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Lagniappe

 
THE

Defender Picks

 

LUNDI GRAS

February 27th

Red Beans Parade

Marigny Route, 2PM

9th annual march celebrating NOLA's famous Lundi dish

 

Krewe of Proteus

Uptown-St. Charles Route, 5:15PM

The second-oldest parading krewe offers a legendary look at Carnival festivities 

 

Krewe of Orpheus

Uptown-St. Charles Route, 6PM

Harry Connick Jr.'s superkrewe is joined by Westworld actors and an SNL comedian

 

Washboard Chaz

The Carver Theater, 7PM

Washboard Chaz takes a break from The Tin Men tonight to lead the Lundi Gras Blues Party

 

Igor and the Red Elvises

Siberia, 6PM

Russian surf rock comes to St. Claude

 

Big Chief Alfred Doucette

Bar Redux, 8PM

Flaming Arrow Warriors Chief is joined by JD Hill & the Jammers, Big Pearl, and the Fugitives of Funk

 

Alexis & the Samurai

Chickie Wah Wah, 8PM

Indie folk duo perform every Monday

 

The Soul Rebels

Blue Nile, 11PM

Brass legends bring da funk

 

Galactic

Tipitina's, 11PM

Funk legends ($50)

 

MARDI GRAS

February 28th

Jefferson City Buzzards

Uptown-St. Charles Route, 6:45AM

The world's oldest Mardi Gras marching club kicks off the day's celebrations

 

Lyons Carnival Club

Uptown-St. Charles Route, 7AM

Catch them at one of their 10 stops, or meet them for drink at Molly's at the Market at the end of their parade

 

Mondo Kayo Social & Marching Club 

Uptown-St. Charles Route, 7:45AM

Follow Mondo Kayo to be led to an all-day dance party on Frenchmen

 

Pete Fountain's Half-Fast Walking Club

Uptown-St. Charles Route, 7:45AM

Clarinet legend leads his walking krewe to wake up the city for its big party

 

Zulu Social Aide and Pleasure Club

Uptown-St. Charles Route, 8AM

Storied African American krewe is set to dole out coconuts and joy 

 

Societe de Saint Anne

French Quarter Route, 10AM

Wander the Vieux Carre for this parade 

 

KOE

French Quarter Route, 10:15AM

A "cyber" krewe of Carnival enthusiasts from all over the world

 

Rex

Uptown-St. Charles Route, 10AM

Keep an eye out for the iconic Bouef Gras float 

 

Elks Orleanians / Crescent City

Uptown-St. Charles Route, Follows Rex

These truck parades let anyone with wheels join in on the Mardi Gras fun

 

Mardi Gras Indian Orchestra Memoria for Big Chief Roddy Lewis & Tim Green

Hi-Ho Lounge, 3PM

Featuring Jimbo Mathus' Overstuffed Po-boys

 

Fat Tuesday Fish Fry

Bar Redux, 6PM

Annual Mardi Gras fry with local catfish, handcut fries, and homemade slaw

 

Treme Brass Band

d.b.a., 9PM

See the legendary band on their home turf

 

Organized Crime

30/90, 9PM

NOLA funk-jam band with a rotating cast of band members 

 

Smokin' Time Jazz Club

The Spotted Cat, 10PM

Trad jazz masters

 

Rebirth Brass Band

Maple Leaf, 10:30PM

2 sets by the Grammy-winning brass band

 

Jason Neville Band

Vaso, 11:59PM

Member of the famed Neville clan leads his band

 

MERCREDI

March 1st

Dr. Seuss Celebration

St. Tammany Parish, all-day

Celebrate Dr. Seuss's birthday with crafts, snacks, and many fantastical tales

 

Opening Reception: "Waltzing the Muse"

Ogden Museum of Southern Art, 6PM

Ogden's newest exhibition is a Jmes Michalopoulos retrospective

 

New Orleans Jazz Vipers

The Maison, 6:30PM

Local trad jazz standard bearers

 

Pelicans vs. Detroit Pistons

Smoothie King Center, 7PM

The Birds and Pistons go head to head

 

Tin Men

d.b.a., 7PM

The world's premiere washboard-sousaphone-guitar trio

 

New Orleans Community Printshop and Darkroom

Community Print Shop, 7:30PM

Volunteer and members monthly meeting, get involved! 

 

Aurora Nealand & Tom McDermott

Chickie Wah Wah, 8PM

Nealand and McDermott have a fresh take on traditional jazz

 

Delfeayo Marsalis & The Uptown Jazz Orchestra 

Snug Harbor, 8PM & 10PM

Traditional riff and blues sounds

 

Ash Wednesday Singer-Songwriter Showcase

Siberia, 8PM

Featuring Sam Doores, Alex McMurray, Julie Odell, and more

 

Niagara & The Asphalt Jungle

Bar Redux, 9PM

Free screening of two films noir featuring a young Marilyn Monroe

 

Chris & Tami

The New Movement, 9:30PM

Weekly improv from Chris Trew and Tami Nelson

 

Walter "Wolfman" Washington

d.b.a., 10PM

Fiery blues on Frenchmen every week


Feeding the Animals

A NoDef Theatre Review



For a show whose performances revolve around ideas of sex and sexuality, “Adult Petting Zoo” is surprisingly...well...unsexy. At turns funny, lewd, transgressive, whimsical and good old-fashioned weird, the show's acts rely less on sensuality than on surprise and sheer strangeness.

Boundary-prodding and hugely entertaining, “Zoo” is not exactly somewhere you'd want to go on a first date, but it's definitely something worth doing.

“Zoo” is the latest offering from New Orleans Fringe, best known for the Fringe Fest alternative theater showcase. Directed by Emilie Whelan, “Zoo” features several short performances by local and non-local artists, including a reprisal of a performance by a Fringe Fest act called Jazz Hand Job. The comment-defying nature of this name is par for the course for the Fringe folks, who claim “there is nothing too big, too bold, or too dangerous.”

Before the show's opening Thursday night, the atmosphere at the AllWays Lounge had the merry feel of being backstage at a school play. Costumed performers ran to and fro, while a young man in a mixed floral dress and unshaven legs clung to a light rig. A small audience huddled warily around the bar, including a pair of senior citizens, who looked prepared for nothing to shock them. Suddenly, a campy, horror-movie green light flooded one corner, and the show began.

“It was like being sucked up into a drainpipe into deep water,” playwright Gabrielle Reisman intoned – the joke being, of course, that there was no simile. In her performance, she delivers a timely monologue as a personification of oil. Though the rest of the show is relatively apolitical, the somber issue and her moody commentary set the tone for the “deep water” the rest of “Adult Petting Zoo” drags us out to. Many of the performances have a tongue-in-cheek quality, but the stakes are always raised when sex is involved, and “Zoo” plays deftly with that concept. A performance by Skin Horse Theater suddenly swerves into dark territory from a lighthearted, Beach-Boys-backed burlesque act, getting commandeered by a dictatorial, audience-abusing cabaret master. (The act's end, with its unsettling silence in a bit built around a D.H. Lawrence story, is especially chilling.)

Other moments are more lighthearted. A performance imagining legislators sifting through the material studied by the Meese Commission provides the show's first real laughs, and a bawdy segment based mostly in pantomime shows charm and athleticism on the part of the performers. The pantomime segment is staged in a side area, where the audience sits close enough to see the beads of sweat on the entertainers' skin, and to be roped into their comical embraces. This segment may go on a little too long – it's still entertaining, but spans too much time to ask audiences (and curmudgeonly reporters) to sit on the floor.

Jazz Hand Job's “Rigorous Disco of Doom,” a longer-form, mixed-mythology performance, features the ever-popular undead, along with a set of droll bird costumes that might have been captured from the set of a Japanese children's television program. This segment features the best costuming of the show, with a motherboard hung around the neck of a space-nymph and some glittering anatomical augmentation. At the show's close, the performers absorbed the audience into a jubilant and sweaty dance party. Performers from other segments got in on the act, casting away the evening's prurience in favor of innocent fun.

 

Where: AllWays Lounge/Marigny Theater

When: Friday and Saturday, 8 p.m., Saturday 11 p.m.

How Much: $15

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Listings Editor


Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock