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Lagniappe

 
THE

Defender Picks

 

VENDREDI

February 24th

Divine Protectors of Endangered Pleasures or DIVA

French Quarter Route, 1:30PM

Watch this bustier-clad krewe as they traverse through the Vieux Carre 

 

Krewe of Hermes

Uptown-St. Charles Route, 6PM

Celebrating its 80th year in Carnival

 

Le Krewe d'Etat

Uptown-St. Charles Route, 6:30PM 

An anarchic krewe that holds its own place in Mardi Gras lore

 

Krewe of Morpheus

Uptown-St. Charles Route, 7PM

A co-ed krewe known for elaborate floats and enviable throws

 

The Krewe of Debauche

Sanctuary Cultural Arts Center, 9PM

A Mardi Gras debauchery ball featuring gypsy balkan beats, bellydance and more ($15)

 

The Get Money Stop Hatin Tour

Cafe Istanbul, 9PM

8th annual tour showcasing the biggest independent talents in hip hop ($20)

 

Anglo a Go-Go

Bar Redux, 10PM

Dance to the swinging tunes of the UK underground 

 

A Queen and Bowie Tribute Show

Gasa Gasa, 10PM

Local talents come out to play the tunes of David Bowie and Queen

 

Grunge Night: NIRVANNA

House of Blues, 10PM

A Nirvana tribute concert featuring bands like The Kurt Loders

 

Burlesque Ballroom

Jazz Playhouse, 11PM

Burlesque pioneer Trixie Minx brings striptease to Bourbon 

 

Foundation of Funk

Tipitina's, 11PM

NOLA superground band is joined by special guests Anders Osborne & Jon Cleary

 

Harry Potter and the Deathly Hallows, Part 1

Prytania Theatre, 11:59PM

A midnight showing of the penultimate movie about the boy wizard 

 

SAMEDI

February 25th

Krewe of Iris

Uptown-St. Charles Route, 11AM

All-female group is one of Carnival's oldest krewes

 

Krewe of Tucks

Uptown-St. Charles Route, 12PM

1,300 men and women make up one of the most satirical and irreverent krewes in Mardi Gras

 

Krewe of Endymion 

Mid-City Route, 4:15PM

One of the biggest and most extravagant parades, Endymion is long enough to last all night

 

Big Freedia

One Eyed Jacks, 9PM

Bounce Queen moves ‘dat azz

 

Leroy Jones Quartet

The Bombay Club, 8:30PM

Classic jazz trumpet

 

Sticky Fingers

House of Blues, 8PM

Australian reggae rockers

 

SiriusXM Jam On Presents: Galactic

Tipitina’s, 11PM

First-rate funk band is joined tonight by Stoop Kids

 

Hustle with DJ Soul Sister

Hi-Ho Lounge, 11PM

Underground disco and rare groove dance party 

 

Rebirth Brass Band

Howlin’ Wolf, 10PM

Beloved brass band takes the stage

 

Washboard Chaz Blues Trio

Blue Nile, 7PM

The iconic Washboard Chaz takes a break from the Tin Men to lead this trio 

DIMANCHE

February 26th

Krewe of Okeanos

Uptown-St. Charles Route, 11AM

Celebrating it's 68th year, Okeanos is heavy on tradition

 

Krewe of Mid-City

Uptown-St. Charles Route, 11:45AM

Yes, the Mid-City krewe is parading along the Uptown route

 

Krewe of Thoth

Uptown-St. Charles Route, 12PM

Thoth seeks to bring Carnival joy to the sick and infirm 

 

Krewe of Bacchus

Uptown-St. Charles Route, 5:15PM

Celebrating the God of wine, feasts, and general good times, Bacchus is one of the most anticipated parades 

 

Sweet Megg and the Wayfarers

Rare Form, 4PM

NYC-based hot jazz, blues and swing

 

Palmetto Bug Stompers 

d.b.a., 6PM

Local trad jazz masters

 

Academy Awards Watch Party

Prytania Theatre, 6PM 

Enjoy snacks, cocktails and more as the rich & famous vie for those golden statuettes ($25)

 

Swingin’ Sundays

The Allways Lounge, 8PM

Weekly recurring dance lessons to live swing music (FREE)

 

LEON + Jacob Banks

Gasa Gasa, 10PM

European invasion from Swedish indie pop star LEON and UK-based R&B singer Jacob Banks ($15)

 

Dumpstaphunk + Miss Mojo

Howlin' Wolf, 10PM

Ivan & krewe bring da funk, joined by Miss Mojo

 

Big Chief Monk Boudreaux & John Papa Gros

d.b.a., 11PM

Golden Eagles Chief brings Mardi Gras Indian funk

 

Jason Neville Band

Vaso, 11PM

Get Up, Get Down, Get Funky, Get Loose


Blackout, Euphoria Highlight LPO's Presentation of Mahler's Symphony No. 3


by Joe Shriner

On Thursday evening, as the Louisiana Philharmonic Orchestra thundered into the final ominous seconds of the third movement of Gustav Mahler’s Symphony No. 3, the lights at First Baptist Church, New Orleans began to fade. One by one, the lights then died. By the time the New Orleans Children's Chorus had gathered themselves onto the stage to participate in the second half, there was a complete blackout in the Lakeview church.

 

A brief lull ensued, as audiences in the darkened pews pondered whether this was done intentionally. After all, the following movement, which is unsettling in any light, would begin with the soloist imploring: “O Man! Take heed! What says the deep midnight?”

 

Never a group for such gimmicks, the orchestra appeared to be just as confounded as the crowd. As the seconds progressed, the lights of cell phones and a growing murmur dappled and rippled through the pitch-black church. After a minute, the familiar voice of conductor Carlos Miguel Prieto pierced through the crowd’s speculations. “Ladies and gentlemen,” he announced in his distinct Mexican accent, “we are phoning Entergy. This only seems to happen during the Super Bowl and Mahler.”

 

The audience erupted in laughter and ovations, and an impromptu 30-minute intermission began.

 

Despite the setback, there was a genuine feeling of goodwill and conviviality among patrons and musicians, who exchanged small talk and snapped photographs of one another, gleefully sauntering about the moonlit church. This was to be anticipated. The LPO’s performance of the first three movements of Mahler’s capricious and celestial third symphony was so breathtaking that it was hard to not feel as though one was taking part in an event that was larger than the individual. To paraphrase one voice overheard in the darkness: “It’s like the orchestra isn’t even playing the music—the music seems to be playing them.”

 

The opening movement, accented by a storm of tympanis and roaring violas and bass, forms a cauldron in which an abundance of life is spawned. This movement, longer than entire symphonies, captivates the listener's full attention. Listeners audibly gasped as the LPO drew the movement to a close, with many fighting back the desire to applaud, as tradition prohibits.

 

The following movements were bright and playful, with horns and woodwinds heightening the performances of the strings. A horn solo, performed offstage in the third, took listeners out of the church and into another realm.

 

When the lights came back on to howling cheers, it appeared the delay only dampened the enthusiasm of a handful of the crowd, who apparently went home. The remaining majority sidled closer to the stage for the final three movements of the concert, welcoming mezzo-soprano Marietta Simpson to the stage. Her sobering interpretation of Nietzsche’s words of humankind’s pain and desire for eternal redemption was robust and assured.

 

The fifth movement, which featured an all-female contingent of the Symphony Chorus of New Orleans and members of the New Orleans Children's Chorus, was remarkably optimistic and shining, spotlighting gorgeous melodies on viola and glockenspiel, with the children's choir imitating bells. Ms. Simpson filled the room with her rich voice, accompanied by the female chorus.

 

The final movement, with its many nuances, swirling emotion, and colorful melodies, is so complex that it takes audiences on the edge of euphoria. A fitting end to the LPO’s final concert this season, Maestro Prieto’s interpretation evoked images of a long, spectacular sunset, marking the conclusion of an exciting year, and propelling enthusiasm for the next.

 

The LPO will be presenting this program again, and most likely without interruption, at 7:30 tonight at First Baptist Church, New Orleans. Tickets start at $20. For more details, visit the LPO website or call (504) 523-6530.




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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Listings Editor


Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock