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Defender Picks



October 6th


Mardi Gras World, 8p.m.

Latch, Help Me Lose My Mind musicians



Zeitgeist, 9:30p.m.

Flick about child assassins


Night Bus to the Afterlife

Columns Hotel, 7p.m.

Mortality and the Gulf South


Tommy Malone

Chickie Wah Wah, 8p.m.

Nola native guitarist


Open Ears Music Series

Blue Nile, 10p.m.

This week ft. WATIV


October 7th


Champions Square, 8p.m.

English indie rock band


George Ezra

The Civic, 7:30p.m.

Also ft. Andrew Duhon


Brand New

UNO Lakefront Arena, 7:30p.m.

Alt-rock band from Long Island


Screwtape Letters

The Saenger, 8p.m.

Theatrical adaptation of C.S. Lewis’ novel


South Toward Home

Maple Street Book Shop, 7p.m.

Travels in Southern Literature


October 8th

ASAP Rocky

Champions Square, 7p.m.

Harlem rapper come to NOLA



The Civic, 8p.m.

Swedish heavy metal band


Twin Shadow

Republic, 8p.m.

Dominican-American musician


Ogden After Hours

Ogden, 5:30p.m.

This week ft. King Edward


Creole Son

Garden District Book Shop, 6p.m.

Account of Edgar Degas in Nola


October 9th

Ariana Grande

Smoothie King Center, 7:30p.m.

Pop musician known for licking donuts she doesn’t buy


Kacey Musgraves

Howlin’ Wolf, 6:30p.m.

Country and Western Rhinestone Revue


Blackest of the Black ft. Danzig

The Civic, 6:30p.m.

Also ft. Superjoint, Veil of Maya, Prong and Witch Mountain


Friday Nights at NOMA

NOMA, 5p.m.

Opening of Traditions Transfigured


La Traviata

Mahalia Jackson Theater, 8p.m.

Opera story of love and sacrifice


October 10th

Dwight Yoakam

Orpheum Theater, 8:30p.m.

Singer-songwriter and country music pioneer


Meg Myers

OEJ, 7p.m.

Smoky Mountain singer-songwriter


Moon Taxi

The Civic, 8p.m.

Nashville rock band



HOB, 7p.m.

Reggae from Cali


Suggestive Gestures

Zeitgeist, 9:30p.m.

Experimental feature and drag performance


Moonlight Market: A Celebration of 20 Years of CCFM

Reyn Studios, 7p.m.

Crescent City Farmers Market fundraiser


October 11th

Bent, Not Broken Gallery Talk

Ogden, 2p.m.

With Curator, Michael Meads


Odd Man Out

Prytania, 10a.m.

Part of Halloween Classic Series


Masters of Illusion

Saenger, 7:30p.m.

Magicians from the hit TV show


Papa Mali

Chickie Wah Wah, 8p.m.

George Porter Jr., Robert Hunter and Bill Kreutzmann

Blackout, Euphoria Highlight LPO's Presentation of Mahler's Symphony No. 3

by Joe Shriner

On Thursday evening, as the Louisiana Philharmonic Orchestra thundered into the final ominous seconds of the third movement of Gustav Mahler’s Symphony No. 3, the lights at First Baptist Church, New Orleans began to fade. One by one, the lights then died. By the time the New Orleans Children's Chorus had gathered themselves onto the stage to participate in the second half, there was a complete blackout in the Lakeview church.


A brief lull ensued, as audiences in the darkened pews pondered whether this was done intentionally. After all, the following movement, which is unsettling in any light, would begin with the soloist imploring: “O Man! Take heed! What says the deep midnight?”


Never a group for such gimmicks, the orchestra appeared to be just as confounded as the crowd. As the seconds progressed, the lights of cell phones and a growing murmur dappled and rippled through the pitch-black church. After a minute, the familiar voice of conductor Carlos Miguel Prieto pierced through the crowd’s speculations. “Ladies and gentlemen,” he announced in his distinct Mexican accent, “we are phoning Entergy. This only seems to happen during the Super Bowl and Mahler.”


The audience erupted in laughter and ovations, and an impromptu 30-minute intermission began.


Despite the setback, there was a genuine feeling of goodwill and conviviality among patrons and musicians, who exchanged small talk and snapped photographs of one another, gleefully sauntering about the moonlit church. This was to be anticipated. The LPO’s performance of the first three movements of Mahler’s capricious and celestial third symphony was so breathtaking that it was hard to not feel as though one was taking part in an event that was larger than the individual. To paraphrase one voice overheard in the darkness: “It’s like the orchestra isn’t even playing the music—the music seems to be playing them.”


The opening movement, accented by a storm of tympanis and roaring violas and bass, forms a cauldron in which an abundance of life is spawned. This movement, longer than entire symphonies, captivates the listener's full attention. Listeners audibly gasped as the LPO drew the movement to a close, with many fighting back the desire to applaud, as tradition prohibits.


The following movements were bright and playful, with horns and woodwinds heightening the performances of the strings. A horn solo, performed offstage in the third, took listeners out of the church and into another realm.


When the lights came back on to howling cheers, it appeared the delay only dampened the enthusiasm of a handful of the crowd, who apparently went home. The remaining majority sidled closer to the stage for the final three movements of the concert, welcoming mezzo-soprano Marietta Simpson to the stage. Her sobering interpretation of Nietzsche’s words of humankind’s pain and desire for eternal redemption was robust and assured.


The fifth movement, which featured an all-female contingent of the Symphony Chorus of New Orleans and members of the New Orleans Children's Chorus, was remarkably optimistic and shining, spotlighting gorgeous melodies on viola and glockenspiel, with the children's choir imitating bells. Ms. Simpson filled the room with her rich voice, accompanied by the female chorus.


The final movement, with its many nuances, swirling emotion, and colorful melodies, is so complex that it takes audiences on the edge of euphoria. A fitting end to the LPO’s final concert this season, Maestro Prieto’s interpretation evoked images of a long, spectacular sunset, marking the conclusion of an exciting year, and propelling enthusiasm for the next.


The LPO will be presenting this program again, and most likely without interruption, at 7:30 tonight at First Baptist Church, New Orleans. Tickets start at $20. For more details, visit the LPO website or call (504) 523-6530.

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Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Theatre Critic

Michael Martin


Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond


Paolo Roy

Art Director:

Michael Weber, B.A.


B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus

Stephen Babcock