, I guess, found it reading sci fi and stuff like that and basically I guess if you can move gravity A from point A to point B, everything else will follow it and you can reach the speed of light.

 

 

LC: How tough do you think it is for somebody to make a living here as a musician?

AM: You gotta be really good and then spread yourself, I guess.

JS: I guess it just depends on what your living expenses are.

 

LC: Do you have any words of wisdom for young people starting out?

MF: Young people, they find out for themselves, you know. That was my experience anyway. I didn't really listen to much anybody had to say and that's brought me here, so that's okay.

AM: Put $100 bucks in a high interest savings account and don't touch that shit.

 

 

LC: How did y'all come up with your sound?

MF: We're not, I don't know, it's hard to label us as a funk band or an electronica band or a rock band or an indi band or an experimental band, so that's why you gotta see it for yourself. It's good music, none the less. We enjoy good music of all kinds of genres, so that's what we try and make.

JS: We're not a jam band.

AL: Yeah, I guess that's a label.

LC: But isn't Grateful Dead a jam band?

MF: Right. And Grateful Dead has inspired us just like the Meters have inspired us just like Diesel Boy has inspired us. It's all good music that we've all listened to, that we all play and it comes out and we're not trying to sound like one style or the other. It all just comes out creating our unique sound.

 

LC: So, when are y'all playing Bayou Boogaloo?

MF: May 23rd

AM: At 2:45 to 3:45 and they're pretty strict, but not like New Orleans 2:45, like real 2:45.

MF: And we're playing with Tim Green. We usually only do it Halloween at the Blue Nile with Tim Green, but this is gonna be something new, something different.

JS: The sun's gonna be out.

AM: We're coming back from the Hang Out Festival, too.

 

 

 

LC: Thanks.





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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Theatre Critic

Michael Martin

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock