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dimanche

February 7th

9th Annual Bacchus Bash

Tip’s, 10p.m.

Presented by Trombone Shorty and Orleans Avenue

 

Krewe of Bacchus

Uptown, 5:15p.m.

Party with the Greek god of wine

 

Krewe of Thoth

Uptown, 12p.m.

Grab 3-D necklaces and stuffed polar bears

 

Joe Krown Trio

Maple Leaf, 10p.m.

Post-Bacchus bash

Lundi Gras

February 8th

Krewe of Orpheus

Uptown, 6p.m.

Usually with big musical guests

 

Quintron & Miss Pussycat’s Annual Lundi Gras Party

One Eyed Jacks, 9p.m.

With guests BABES, Ernie Vincent and more

 

Bundi Gras

Hi-Ho Lounge, 10p.m.

BateBunda, Rusty Lazer, LoveBomb Go-Go and Valerie Sassyfras

 

Tank and the Bangas

Gasa Gasa, 10p.m.

With Alexis & the Samurai

 

Galactic

Tip’s, 10p.m.

Post-parade jams

 

Pelicans v. Timberwolves

Target Center, 7p.m.

New Orleans takes on Minnesota

Mardi Gras

February 9th

The Fattest Tuesday All Day Extravaganza

Hi-Ho Lounge, 1p.m.

Music and the Krewe of Booze

 

Krewe of Zulu

Uptown, 8a.m.

Awake? Catch yourself a coconut.

 

Krewe of Rex

Uptown, 10a.m.

The King of Carnival

 

Mardi Gras with Rebirth Brass Band

Maple Leaf, 10p.m.

Celebrate Fat Tuesday with your favorites

 

2 Chainz + Migos

Saenger, 8p.m.

Mardi Gras Madness

mercredi

February 10th

Pelicans v. Jazz

Smoothie King Center, 7p.m.

Nola back home to take on Utah

 

Mildred Pierce

Prytania, 10a.m.

A mother heads towards disaster in this film noir

 

Station Eleven

Garden District, 6p.m.

By Emily St. John Mandel

 

World Music Wednesday

Maple Leaf, 8p.m.

This week ft. Cole Williams Band


Clybourne Park

'Straightforward Conversational Drama' Explores One Area's Gentrification Through 50 Years



This Friday, Cripple Creek Theatre Company opens the Pulitzer-prize winning Clybourne Park at the Shadowbox Theatre.  Written by Bruce Norris, the play focuses on racial and social changes within one neighborhood at two socially and culturally distinct times, 1959 and 2009. 

 

The first act illustrates one white community's reluctance to accept a new black family, even of the same class.  The second act explores issues of gentrification, as the neighborhood has fallen into disrepair and matches ideals for the rich and "good investment" seekers.  An interview with Artistic Director and Company Co-Founder Andy Vaught gives insight to the play and its relevance to New Orleans' own social dynamics.

 

A departure from Cripple Creek's borderline-norm of more absurdist plays from authors such as Thornton Wilder, Alfred Jarry, and even Mr. Vaught himself, Clybourne Park touts a straightforward conversational drama with a singular location, thus "getting back to the roots of Cripple Creek."  However, for members of the company, this does not make the play any less compelling or less worthwhile to produce.

 

Vaught finds Norris' work nihilistic, or, upon quick second consideration, "maybe he's just a realist."  In line with Cripple Creek's mission to "engage our community with immediate, relevant plays," Clybourne Park reflects upon race relations, and considers place and memory as the bases of a strong community.  Immediately relevant to current New Orleans social dynamics--evident even on the same St. Claude block as the Shadowbox Theatre--the play confronts the audience with questions of neighborhood and entitlement.  Specifically, Cripple Creek bills that the play explores middle class hypocrisies, a phrase Vaught describes as a "lack of understanding about the struggle that others have to go through, their history, to get where they are… [as some allow] their present financial situation allows them to distract them [from others]."

 

Not to be hypocrites themselves, Cripple Creek partnered last fall with the Greater New Orleans Fair Housing Action Center (GNOFHAC) for the creation of the play. In fact, the production opening this weekend is the last in a series of three events of "The Clybourne @ St. Claude Project."

 

If you missed it, there was a physical workshop exploring the question: "what does 'home' mean to you?" as well as a staged reading of a new play examining "the impact of exclusionary housing policy and practices on women and families."

 

While this intense community activism fulfills the company's second mission, "to provide our community with a platform for constructive dialogue, transformative reflection, and social change," they do not stop there.  After every Saturday performance of Clybourne Park's six-week run, dramaturg Rachel Lee will lead a Post-Show Reflection with rotating speakers such as C.W. Canon, journalist (6/1) and Karen Gadbois, reporter and blogger (6/8), among others.  The lobby will also be transformed with relevant artwork from GNOFAC and Women's Health and Justice Initiative, as well as comparisons of institutional racism in housing policies in New Orleans and Chicago.

 

As the company looks forward to the theatrical success and sprouts of community dialogue to come from Clybourne Park, they are proud to be closing their seventh year.  In reflection, Vaught intimates that past productions have taken audience members to "the Acropolis of Ancient Greece, a gateway to Hell, and a small Norwegian town."  But to craft the minute details of what makes a house a home, and what makes a community vibrant, Vaught states "that's, well…" and holds a pause that leads to a shrug and a laugh to imply that that's damn difficult.

 

'Clybourne Park' premieres May 17, and is running Fridays-Sundays until June 23. More information here.

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Listings Editor

Lucy Leonard

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock