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Vendredi

April 18th

Sirens Album Release

Gasa Gasa (7 p.m.)

With Madonnathan & All People, Brent Houzenga, and more  

 

Nigel Hall and Friends 

Blue Nile (10 p.m.)

with Eric Bolivar, Andrew Block, Eric Bloom, and Eric Vogel 

 

Uptown Get Down feat. Chicken George

Tipitina's (9 p.m.)

Plus DJ Quickie Mart, Unicorn Fukr & more

 

Ellis Marsalis Quartet

Snug Harbor (8 p.m., 10 p.m.)

Famous local Jazz pianist and bandleader performs  

 

Singin' in the Rain Screening

NOMA’s Sculpture Garden (5 p.m.)

Friday nights at NOMA and Moonlight Movies come together  

 

YG

House of Blues (9 p.m.)

Rapper makes stop on his My Krazy Life tour  

 

Guitar Lightnin' Lee

Kermit’s Mother in Law Lounge (10 p.m.)

Bluesy New Orleans guitar   

Samedi

April 19th

Booksigning with Arita Bohannan

Gallery Burguieres (7 p.m.)

Author reads and signs copies of crime drama ‘Docket 76’  

 

Crescent City Classic

Loyola Ave. and Poydras (8 a.m.)

Annual 10k Ends near City Park 

 

Easter Keg Hunt

NOLA Brewing (1 p.m.)

?Scavenger hunt beginning at the taproom, to benefit Gulf Restoration Network 

 

Gaynielle Neville

Maple Leaf (10:30 p.m.)

CD Release Party  

 

Mystikal

Howlin’ Wolf (9:30 p.m.)

Plus YMCMB Flow, G Unit’s Kidd Kidd, 5th Ward Weebie, and 3D Natee

 

SwampGrease feat. Nigel Hall & Terence Higgins 

Tipitina's (9 p.m.)

Andrew Block, Eric Vogel, Erica Falls, Kendrick Marshall, plus John Lisi and Delta Funk

 

Shoebox Lounge

Shadowbox Theatre (8 p.m.)

Shoes, booze, and prostitutes

 

Earth Day Fest

Armstrong Park (10 a.m.- 7 p.m.)

Green Business Expo, music, and more from La. Bucket Brigade 

 

HUSTLE with DJ Soul Sister

Hi Ho Lounge (11 p.m.- 3 a.m.)

Rare grooves from the '70's every Saturday 

 

Corey Henry's Treme Funktet

Blue Nile (10 p.m.)

Local trombonist and his band play traditional NOLA music, from blues, to jazz, to gospel 

 

Dimanche

April 20th

Gay Easter Parade

Armstrong Park (4:30 p.m.)

Official Gay Easter parade rolls through the French Quarter

 

Goodchildren Easter Parade

Press & St. Claude (1:30 p.m.)

The Social Aide & Pleasure Club throws their annual parade through the Bywater

 

Todd Snider 

Tipitina’s (7:30 p.m.)

Folk-rock and Americana 

 

Joe Krown Trio

Maple Leaf (10:30 p.m.)

Krown, Batiste, and Washington every Sunday 

 

French Quarter Easter Parade

Canal & Bourbon St. (1 p.m.)

Chris Owens leads the charge            

 

Hot 8 Brass Band

Howlin’ Wolf- The Den (10 p.m.)

Premiere NOLA brass with hip-hop, R&B and more 


Blackout, Euphoria Highlight LPO's Presentation of Mahler's Symphony No. 3


by Joe Shriner

On Thursday evening, as the Louisiana Philharmonic Orchestra thundered into the final ominous seconds of the third movement of Gustav Mahler’s Symphony No. 3, the lights at First Baptist Church, New Orleans began to fade. One by one, the lights then died. By the time the New Orleans Children's Chorus had gathered themselves onto the stage to participate in the second half, there was a complete blackout in the Lakeview church.

 

A brief lull ensued, as audiences in the darkened pews pondered whether this was done intentionally. After all, the following movement, which is unsettling in any light, would begin with the soloist imploring: “O Man! Take heed! What says the deep midnight?”

 

Never a group for such gimmicks, the orchestra appeared to be just as confounded as the crowd. As the seconds progressed, the lights of cell phones and a growing murmur dappled and rippled through the pitch-black church. After a minute, the familiar voice of conductor Carlos Miguel Prieto pierced through the crowd’s speculations. “Ladies and gentlemen,” he announced in his distinct Mexican accent, “we are phoning Entergy. This only seems to happen during the Super Bowl and Mahler.”

 

The audience erupted in laughter and ovations, and an impromptu 30-minute intermission began.

 

Despite the setback, there was a genuine feeling of goodwill and conviviality among patrons and musicians, who exchanged small talk and snapped photographs of one another, gleefully sauntering about the moonlit church. This was to be anticipated. The LPO’s performance of the first three movements of Mahler’s capricious and celestial third symphony was so breathtaking that it was hard to not feel as though one was taking part in an event that was larger than the individual. To paraphrase one voice overheard in the darkness: “It’s like the orchestra isn’t even playing the music—the music seems to be playing them.”

 

The opening movement, accented by a storm of tympanis and roaring violas and bass, forms a cauldron in which an abundance of life is spawned. This movement, longer than entire symphonies, captivates the listener's full attention. Listeners audibly gasped as the LPO drew the movement to a close, with many fighting back the desire to applaud, as tradition prohibits.

 

The following movements were bright and playful, with horns and woodwinds heightening the performances of the strings. A horn solo, performed offstage in the third, took listeners out of the church and into another realm.

 

When the lights came back on to howling cheers, it appeared the delay only dampened the enthusiasm of a handful of the crowd, who apparently went home. The remaining majority sidled closer to the stage for the final three movements of the concert, welcoming mezzo-soprano Marietta Simpson to the stage. Her sobering interpretation of Nietzsche’s words of humankind’s pain and desire for eternal redemption was robust and assured.

 

The fifth movement, which featured an all-female contingent of the Symphony Chorus of New Orleans and members of the New Orleans Children's Chorus, was remarkably optimistic and shining, spotlighting gorgeous melodies on viola and glockenspiel, with the children's choir imitating bells. Ms. Simpson filled the room with her rich voice, accompanied by the female chorus.

 

The final movement, with its many nuances, swirling emotion, and colorful melodies, is so complex that it takes audiences on the edge of euphoria. A fitting end to the LPO’s final concert this season, Maestro Prieto’s interpretation evoked images of a long, spectacular sunset, marking the conclusion of an exciting year, and propelling enthusiasm for the next.

 

The LPO will be presenting this program again, and most likely without interruption, at 7:30 tonight at First Baptist Church, New Orleans. Tickets start at $20. For more details, visit the LPO website or call (504) 523-6530.




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Contributors:

Dead Huey Long, Emma Boyce, Ian Hoch, Will Dilella, Chris Rinaldi, Lianna Patch, Phil Yiannopoulos, Cate Czarnecki, Mary Kilpatrick, Norris Ortolano, Joe Shriner, Chris Staudinger, Kailyn Davillier, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham

Staff Writers

Kerem Ozkan, Cheryl Castjohn, Sam Nelson

Listings

Elisabeth Morgan

Art Listings

Cheryl Castjohn

Photographers

Brandon Robert, Daniel Paschall

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Deputy Managing Editor

M.D. Dupuy

Managing Editor

Stephen Babcock

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.