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THE

Defender Picks

 

SAMEDI

August 30th

The Cincinnati Kid
Historic NO Collection, 10:30a.m.
Starring Steve McQueen, Ann-Margret, Edward G. Robinson (free)

 

George Porter Jr. and the Runnin' Pardners, Tab Benoit
Howlin’ Wolf, 4p.m.
Plus Bonerama, The Boogiemen, Dave Ferrato and Tchoupazin & more

 

Guitar Lightnin’ Lee & His Thunder Band
Kajun’s, 5p.m.
Stay late for karoke

 

Zephyrs vs. Memphis
Zephyr Stadium, 6p.m.
Local baseball in Metairie

 

Two Gentlemen of Lebowski - A Reading
Mid City Theatre, 8p.m.
A comedy reading that’s half Shakespeare, half Dude ($10)

 

Panty Wasted, TV-MA, Beautiful Sons, Liquid Nailz
Siberia, 9p.m.

Decadence punk show benefits LGBTQ prisoner advocates Black & Pink New Orleans

 

Yelephants, Donovan Wolfington, Pope
One Eyed Jacks, 9p.m.
All-star local band lineup in the Quarter ($5)

 

Rebirth Brass Band
Tipitina’s, 10p.m.
Grammy-winning band is a can't-miss New Orleans standout ($15)

 

Caddywhompus, Vox and the Hound
Carrollton Station, 10p.m.
Local indie math rock champions

 

Part Time, Sea Lions
Circle Bar, 10p.m.
California synth-psych ($5)

 

Naked Karaoke—Decadence Edition
Allways Lounge, 10p.m.
Clothing optional, in case karaoke wasn’t bad enough
 

TNM Presents: The Megaphone Show
Shadowbox Theatre, 10:30p.m.
The New Movement’s flagship storytelling improv show ($8)

DIMANCHE

August 31st

Southern Decadence Parade
Royal Street, 2p.m.
Official song: Britney Spears’ “Work Bitch”

 

Musical Mediation: Travis Bird
Marigny Opera House, 5p.m.
Local singer-songwriter offers a partially improvised set (by donation)

 

Zephyrs vs. Memphis
Zephyr Stadium, 6p.m.
Local baseball in Metairie

 

Bounce TV Summer Music Festival
Lakefront Arena, 7p.m.
Starring Maze ft. Frankie Beverly & Patti Labelle ($60+)

 

Hi Ho Silver Oh, Dark Rooms
the BEATnik, 10p.m.
Precious pop from Los Angeles

 

Psychedelic Winter
One Eyed Jacks, 10p.m.
A tribute to Pink Floyd tribute ($10)

 

 

Polyphonic Spree, Sarah Jaffe
Southport Hall, 10p.m.
Choral rock band from Dallas (rescheduled date)

LABOR DAY

September 1st

Zephyrs vs. Memphis
Zephyr Stadium, 1p.m.
Local baseball in Metairie

 

Heroes: A Labor Day Screening Program
Antenna Gallery, 3-7:30p.m.

A selection of documentaries on America’s workers

 

Viridiana
Cafe Istanbul, 7p.m.
Luis Buñuel’s 1961 film is rich with intrigue

 

Alexis & the Samurai
Chickie Wah Wah, 8p.m.

Indie folk duo perform every Monday

 

King James & the Special Men
BJ's Lounge, 10p.m.

Weekly gig in the Bywater for downtown rhythm and blues


Blackout, Euphoria Highlight LPO's Presentation of Mahler's Symphony No. 3


by Joe Shriner

On Thursday evening, as the Louisiana Philharmonic Orchestra thundered into the final ominous seconds of the third movement of Gustav Mahler’s Symphony No. 3, the lights at First Baptist Church, New Orleans began to fade. One by one, the lights then died. By the time the New Orleans Children's Chorus had gathered themselves onto the stage to participate in the second half, there was a complete blackout in the Lakeview church.

 

A brief lull ensued, as audiences in the darkened pews pondered whether this was done intentionally. After all, the following movement, which is unsettling in any light, would begin with the soloist imploring: “O Man! Take heed! What says the deep midnight?”

 

Never a group for such gimmicks, the orchestra appeared to be just as confounded as the crowd. As the seconds progressed, the lights of cell phones and a growing murmur dappled and rippled through the pitch-black church. After a minute, the familiar voice of conductor Carlos Miguel Prieto pierced through the crowd’s speculations. “Ladies and gentlemen,” he announced in his distinct Mexican accent, “we are phoning Entergy. This only seems to happen during the Super Bowl and Mahler.”

 

The audience erupted in laughter and ovations, and an impromptu 30-minute intermission began.

 

Despite the setback, there was a genuine feeling of goodwill and conviviality among patrons and musicians, who exchanged small talk and snapped photographs of one another, gleefully sauntering about the moonlit church. This was to be anticipated. The LPO’s performance of the first three movements of Mahler’s capricious and celestial third symphony was so breathtaking that it was hard to not feel as though one was taking part in an event that was larger than the individual. To paraphrase one voice overheard in the darkness: “It’s like the orchestra isn’t even playing the music—the music seems to be playing them.”

 

The opening movement, accented by a storm of tympanis and roaring violas and bass, forms a cauldron in which an abundance of life is spawned. This movement, longer than entire symphonies, captivates the listener's full attention. Listeners audibly gasped as the LPO drew the movement to a close, with many fighting back the desire to applaud, as tradition prohibits.

 

The following movements were bright and playful, with horns and woodwinds heightening the performances of the strings. A horn solo, performed offstage in the third, took listeners out of the church and into another realm.

 

When the lights came back on to howling cheers, it appeared the delay only dampened the enthusiasm of a handful of the crowd, who apparently went home. The remaining majority sidled closer to the stage for the final three movements of the concert, welcoming mezzo-soprano Marietta Simpson to the stage. Her sobering interpretation of Nietzsche’s words of humankind’s pain and desire for eternal redemption was robust and assured.

 

The fifth movement, which featured an all-female contingent of the Symphony Chorus of New Orleans and members of the New Orleans Children's Chorus, was remarkably optimistic and shining, spotlighting gorgeous melodies on viola and glockenspiel, with the children's choir imitating bells. Ms. Simpson filled the room with her rich voice, accompanied by the female chorus.

 

The final movement, with its many nuances, swirling emotion, and colorful melodies, is so complex that it takes audiences on the edge of euphoria. A fitting end to the LPO’s final concert this season, Maestro Prieto’s interpretation evoked images of a long, spectacular sunset, marking the conclusion of an exciting year, and propelling enthusiasm for the next.

 

The LPO will be presenting this program again, and most likely without interruption, at 7:30 tonight at First Baptist Church, New Orleans. Tickets start at $20. For more details, visit the LPO website or call (504) 523-6530.




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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock