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THE

Defender Picks

 

MARDI

September 2nd

Yulman Stadium Dedication
Tulane Yulman Stadium, 3-5p.m.
Opening ceremonies for the Green Wave’s new stadium
 

Hidden Treasures: Restaurant Edition
Old U.S. Mint, 6 & 7p.m.
Two nightly tours of the Louisiana State Museum’s collection of restaurant ephemera ($20)

 

Progression Music Series
Gasa Gasa, 8p.m.
This week ft. Barry's Pocket + Christin Bradford Band

 

Comedy Beast
Howlin Wolf Den, 8:30p.m.
Free comedy show

 

Nik Turner's Hawkwind, Witch Mountain, Hedersleben, Mountain of Wizard
Siberia, 9p.m.
Hawkwind and Space Ritual saxophonist still touring the world ($12)

 

Punk Night
Dragon’s Den, 10p.m.
This week ft. The Boy Sprouts, The Noise Complaints, Mystery Girl, Interior Decorating

 

Stanton Moore Trio
Snug Harbor, 10p.m.
Moore, Singleton, & Torkanowsky play Frenchmen on Tuesdays in September ($15)

MERCREDI

September 3rd

Restaurant Week Kickoff Party
The Chicory, 6-8p.m.
The Restaurant Association invites the public to sample bites and libations ($25)

 

The He and She Show
Siberia, 6p.m.
Live stand-up ft. Doug and Teresa Wyckoff, Andrew Polk, Molly Rubin-Long, Duncan Pace ($7)

 

“Debutante Balls”
Ashé Cultural Arts Center, 6-9p.m.

Ft. artist & transgender diversity speaker Scott Turner Schofield (free)

 

Katy Simpson Smith: The Story of Land and Sea
Columns Hotel, 7p.m.
Author presents her debut novel of the American Revolution

 

Alien Ant Farm
Southport Hall, 7:30p.m.
With Kaleido, Music from Chaos ($15)

 

Pocket Aces Brass Band
Howlin Wolf Den, 8p.m.
Get your funky brass fill on a Wednesday ($5)

 

Atlantic Thrills, Ravi Shavi
Saturn Bar, 9p.m.

Plus Trampoline Team, Native America

JEUDI

September 4th

Jazz in the Park
Armstrong Park, 4-8p.m.
This week ft. To Be Continued Brass Band & Shannon Powell Band

 

Carol McMichael Reese: New Orleans Under Reconstruction
Garden District Book Shop, 6p.m.
Panel discussion by contributors to this informed book on post-Katrina N.O.

 

Katy Simpson Smith: The Story of Land and Sea
Octavia Books, 6p.m.
Author presents her debut novel of the American Revolution

 

Hidden Treasures: Restaurant Edition
Old U.S. Mint, 6 & 7p.m.

Two nightly tours of the Louisiana State Museum’s collection of restaurant ephemera ($20)

 

Ogden After Hours
Ogden Museum, 6-8p.m.

This week ft. Mike Dillon, James Singleton and Johnny Vidacovich

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.

The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

VENDREDI

September 5th

Music Under the Oaks
Audubon Park Newman Bandstand, 4:30-6p.m.

This week ft. John Mahoney Big Band

 

Mark Shapiro: Carbon Shock
Octavia Books, 6p.m.

Journalist’s new book explores intersection of environment and economics

 

Dernière séance
Alliance Française, 7p.m.
A cinema manager turns killer when he learns his beloved theater will close ($5)

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.

The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

 

Foundation Free Fridays: Flow Tribe
Tiptina’s, 10p.m.

CD Release party with Cha Waa, Seven Handle Circus

 

Trumpet Black & The Heart Attack
d.b.a., 10p.m.
Travis “Trumpet Black” Hill keeps the New Orleans jam alive ($10)

 

Royal Teeth, Coyotes
Freret Street Publiq House, 10p.m.

Local indie pop & rock on Freret

 

Freddy Mercury Night
Neutral Ground Coffeehouse, 10p.m.

Is this real life? Is just fantasy?

 

Soul Rebels Brass Band
Blue Nile, 11.p.m.

Local favorites incorporate jazz, soul, funk, & hip-hop

 

G-Eazy
Republic, 11p.m.
Loyola grad returns to his home stage ($20)

SAMEDI

September 6th

Tulane vs. Georgia Tech
Yulman Stadium, 3p.m.

Green Wave's first game at the new Uptown stadium

 

Panorama Jazz Band
Spotted Cat, 6 p.m.

Local jazz with international influence

 

Ron White
Mahalia Jackson, 8p.m.

Known as “Tater Salad” to fans of Blue Collar Comedy Tour ($57+)

 

Lombardi
Le Petite Theatre, 8p.m.
Based on the book When Pride Still Mattered: A Life of Vince Lombardi

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.

The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

 

The Weight, Levon Helms Band
Tiptina’s, 9p.m.

Performing the music of The Band, ft. former members of The Band plus Papa Mali ($35)

 

Stop Making Sense
Studio3 Warehouse, 9p.m.
Shotgun Cinema presents Jonathan Demme’s Talking Heads film ($10)

 

Ty Segall
One Eyed Jacks, 9p.m.

Garage rock darling plus Wand and Babes ($16)

 

Pinettes Brass Band, Street Legends Brass Band
Maison, 10p.m.

New Orleans’ only all-woman brass band

 

Cory Henry's Treme Funktet
Blue Nile, 10p.m.

Young jazz keyboardist is a Grammy winner

 

Little Freddie King
d.b.a., 11p.m.

74-year-old country blues guitarist from the Delta ($10)


Butterfly Effect

New Orleans Opera's Madame Butterfly: A Review



On Friday, the New Orleans Opera Association kicked off its two-day run of Madame Butterfly, which will conclude the company’s impressive season.

 

Puccini’s tragic opera, which is widely considered to be one of the greatest of its form, provides the NOOA an opportunity to show off its ability to satisfy opera-goers. Bringing together the esteemed Louisiana Philharmonic Orchestra, impressive stage design, and immensely talented singers, the NOOA’s production of Madame Butterfly is an outstanding achievement.

 

Madame Butterfly is the tragic story of Cio-Cio San, a Japanese woman who abandons her religion and people to marry a U.S. Naval officer and give birth to his child. When he leaves her and returns three years later with an American wife, the truth of her betrayal leads to devastating consequences.

 

Soprano Maria Kanyova shines brightly in the title role, bringing to the stage a powerful voice capable of dramatic intensity and nuance; breathing new energy and life into the complex character of Cio-Cio San (Madame Butterfly). Kanyova’s vocal prowess was present throughout the evening, though demonstrated most compellingly while performing the aria “One Beautiful Day,” which left much of the audience in tears and was met with emphatic applause.

 

Appearing in the role of caddish B.F. Pinkerton is New Orleans native Bryan Hymel, whose forceful, stentorian tenor voice provides a masterful complement to Ms. Kanyova’s plaintive Cio-Cio San. Mr. Hymel’s portrayal of the vile Pinkerton was so convincing that it was difficult not to want to hiss at him when he came out for the curtain call. The audience, instead, jumped to their feet to deliver this talented rising star a standing ovation.

 

Equally noteworthy were the flawless performances of the devoted maid Suzuki, featuring mezzo-soprano Margaret Thompson, and United States consul Sharpless, performed by baritone Jake Gardner. Both brought forth forceful renditions of these characters who watch helplessly as the tragedy unfolds before them. An added treat to the show is the presence of Cio-Cio San’s son, played by Kanyova’s real-life daughter, Kathleen Kania.

 

The Louisiana Philharmonic Orchestra, under the baton of conductor Robert Lyall, provided a magnificent performance of Puccini’s riveting score. There is a reason why Madame Butterfly is one of the most famous and regularly performed operas in mainstream repertoire. The music is as elaborate as the action on stage, turning on a dime from light and sanguine to dark and echoing with despair. While the orchestra blended fluently with the singers on stage, a break in the action between the final two acts provided the LPO with the opportunity to display their abilities unaccompanied. Although the audience appeared to become a bit restless at this point in the opera, the performance added excellent dramatic tension to the image of Cio-Cio San eternally waiting for Pinkerton in vain.

 

Director Tomer Zvulun and NOOA’s production staff created a minimalist set that was well suited for this opera. Consisting of shoji, or Japanese sliding doors, and semitransparent backdrops, the set paralleled the action occurring on stage. Just as Pinkerton callously muscles into the delicate Madame Butterfly’s life, Pinkerton’s presence on stage also comes off as threatening, as though he could easily barge through the paper-thin walls.

 

Similarly impressive is the use of flowers in the second act. When Cio-Cio San and maid Suzuki perform the “Flower Duet,” the singers gleefully toss hundreds of flower petals across the stage. As the aria concludes, a downpour of petals above the curtain flood the stage, producing an indelible image filled with both felicity and foreboding.

 

Madame Butterfly continues with a final performance on Sunday, April 14 at 2:30 pm. Tickets start at $25. For ticket information, visit the New Orleans Opera website or call 504-529-3000.

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock