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Lagniappe

 
THE

Defender Picks

 

VENDREDI

March 24th

Basic Buddhist Meditation

LIFE Yoga, 7AM

An intro course from Zen teacher Thich Thien Tri

 

Book Signing: Robert Wagner

Adler's New Orleans, 11AM

Hollywood legend signs copies of 'I Loved Her in the Movies'

 

New Creations Brass Band

B.M.C., 11am

Local Brass Band brings a mix of standards and new creations

 

Bourbon Festival

Marriot Convention Center, 6:30PM

Day one of the inaugural Bourbon Fest

 

DumbSmart Industries Showcase

The Broad Theater, 7PM

Short film showcase 

 

Kermit Ruffins & the Barbecue Swingers

Blue Nile 7:30PM

Friday nights with Kermit on Frenchmen 

 

Matisyahu

House of Blues, 8PM

Hebrew hip hop

 

Varla Jean Merman Sings? 

Cafe Istanbul, 8PM

Preview of Merman's new show "Bad Heroine!" 

 

Flogging Molly

Joy Theater, 8:30PM

Celtic punk, feat. Skinny Lister

 

Edwardian Ball Circus Soirée

One Eyed Jacks, 9PM

Artist mixer before Saturday's Edwardian Ball

 

Kanye's Universe

Maple Leaf Bar, 10PM

Chapter Soul hosts a Kanye West dance party

 

Anglo a Go-Go

Bar Redux, 10PM

All-British dance party

 

Relapse 80s/90s Dance Party

Hi-Ho Lounge, 10PM

Party like it's 1999

SAMEDI

March 25th

Brunch Fest

Crescent Park, 10AM

Eat to benefit LA/SPCA

 

Princess, Ponies & Superheroes 

Fair Grounds, 12PM

Family day at the grounds

 

Tank and the Bangas

The Yum Yum, 6PM

NPR faves come home from tour

 

Movie Screening: But I'm a Cheerleader

St. Mark's Church, 6PM

Caravan Cinema screens this Natasha Lyonne comedy

 

Charlie Wilson

Smoothie King Center, 7PM

Feat. Fantasia and Johnny Gill

 

Chris Rock

The Saenger Theatre, 7PM

Comedy superstar brings his "Total Blackout" tour to NOLA

 

Biz Markie

House of Blues, 7PM

80s vs. 90s - decades collide

 

Fleur de Tease

One Eyed Jack's, 8PM

FdT stages "Alice in Wonderland" 

 

Pancakes and Booze Art Show

The Howlin' Wolf, 8PM

NOLA's underground art show, plus free pancakes

 

The Rock and Roll Extravaganza

The Willow, 9PM

Masquerade ball with live music

 

Mod Dance Party

The Circle Bar, 10PM

Sweat to the oldies with DJ Matty

 

Daria & The Hip Drips

Le Bon Temps Roule, 11PM

Free show to move and groove

DIMANCHE

March 26th

Bloody Mary Fest

Howlin' Wolf, 12PM

Over a dozen NOLA spots offer their best bloodies, plus food

 

Alternative Medicine Symposium

Magnolia Yoga Studio, 1PM

Free female-led discussion and open house

 

Red

Playmakers Theater, 2PM

Final staging of drama about painter Mark Rothko

 

Jamie Galloway Crawfish Boil

Maple Leaf Bar, 3PM

5th annual boil commemorating the life of the beloved chef and musician

 

LGBT Spring Fest

Woonderland Production Studios, 3PM

Live music, drinks, water slides, more

 

Music Under the Oaks

Audubon Park, 5PM

LPO Woodwind Quintet performs

 

Palmetto Bug Stompers 

d.b.a., 6PM

Local trad jazz masters

 

Board Game Night

Tubby & Coo's Mid-City  Book Shop, 6PM

Bring games, or join one at the store

 

Hot 8 Brass Band

Howlin’ Wolf Den, 10PM

Mix of brass standards and funky covers

 

Pat Casey & the New Sound

Spotted Cat, 10PM

Boundary pushing fusion jazz

 

Joe Krown Trio

Maple Leaf, 10PM

Krown on the B3 with Russell Batiste and Walter “Wolfman” Washington


Feeding the Animals

A NoDef Theatre Review



For a show whose performances revolve around ideas of sex and sexuality, “Adult Petting Zoo” is surprisingly...well...unsexy. At turns funny, lewd, transgressive, whimsical and good old-fashioned weird, the show's acts rely less on sensuality than on surprise and sheer strangeness.

Boundary-prodding and hugely entertaining, “Zoo” is not exactly somewhere you'd want to go on a first date, but it's definitely something worth doing.

“Zoo” is the latest offering from New Orleans Fringe, best known for the Fringe Fest alternative theater showcase. Directed by Emilie Whelan, “Zoo” features several short performances by local and non-local artists, including a reprisal of a performance by a Fringe Fest act called Jazz Hand Job. The comment-defying nature of this name is par for the course for the Fringe folks, who claim “there is nothing too big, too bold, or too dangerous.”

Before the show's opening Thursday night, the atmosphere at the AllWays Lounge had the merry feel of being backstage at a school play. Costumed performers ran to and fro, while a young man in a mixed floral dress and unshaven legs clung to a light rig. A small audience huddled warily around the bar, including a pair of senior citizens, who looked prepared for nothing to shock them. Suddenly, a campy, horror-movie green light flooded one corner, and the show began.

“It was like being sucked up into a drainpipe into deep water,” playwright Gabrielle Reisman intoned – the joke being, of course, that there was no simile. In her performance, she delivers a timely monologue as a personification of oil. Though the rest of the show is relatively apolitical, the somber issue and her moody commentary set the tone for the “deep water” the rest of “Adult Petting Zoo” drags us out to. Many of the performances have a tongue-in-cheek quality, but the stakes are always raised when sex is involved, and “Zoo” plays deftly with that concept. A performance by Skin Horse Theater suddenly swerves into dark territory from a lighthearted, Beach-Boys-backed burlesque act, getting commandeered by a dictatorial, audience-abusing cabaret master. (The act's end, with its unsettling silence in a bit built around a D.H. Lawrence story, is especially chilling.)

Other moments are more lighthearted. A performance imagining legislators sifting through the material studied by the Meese Commission provides the show's first real laughs, and a bawdy segment based mostly in pantomime shows charm and athleticism on the part of the performers. The pantomime segment is staged in a side area, where the audience sits close enough to see the beads of sweat on the entertainers' skin, and to be roped into their comical embraces. This segment may go on a little too long – it's still entertaining, but spans too much time to ask audiences (and curmudgeonly reporters) to sit on the floor.

Jazz Hand Job's “Rigorous Disco of Doom,” a longer-form, mixed-mythology performance, features the ever-popular undead, along with a set of droll bird costumes that might have been captured from the set of a Japanese children's television program. This segment features the best costuming of the show, with a motherboard hung around the neck of a space-nymph and some glittering anatomical augmentation. At the show's close, the performers absorbed the audience into a jubilant and sweaty dance party. Performers from other segments got in on the act, casting away the evening's prurience in favor of innocent fun.

 

Where: AllWays Lounge/Marigny Theater

When: Friday and Saturday, 8 p.m., Saturday 11 p.m.

How Much: $15

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Contributors:

Evan Z.E. Hammond, Dead Huey, Andrew Smith

Listings Editor


Photographers


Art Director:

Michael Weber, B.A.

Editor:

Alexis Manrodt

Published Daily

Editor Emeritus:

B. E. Mintz

Editor Emeritus



Stephen Babcock