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Defender Picks



April 30th

Jazz Fest

Fair Grounds, all day

Final day of weekend one



Bayou Beer Garden, 9AM

The most important meal of the year


Movie Screening: The Invisible Man

Prytania Theatre, 10AM

1933 sci-fi horror classic



Saenger Theatre, 3PM

YouTube superstar comes to town


Sunday Musical Meditation

Marigny Opera House, 5PM

Feat. guitarist and composer David Sigler


One Tease to Rule Them All

Eiffel Society, 7PM

Lord of the Rings burlesque


Joe Krown Trio

Maple Leaf Bar, 7PM

Feat. Walter "Wolfman" Washington and Russell Batiste, plus a crawfish boil


Blato Zlato

Bar Redux, 9PM

NOLA-based Balkan band


What is a Motico? 

Zeitgeist Arts Center, 9PM

Helen Gillet presents Belgian avant garde films


May 1st

May Day Strike and March

Louis Armstrong Park, 1PM

A protest for freedom, jobs, justice, and sanctuary for all


Movie Screening: Soundtracks: Songs That Defined History

Peoples Health Jazz Market, 6:30PM

CNN presents event, with post-screening conversation with anchor Brooke Baldwin


WWOZ Piano Night

House of Blues, 7PM
Back to the roots


Ooh Poo Pah Doo Monday Blues

Carver Club, 8PM

Treme club shifts its weekly show to the historic Carver Theatre


Poetry on Poets

Cafe Istanbul, 9:15PM

Evening of poetry with Chuck Perkins, plus live music



Blue Nile, 11PM

Famed brass all-stars play Frenchmen 




May 2nd


Ernest N. Morial Cenvention Center 

Kick off day of tech conference


United Bakery Records Revue

Marigny Recording Studio, 3PM

First annual showcase of the label's artists


GiveNOLA Fest

Greater New Orleans Foundation, 4:30PM

Music from Irma Thomas, Big Sam's Funky Nation, Rebirth Brass Band


Tasting Tuesdays

343 Baronne St., 6:30PM

Chardonnay vs. Pinot Noir



House of Blues, 7PM

Grammy-nominated French heavy metal 


Little Freddie King

Little Gem Saloon, 7:30PM

Stick around for Honey Island Swamp Band at 11PM


Neil Diamond

Smoothie King Center, 8PM

50th anniversary tour


The Mike Dillon Band

Siberia, 9PM

Feat. Rory Danger and the Danger Dangers


May 3rd

Book Reading: Michael Fry

Octavia Books, 4:30PM

From "How to Be A Supervillain" 


Flower Crown Workshop

Freda, 6PM

Hosted by Pistil & Stamen Flower Farm and Studio


Pete Fountain Tribute

Music at the Mint, 7PM

Feat. Tim Laughlin


Erica Falls

The Sanctuary, 8PM

CD release show


Piano Summit

Snug Harbor, 8PM

Feat. Marcia Ball, Joe Krown, and Tom McDermott


The New Pornographers

Tipitina's, 8PM

In support of newest album 'Whiteout Conditions'



Saenger Theatre, 8:30PM

Alt-rock icons


Piano Sessions Vol. 7

Blue Nile, 9PM

Feat. Ivan Neville


Twin Peaks

Gasa Gasa, 9PM

Feat. Chrome Pony and Post Animal in support


New Breed Brass Band

Blue Nile, 11:55PM

Next generation NOLA brass


Tribute to Lee Dorsey

Pres Hall, 12AM

With Jon Cleary, Benny Bloom, & Friends


May 4th

Jazz Fest

Fair Grounds, all day

Weekend two kicks off


May the 4th Be With You

Tubby & Coo's, 4PM

Star Wars party


Jazz in the Park
Armstrong Park, 4PM

Russell Batiste and friends


Yoga Social Club

Crescent Park, 5:45PM

Get sweaty and centered 


Cuba to Congo Square Throwdown

Ashé Cac, 6PM

Live music, DJs, and dance


Mike Dillon

The Music Box Village, 6:30PM

Punk rock percussion


Herbs & Rituals

Rosalie Apothecary, 7PM

Class for women's health


Shorty Fest

House of Blues, 7:30PM

Benefit concert for his namesake foundation


AllNight Show 

The Historic Carver Theater, 8PM

Feat. Ian Neville, Nikki Glaspie, SSHH feat. Zak Starkey of The Who


Jurassic 5

The Howlin Wolf, 9PM

Feat. Blackalicious


Foundation of Funk

Republic NOLA, 9PM

Feat. George Porter Jr., Zigaboo Modeliste


Jazz: In and Out

Music at the Mint, 9PM

Live music to benefit the Louis Armstrong Jazz Camp

A Company Man

Newly Edited Memoir of 18th Century Clerk Offers Rare Peek Into Historic New Orleans

In 1730, Marc-Antoine Caillot arrived in New Orleans to record his observations about Louisiana, or 'New France,' as he knew it. In 'A Company Man,' modern Crescent City residents get a peek into their hometown in the 18th Century and see that much of the lure of 18th Century New Orleans persists into the 21st.


Almost ten years ago, the Historic New Orleans Collection unearthed an unpublished memoir by an eighteenth-century employee of the French Company of the Indies. Its author, Marc-Antoine Caillot, was a low-level clerk who had recorded his voyage across the Atlantic as well as his residency in colonial Louisiana. The original title of the manuscript was Relation du voyage de la Louisianne ou Nouvelle France fait par le Sr. Caillot en l'année 1730 (Account of the voyage to Louisiana, or New France, made by Sieur Caillot in the year 1730).


Now, with a wonderfully informative introduction by editor Erin M. Greenwald and a superb translation by Teri F. Chalmers, the manuscript has finally been published as A Company Man: The Remarkable French-Atlantic Voyage of a Clerk for the Company of the Indies.


The book itself is an attractive, colorful hardcover that is guaranteed to class up the shelves of scholars and history buffs alike. Interspersed throughout the account are Caillot's original watercolors, which were lovingly preserved by the Conservation Center for Art and Historic Artifacts in Philadelphia. All of this serves the memoir's import as a unique artifact of its time, as well as an account of a young man setting sail into adulthood.


In March of 1729, Caillot departs France aboard the Duc de Chartres, one of the company's largest merchant ships. Initially a pleasant trip, the Duc soon runs into foul weather, in which Caillot observes his shipmates "continuously vomiting in the most awful manner." Though spared at first, Caillot soon falls prey to seasickness, and spends a week "unable to drink or eat or sleep," suffering from "dizzy spells and awful disgorgements."


Once cured, Caillot turns his eye to the culture of merchant sailing, describing ritual punishments, shark attacks, and bizarre tropical baptisms with a unique flair. The memoir is at its strongest while Caillot is at sea, but the sections that follow his landborne adventures are still engaging.


For one, his observations of New Orleans seem to echo our current predicament. Caillot writes that "disturbances are quite frequent and vice triumphs here with so much impunity, [though] it is not for lack of being reprimanded by frequent sermons, which [the priest] preaches with zeal, for the promotion of Divine Glory. I can attest is partly because of him that justice is not completely abolished." As before, so today: big blessings are still poppin', despite the devil's frequent attempts to stop them.


When he's not stunned by the architecture of the nascent French Quarter, or describing the murky smell peculiar to alligator excrement, Caillot puts on a dress and celebrates Carnival with his very own second-line, complete with woodwinds and strings. The young clerk goes full drag, donning "a corset of white dimity, a muslin skirt, a large pannier, right down to the chemise, along with plenty of beauty marks too," which costume wouldn't be out of place on contemporary Bourbon Street (he writes of his get-up: "unless you looked at me closely, you could not tell that I was a boy").


Caillot promptly crashes a wedding at Bayou St. John, falls in love with a female boarder of the Ursuline convent, and deftly handles an attempted cockblock by an officer of a rival ship. The Carnival season then draws to a close, and Caillot writes, in his characteristic rococo prose, that "we had a great deal of fun, for Bacchus, having left his kingdom to go find Venus, suggested endless pleasures to us, but...the time seemed short and charming to me."


This account of Carnival celebrants and cross-dressing stands in stark contrast to the close of the memoir, which follows the French-Natchez War of 1730. Caillot observed the effects of the war from a base camp in New Orleans, and his descriptions of atrocities rival those found in Blood Meridian. (Ritual dismemberments, babes-on-stakes, and the like.)


In February of 1731, the French claimed victory over the Natchez, which allowed for a period of peace and calm, thus enabling Caillot to leave the "unlucky colony" of New Orleans in the "unfortunate country" of America. He set sail on the Saint-Louis on April 1, "as happy to the same degree as I had been sad upon arriving."


Clearly, New Orleans is not meant for everyone. This has always been true, whether you consult a Jackson Square chiromancer or a long-dead merchant sailor. A terrific historic document in its own right, A Company Man is also a testament to the weird eternal pull of the Crescent City, and contains enough seafaring adventure, festive revelry, and bloodshed to satisfy readers of all stripes.

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The Country Club
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Renard Boissiere, Linzi Falk, Evan Z.E. Hammond, Dead Huey, Wilson Koewing, J.A. Lloyd, Joseph Santiago, Andrew Smith, Cynthia Via


Art Director

Michael Weber, B.A.


Alexis Manrodt

Editor Emeritus

B. E. Mintz

Editor Emeritus

Stephen Babcock

Published Daily