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THE

Defender Picks

 

MARDI

September 2nd

Yulman Stadium Dedication
Tulane Yulman Stadium, 3-5p.m.
Opening ceremonies for the Green Wave’s new stadium
 

Hidden Treasures: Restaurant Edition
Old U.S. Mint, 6 & 7p.m.
Two nightly tours of the Louisiana State Museum’s collection of restaurant ephemera ($20)

 

Progression Music Series
Gasa Gasa, 8p.m.
This week ft. Barry's Pocket + Christin Bradford Band

 

Comedy Beast
Howlin Wolf Den, 8:30p.m.
Free comedy show

 

Nik Turner's Hawkwind, Witch Mountain, Hedersleben, Mountain of Wizard
Siberia, 9p.m.
Hawkwind and Space Ritual saxophonist still touring the world ($12)

 

Punk Night
Dragon’s Den, 10p.m.
This week ft. The Boy Sprouts, The Noise Complaints, Mystery Girl, Interior Decorating

MERCREDI

September 3rd

Restaurant Week Kickoff Party
The Chicory, 6-8p.m.
The Restaurant Association invites the public to sample bites and libations ($25)

 

The He and She Show
Siberia, 6p.m.
Live stand-up ft. Doug and Teresa Wyckoff, Andrew Polk, Molly Rubin-Long, Duncan Pace ($7)

 

Katy Simpson Smith: The Story of Land and Sea
Columns Hotel, 7p.m.
Author presents her debut novel of the American Revolution

 

Alien Ant Farm
Southport Hall, 7:30p.m.
With H2NY, Kaleido, Music from Chaos ($15)

 

Pocket Aces Brass Band
Howlin Wolf Den, 8p.m.
Get your funky brass fill on a Wednesday ($5)

JEUDI

September 4th

Carol McMichael Reese: New Orleans Under Reconstruction
Garden District Book Shop, 6p.m.
Panel discussion by contributors to this informed book on post-Katrina N.O.

 

Katy Simpson Smith: The Story of Land and Sea
Octavia Books, 6p.m.
Author presents her debut novel of the American Revolution

 

Hidden Treasures: Restaurant Edition
Old U.S. Mint, 6 & 7p.m.

Two nightly tours of the Louisiana State Museum’s collection of restaurant ephemera ($20)

 

Ogden After Hours
Ogden Museum, 6-8p.m.

This week ft. Mike Dillon, James Singleton and Johnny Vidacovich

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.

The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

VENDREDI

September 5th

Music Under the Oaks
Audubon Park Newman Bandstand, 4:30-6p.m.

This week ft. John Mahoney Big Band

 

Mark Shapiro: Carbon Shock
Octavia Books, 6p.m.

Journalist’s new book explores intersection of environment and economics

 

Dernière séance
Alliance Française, 7p.m.
A cinema manager turns killer when he learns his beloved theater will close ($5)

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.

The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

 

Foundation Free Fridays: Flow Tribe
Tiptina’s, 10p.m.

CD Release party with Cha Waa, Seven Handle Circus

 

Freddy Mercury Night
Neutral Ground Coffeehouse, 10p.m.

Is this real life? Is just fantasy?

 

Royal Teeth, Coyotes
Freret Street Publiq House, 10p.m.

Local indie pop & rock on Freret

 

G-Eazy
Republic, 11p.m.
Loyola grad returns to his home stage ($20)


Feeding the Animals

A NoDef Theatre Review



For a show whose performances revolve around ideas of sex and sexuality, “Adult Petting Zoo” is surprisingly...well...unsexy. At turns funny, lewd, transgressive, whimsical and good old-fashioned weird, the show's acts rely less on sensuality than on surprise and sheer strangeness.

Boundary-prodding and hugely entertaining, “Zoo” is not exactly somewhere you'd want to go on a first date, but it's definitely something worth doing.

“Zoo” is the latest offering from New Orleans Fringe, best known for the Fringe Fest alternative theater showcase. Directed by Emilie Whelan, “Zoo” features several short performances by local and non-local artists, including a reprisal of a performance by a Fringe Fest act called Jazz Hand Job. The comment-defying nature of this name is par for the course for the Fringe folks, who claim “there is nothing too big, too bold, or too dangerous.”

Before the show's opening Thursday night, the atmosphere at the AllWays Lounge had the merry feel of being backstage at a school play. Costumed performers ran to and fro, while a young man in a mixed floral dress and unshaven legs clung to a light rig. A small audience huddled warily around the bar, including a pair of senior citizens, who looked prepared for nothing to shock them. Suddenly, a campy, horror-movie green light flooded one corner, and the show began.

“It was like being sucked up into a drainpipe into deep water,” playwright Gabrielle Reisman intoned – the joke being, of course, that there was no simile. In her performance, she delivers a timely monologue as a personification of oil. Though the rest of the show is relatively apolitical, the somber issue and her moody commentary set the tone for the “deep water” the rest of “Adult Petting Zoo” drags us out to. Many of the performances have a tongue-in-cheek quality, but the stakes are always raised when sex is involved, and “Zoo” plays deftly with that concept. A performance by Skin Horse Theater suddenly swerves into dark territory from a lighthearted, Beach-Boys-backed burlesque act, getting commandeered by a dictatorial, audience-abusing cabaret master. (The act's end, with its unsettling silence in a bit built around a D.H. Lawrence story, is especially chilling.)

Other moments are more lighthearted. A performance imagining legislators sifting through the material studied by the Meese Commission provides the show's first real laughs, and a bawdy segment based mostly in pantomime shows charm and athleticism on the part of the performers. The pantomime segment is staged in a side area, where the audience sits close enough to see the beads of sweat on the entertainers' skin, and to be roped into their comical embraces. This segment may go on a little too long – it's still entertaining, but spans too much time to ask audiences (and curmudgeonly reporters) to sit on the floor.

Jazz Hand Job's “Rigorous Disco of Doom,” a longer-form, mixed-mythology performance, features the ever-popular undead, along with a set of droll bird costumes that might have been captured from the set of a Japanese children's television program. This segment features the best costuming of the show, with a motherboard hung around the neck of a space-nymph and some glittering anatomical augmentation. At the show's close, the performers absorbed the audience into a jubilant and sweaty dance party. Performers from other segments got in on the act, casting away the evening's prurience in favor of innocent fun.

 

Where: AllWays Lounge/Marigny Theater

When: Friday and Saturday, 8 p.m., Saturday 11 p.m.

How Much: $15

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock