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Lagniappe

 
THE

Defender Picks

 

LUNDI

April 24th

Zurich Golf Classic

City Park, 11AM

Kick off to a 4-day stop on the PGA Championship tour

 

Crystal Energy Healing & Dream Play

1112 Mandeville St., 2PM

Talk dreams and crystals

 

Andrew Jackson Hotel Ghost Hunt

Andrew Jackson Hotel, 4PM

Sleepover ghost tour at the infamous hotel

 

International Sculpture Day

Ogden Museum of Southern Art, 5:30PM

Artists Tara Conley, Rachel David, and Ashley Pridmore will discuss their work

 

Big Easy Entertainment Awards

The Orpheum Theater, 6PM

29th annual event

 

New Orleans Baby Cakes

Shrine On Airline, 7PM

Baby Cakes go up against the Omaha Storm Chasers

 

Movie Screening: La Bataille de Solférino

Cafe Istanbul, 7PM

French film about the 2012 presidential election, following Macron and Le Pen's victories during this weekend's round one

 

Cacao Ceremony

Nola Yoga Loft, 7:30PM

Set intentions for the Full Moon and share a cacao elixir

 

Ooh Poo Pah Doo Monday Blues

Carver Club, 8PM

Hosted by the bar's owner Miss Judy Hill

MARDI

April 25th

Earth Day Celebration

City Park, 4PM

Kiddie crafts, cooking demos, native plant sale, yoga, and more

 

April Hobnobber

The Country Club, 5:30PM

Sip and socialize, with complimentary wine and live music

 

Movie Screening: Ipileaye

Ashé Cac, 6PM

Story of the creation of the world 

 

Pony Up for Horses

Eiffel Society, 6PM

A benefit to aid horses in need

 

Vinyasa & Vino

Nola Yoga Loft, 6:30PM

All-levels yoga following by wine and dinner

 

Swing in the Oaks

City Park, 7PM

Annual free outdoor concert feat. Louisiana Philharmonic Orchestra

 

New Moon Medicine Circle

Yes, Yoga., 7:30PM

Celebrate the cycle with visualizations, meditations, journaling, ritual, and group energy healing

 

Aaron Cohen Band

Gasa Gasa, 9PM

Local faves, feat. Danny Abel Band, Shhh

 

High Profile | New Orleans Nightlife Awards

Sidney's Saloon, 10PM

Celebrate NOLA's nightlife with Garlic Junior, Jassy, and DJ Visqueen

MERCREDI

April 26th

Wednesdays at the Square

Lafayette Square, 5PM

Feat. Flow Tribe and Robin Barnes

 

Blackout Poetry Workshop

Norman Mayer Branch Library, 5PM

Teen poetry event in blackout poetry of public library books

 

Evenings with Enrique

City Park, 5PM

Feat. Raphael Bas

 

Vietnamese Style Crawfish Boil

Black Penny, 6PM

The famous boil across from Armstrong Park returns

 

Paradigm Pizza & Pies

Paradigm Gardens, 7PM

Urban farm hosts outdoor dinner, with Ancora Pizzeria

 

Eat Your Science

Saenger Theatre, 8PM

Alton Brown live

 

Movie Screening: Annie Hall

Catahoula Hotel, 8PM

Rooftop screening of the Woody Allen classic

 

Sound Observatory New Orleans: The Shape of Jazz to Come

Three Keys, 9PM

This month's event features Ashlin Parker Trio 

JEUDI

April 27th

 

NOLA Distilling Co. Grand Opening

NOLA Distilling Company, 3PM

Live music from Colin Lake, food from Frencheeze & La Cocinita food trucks

 

Movie Screening: Jazz Fest Shorts

The Old U.S. Mint, 6PM

Films from the inaugural 1970 Jazz Fest

 

Threadhead Thursday

City Park Botanical Gardens, 6PM

Feat. Marcia Ball, Brass-a-Holics, and Paul Sanchez & the Rolling Road Show

 

Sum 41 & Pierce the Veil

House of Blues, 6:30PM

The 'We Will Detonate!' tour

 

International Jazz Day

New Orleans Recreation Development Commission, 7PM

Celebration of jazz music and its influence

 

Jazz & Heritage Gala

Hyatt Regency, 7PM

19th annual benefit feat. a Neville Family Funktion and more

 

St. Paul and the Broken Bones

Orpheum Theater, 9PM

Birmingham band promotes second album "Sea of Noise" 


Blackout, Euphoria Highlight LPO's Presentation of Mahler's Symphony No. 3


by Joe Shriner

On Thursday evening, as the Louisiana Philharmonic Orchestra thundered into the final ominous seconds of the third movement of Gustav Mahler’s Symphony No. 3, the lights at First Baptist Church, New Orleans began to fade. One by one, the lights then died. By the time the New Orleans Children's Chorus had gathered themselves onto the stage to participate in the second half, there was a complete blackout in the Lakeview church.

 

A brief lull ensued, as audiences in the darkened pews pondered whether this was done intentionally. After all, the following movement, which is unsettling in any light, would begin with the soloist imploring: “O Man! Take heed! What says the deep midnight?”

 

Never a group for such gimmicks, the orchestra appeared to be just as confounded as the crowd. As the seconds progressed, the lights of cell phones and a growing murmur dappled and rippled through the pitch-black church. After a minute, the familiar voice of conductor Carlos Miguel Prieto pierced through the crowd’s speculations. “Ladies and gentlemen,” he announced in his distinct Mexican accent, “we are phoning Entergy. This only seems to happen during the Super Bowl and Mahler.”

 

The audience erupted in laughter and ovations, and an impromptu 30-minute intermission began.

 

Despite the setback, there was a genuine feeling of goodwill and conviviality among patrons and musicians, who exchanged small talk and snapped photographs of one another, gleefully sauntering about the moonlit church. This was to be anticipated. The LPO’s performance of the first three movements of Mahler’s capricious and celestial third symphony was so breathtaking that it was hard to not feel as though one was taking part in an event that was larger than the individual. To paraphrase one voice overheard in the darkness: “It’s like the orchestra isn’t even playing the music—the music seems to be playing them.”

 

The opening movement, accented by a storm of tympanis and roaring violas and bass, forms a cauldron in which an abundance of life is spawned. This movement, longer than entire symphonies, captivates the listener's full attention. Listeners audibly gasped as the LPO drew the movement to a close, with many fighting back the desire to applaud, as tradition prohibits.

 

The following movements were bright and playful, with horns and woodwinds heightening the performances of the strings. A horn solo, performed offstage in the third, took listeners out of the church and into another realm.

 

When the lights came back on to howling cheers, it appeared the delay only dampened the enthusiasm of a handful of the crowd, who apparently went home. The remaining majority sidled closer to the stage for the final three movements of the concert, welcoming mezzo-soprano Marietta Simpson to the stage. Her sobering interpretation of Nietzsche’s words of humankind’s pain and desire for eternal redemption was robust and assured.

 

The fifth movement, which featured an all-female contingent of the Symphony Chorus of New Orleans and members of the New Orleans Children's Chorus, was remarkably optimistic and shining, spotlighting gorgeous melodies on viola and glockenspiel, with the children's choir imitating bells. Ms. Simpson filled the room with her rich voice, accompanied by the female chorus.

 

The final movement, with its many nuances, swirling emotion, and colorful melodies, is so complex that it takes audiences on the edge of euphoria. A fitting end to the LPO’s final concert this season, Maestro Prieto’s interpretation evoked images of a long, spectacular sunset, marking the conclusion of an exciting year, and propelling enthusiasm for the next.

 

The LPO will be presenting this program again, and most likely without interruption, at 7:30 tonight at First Baptist Church, New Orleans. Tickets start at $20. For more details, visit the LPO website or call (504) 523-6530.




Erin Rose
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Contributors

Renard Boissiere, Linzi Falk, Evan Z.E. Hammond, Dead Huey, Wilson Koewing, J.A. Lloyd, Joseph Santiago, Andrew Smith, Cynthia Via

Photographers


Art Director

Michael Weber, B.A.

Editor

Alexis Manrodt


Editor Emeritus

B. E. Mintz

Editor Emeritus

Stephen Babcock

Published Daily