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Defender Picks

 

MARDI

September 2nd

Yulman Stadium Dedication
Tulane Yulman Stadium, 3-5p.m.
Opening ceremonies for the Green Wave’s new stadium
 

Hidden Treasures: Restaurant Edition
Old U.S. Mint, 6 & 7p.m.
Two nightly tours of the Louisiana State Museum’s collection of restaurant ephemera ($20)

 

Progression Music Series
Gasa Gasa, 8p.m.
This week ft. Barry's Pocket + Christin Bradford Band

 

Comedy Beast
Howlin Wolf Den, 8:30p.m.
Free comedy show

 

Nik Turner's Hawkwind, Witch Mountain, Hedersleben, Mountain of Wizard
Siberia, 9p.m.
Hawkwind and Space Ritual saxophonist still touring the world ($12)

 

Punk Night
Dragon’s Den, 10p.m.
This week ft. The Boy Sprouts, The Noise Complaints, Mystery Girl, Interior Decorating

MERCREDI

September 3rd

Restaurant Week Kickoff Party
The Chicory, 6-8p.m.
The Restaurant Association invites the public to sample bites and libations ($25)

 

The He and She Show
Siberia, 6p.m.
Live stand-up ft. Doug and Teresa Wyckoff, Andrew Polk, Molly Rubin-Long, Duncan Pace ($7)

 

Katy Simpson Smith: The Story of Land and Sea
Columns Hotel, 7p.m.
Author presents her debut novel of the American Revolution

 

Alien Ant Farm
Southport Hall, 7:30p.m.
With H2NY, Kaleido, Music from Chaos ($15)

 

Pocket Aces Brass Band
Howlin Wolf Den, 8p.m.
Get your funky brass fill on a Wednesday ($5)

JEUDI

September 4th

Carol McMichael Reese: New Orleans Under Reconstruction
Garden District Book Shop, 6p.m.
Panel discussion by contributors to this informed book on post-Katrina N.O.

 

Katy Simpson Smith: The Story of Land and Sea
Octavia Books, 6p.m.
Author presents her debut novel of the American Revolution

 

Hidden Treasures: Restaurant Edition
Old U.S. Mint, 6 & 7p.m.

Two nightly tours of the Louisiana State Museum’s collection of restaurant ephemera ($20)

 

Ogden After Hours
Ogden Museum, 6-8p.m.

This week ft. Mike Dillon, James Singleton and Johnny Vidacovich

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.

The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

VENDREDI

September 5th

Music Under the Oaks
Audubon Park Newman Bandstand, 4:30-6p.m.

This week ft. John Mahoney Big Band

 

Mark Shapiro: Carbon Shock
Octavia Books, 6p.m.

Journalist’s new book explores intersection of environment and economics

 

Dernière séance
Alliance Française, 7p.m.
A cinema manager turns killer when he learns his beloved theater will close ($5)

 

One Flew Over the Cuckoo’s Nest
NOCCA Nims Black Box Theatre, 8p.m.

The NOLA Project presents a stage adapation of Ken Kesey’s classic ($30)

 

Foundation Free Fridays: Flow Tribe
Tiptina’s, 10p.m.

CD Release party with Cha Waa, Seven Handle Circus

 

Freddy Mercury Night
Neutral Ground Coffeehouse, 10p.m.

Is this real life? Is just fantasy?

 

Royal Teeth, Coyotes
Freret Street Publiq House, 10p.m.

Local indie pop & rock on Freret

 

G-Eazy
Republic, 11p.m.
Loyola grad returns to his home stage ($20)


Birdfoot Hops the Night Train to Frenchmen


by Joe Shriner

On Thursday, the familiar reverberations of traditional jazz quintets, guitar-slinging buskers, and curbside brass bands on Marigny’s most dynamic street are going to have some new sounds to contend with. In one venue among the babble of barflies, fourteen artists will be offering classical works inspired by clouds and trains, as well as some serious counterpoint.

 

Birdfoot Festival presents “Night Train" at Snug Harbor Jazz Bistro, the first pair of four featured concerts, taking on two radically different sets of chamber music. At 8 pm, Birdfoot artists will be presenting Kaija Saariaho’s textured “Cloud Trio” for string trio and Steve Reich’s seminal “Different Trains” for string quartet, taped speech, and sound effects. At 10 pm, they will present that vaunted paragon of baroque composition: J.S. Bach’s “Goldberg Variations.”

 

Making its Frenchmen debut, “Cloud Trio” is a contemporary work by award-winning Finnish composer Kaija Saariaho. Comprised of four layered movements, this piece was written in the French Alps, inspired by the composer’s gaze into the vast sky beyond the mountains. In her program notes, Saariaho does not volunteer which cloud shapes gave her inspiration, encouraging listeners to reach their own conclusions.

 

Celebrated American composer Steve Reich’s “Different Trains,” first performed in 1988, is probably the most famous and compelling of his works. As a child of divorced parents living in New York and Los Angeles, Reich spent much of the first years of World War II travelling across the country by train. Reich, who is Jewish, later observed that if he had lived in Europe when he was a child, he would have been riding trains to concentration camps.

 

Made up of three separate movements, Reich’s composition explores different journeys: “America - before the war,” “Europe - during the war,” and “After the war.” Using spoken phrases from taped conversations with the nanny accompanying him on his trips, an American railroad employee, and archival recordings of Holocaust survivors, Reich extracts phrases and turns them into musical passages that underscore the driving rhythm from the strings.

 

The second set presents one rather prodigious work published 247 years earlier. The cult of personality surrounding J.S. Bach kindles not just excessive extolling by musicians and critics repeating observations of his sonic perfection and astonishing career, but it makes the composer so easy to disparage. There have been volumes written about his genius and no fewer blog entries and articles about how overrated and even boring his music is. Whatever your opinion, one thing never debated is his inescapable presence in music.

 

Clocking in at around 75 minutes if uninterrupted from beginning to end, Bach’s “Goldberg Variations” is no less overhyped and unduly derided as the composer. This work is made up of 30 variations on an enticing aria and was written to help lull an insomniac Count to sleep at night. The piece is more than just “furniture music,” though. Bach was able to achieve something in these variations that allows listeners to actively or passively engage as they see fit.

 

Much of it is in the presentation, of course, and to witness a performance of the “Goldberg Variations” live in an intimate setting lends itself close and direct audience participation. The presentation at Snug Harbor will feature 12 Birdfoot artists, including both pianists Prach Boondiskulchok and Danny Driver, as well as three string trios presenting string arrangements of variations.

 

Each set costs $15 for general admission, and $10 for students with a valid ID required at the door. Tickets are on sale through Snug Harbor Bistro’s website or by calling (504) 949-0696.

 

For additional information on this and two remaining festival events, visit the Birdfoot website or call 504-451-6578. Also, be sure to stick with the NOLA Defender for continuing coverage.




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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock