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Lagniappe

 
THE

Defender Picks

 

Mercredi

November 26th

 

Uptown Get Down

Tipitina’s, 10p.m.

Tony Skratchere, Unicorn and DJ Matt Scott $5

 

Mistress Kali’s Cabinet of Curiosities

Siberia, 6-9p.m.

Free monthly show featuring vaudeville and sideshow acts

 

Uptown Jazz Orchestra

Snug Harbor, 8-10p.m.

Somehow Delfeayo Marsalis’ orchestra fits on Snug’s intimate stage

 

Soul Project

Blue Nile, 8p.m.

Got soul?

 

Johnny Sansone Band ft. John Fohl

Chickie Wah Wah, 9p.m.

Electric harmonica, accordion and lyrics that take you back to the meaning of home

 

Hump Day SIN

The Country Club, 10a.m.

Half off pool admission for service industry employees; bring proof (bar card or check stub)!

 

Shot & Haircut

Circle Bar, $20

Punk thrash London rockers, the Noise Complaints, play at 10p.m.

 

The Tin Men

d.b.a., 7p.m.

Sousaphone, washboard and guitar trio hit the stage prior to the Wolfman

 

Water Wolfman Washington & The Roadmasters

d.b.a., 10p.m.

Teeth pickin’ local guitarist appears on Frenchmen for his weekly show; $5 at the door

 

Frank Warren: The World of Post Secret

Garden District Book Shop, 6-7:30p.m.

Enter a world of strangers’ secrets as author discusses this collection from the award-winning PostSecret blog

 

Lagniappe Brass Band

Blue Nile, 11p.m.

Six horns and a whole lotta sweaty funk

 

Jeudi

November 27th

Opening Day at the Track

Fair Grounds, 11a.m.

Celebrate turkey day with a $29.99 buffet at the Grandstand and 10 thoroughbred races

 

Bayou Classic Smoke-Free Thanksgiving Day Parade

Superdome, 3:30-6p.m.

Starting at the dome the parade marches all the way to the French Market sponsored by #SmokeFreeNOLA

 

Thanksgiving: Dine-In or Pre-Order Take-Out!

The Country Club, 11a.m.-7p.m.

Full course family-sized options made to order hot and fresh on turkey day

 

Micah McKee and the Little Maker

Blue Nile, 7p.m.

Folksy local singer-songwriter

 

Turkey Day Race

Tad Gormley Stadium, 8:30 p.m.

107th Annual five mile & half mile races benefitting Spina Bifida

 

Celebration in the Oaks

City Park, Open thru Jan 3

View the magical display of lights by foot or by train

 

Thanksgiving Throwdown 

Howlin’ Wolf, 10p.m.

Free Comedy Gumbeaux show (8:30p.m.) followed by Rebirth Brass Band and Glen David Andrews ($15)

 

Thanksgiving Zydeco with Geno Delafose & French Rockin Boogie

Rock ‘N’ Bowl, 8:30

Celebrate why you’re thankful for Louisiana roots with nouveau zydeco from da bayou

 

Reggae Night with DJ T-ROY

Blue Nile, 11p.m.

Roots reggae with local dreaded DJ

 

The Soul Rebels

Le Bon Temps Roule, 11p.m.

Brass heros take on their regular gig this Thanksgiving

 

DJ MUSA

Siberia, 10p.m.

Celebrate Black Thursday on St. Claude with local spinner

 

Vendredi

November 28th

The New Orleans Suspects feat. Paul Barrere of Little Feat

Tipitina’s, 10p.m.

Also with special guests Ed Volker (The Radiators) and John “Papa” Gros

 

Tank and the Bangas “Stone Soul Picnic”

Chickie Wah Wah, 10p.m.

Rhythmic soul and spoken word from locally formed group led by singer Tarriona Ball

 

Grayson Capps

Carrollton Station, 10p.m.

Raw bayou blues done right + Lauren Murphy; $2 Rolling Rock

 

Luke Winslow King w/SamDoores (The Deslondes/Hurray for the Riff Raff)

d.b.a., 10p.m.

Fresh Americana from Nola rooted musicians $10

 

Kermit Ruffins & The BBQ Swingers

Blue Nile, 7p.m.

Friday nights with Kermit on Frenchmen ($10)

 

Brass-A-Holics vs. Mainline

Blue Nile, 11p.m.

Dueling brass

 

DJ Black Pearl

Blue Nile Balcony Room, 1a.m.

Two nights of EDM from the princess of Indian dj’s

 

Teairra Mari: All Black Affair

House of Blues, 11p.m.

Presented by Tscolee & Loft 360 Society she's sung w/ Gucci Mane & Soulja Boy

 

Lalah Hathaway, Najee, Anthony David

Saenger Theatre, 7:30p.m.

Grammy-winning singer brings soul to the Saenger

 

Bayou Classic Golf Tournament

Joe Bartholomew Golf Course (Pontchartrain Park), 10a.m.

Test your driving and putting skills in this bonafide local tournament

 

Career & College Fair

Hyatt Regency Hotel, 10a.m.-3p.m.

Part of Bayou Classic’s events helping companies and graduates connect

 

Battle of the Bands And Greek Show

Superdome, 6p.m.

A decades long rivalry features a battle of school marching bands in preparation for tomorrow’s big game

 

Marc Broussard

Southport Music Hall, 8p.m.

Son of Boogie King’s Ted Broussard this cajun’s voice is full of well-placed soul

 

Black Friday Fiasco

Banks St. Bar, 10p.m.-3a.m.

A tribute to the Ramones with sideshows by lydia Treats, Pope Matt Thomas and burlesque from Xena Zeit-Geist

 

 

Samedi

November 29th

Water Isaacson - The Innovators: How a Group of Hackers Geniuses, and Geeks Created a Digital Revolution 

Newman, 1-3p.m.

Hear author of Steve Jobs speak about pioneer of computer programming Ada Lovelace, Lord Byron’s daughter and other innovators of the digital age

 

Cedric Burnside Project ft Garry Burnside and Gravy

Tipitina’s, 10p.m.

Catch this Blues Hall of Famer uptown

 

Little Freddie King

The Beatnik, 9p.m.

Join this class act local bluesman in Central City

 

FKA Twigs

Republic, 9p.m.

The sexiest electronic R&B show you’ll probably ever go to

 

Build Your Own Bloody Mary Bar

The Country Club, 10a.m.-3p.m.

Do it how you live it + $10 bottomless Mimosas every Sat and Sun

 

DJ Black Pearl

Blue Nile Balcony Room, 1a.m.

Two nights of EDM from the princess of Indian dj’s

 

Hustle w/ DJ Soul Sister

Hi Ho Lounge, 9p.m.-1a.m.

Get ya hustle on to humble resident DJ who spins it how she lives it

 

John Boutte

d.b.a., 8p.m.

Witness local jazz vocalist’s voice floating on Frenchmen ($10)

 

Funk Monkey

d.b.a., 10p.m.

Second-line funk and dank boogaloo groove made to make ya move ya feet

 

Eric Lindell

d.b.a., 11p.m.

San Franciscan native turned Cajun sifts through elements of blues and soul $15

 

Gal Holiday and the Honky Tonk Revue

Siberia, 10p.m.

Authentic N.O. honky-tonk rockgal

 

Down

Southport Hall, 7p.m.

Philip Anselmo's local metal cult 

 

Bayou Classic

Superdome, 1:30p.m.

Rivals Southern University and Grambling State duke it out for the 41st time in this annually played game

 

Fan Fest

Champions Square, 9a.m.-1p.m.

Music outside da dome featuring 5th Ward Weebie and more

 

On the Absent Pulitzer

Room 220: An Interview witn Susan Larson



As chairperson of the jury that nominates finalists for the Pulitzer Prize in Fiction, Susan Larson was in a unique position to observe the notable omission of a prize in the category this year. Room 220 caught up with the local literary maven to talk about the Pulitzer committee's non-decision, and the Pulitzer process.

 

Citing a failure to achieve consensus, the Pulitzer Prize committee declined to award a prize in the category of fiction this year for the first time since 1977. This decision has generated a lively debate within the American literary community over the impact of the prize—on authors as well as publishers—and its significance for contemporary American readers.

 

Susan Larson, former books editor of the Times-Picayune and host of The Reading Life on WWNO, has twice chaired the independent jury charged with narrowing down the many titles submitted to be considered for a Pulitzer. The jury chooses three nominations to send for judgment to the Pulitzer committee, which selects the year’s winner—or doesn’t.

 

The three finalist’s for this year’s unawarded Pulitzer were Swamplandia! by Karen Russell,The Pale King by David Foster Wallace, and Train Dreams by Denis Johnson.

 

Larson spoke with Room 220 recently about her thoughts on the lack of an award this year, as well as her experience working (and reading) as a fiction critic in New Orleans.

 

Room 220: How did your years as the books editor of the Times- Picayune prepare you for your position on the fiction jury?

 

Susan Larson: My work at the Times-Picayune gave me incredible discipline as a reader—I’ve read almost a book a day for most of my adult life—as well as a good overview of American fiction, the ability to work under pressure, and of course, it instilled confidence in my choices.

 

Rm 220: Besides simply working through the sheer volume of fiction submissions, what do you think was the most challenging aspect of the jury process?

 

SL: I first chaired the fiction jury in 2009, so there were no surprises this time around—except at the end, of course! The great reward of this work is the process, and sharing the experience with my fellow jurors—this year they were Maureen Corrigan, a critic I so admire, and Michael Cunningham, one of my favorite novelists.

 

Working through the sheer volume of submissions is the most challenging part. What many people don’t realize is that a number of the submissions are self-published books that take up an enormous amount of time and rarely measure up to Pulitzer standards.

 

Our group hit its stride fairly early. My previous group of jurors—Richard Dillard and Nancy Pearl—worked through email. This time, we worked primarily via conference call. The three of us had one meeting early on, in Washington, D.C., during the National Book Festival. We talked about the first round of submissions we’d read over the summer, as well as our favorite books, so we had a good sense of what we were bringing to the table. As a veteran, one of my biggest contributions was the assurance that yes, it was possible: the books would all get read, and we would come up with three finalists. You really operate with a heightened sense of alertness doing this work—you have to bring your best self to the reading, to the conversation. Our meetings and exchanges were some of the most intense, rewarding and inspiring conversations I have ever had about literature. I will treasure them for the rest of my life.

 

Rm220: What were the particular qualities or themes you were looking for when approaching a submission, and what do you think distinguished the three novels that the jury ultimately selected?

 

SL: There’s always that Pulitzer ideal lurking in the back of your mind when you’re doing this reading. It’s directed, devotional, meditative, purposeful reading, because the prize has such history and staying power. But we weren’t looking for themes! All of us were looking for inventive and powerful language, compelling characters, and masterful storytelling—books that crackled with energy and life. These three finalists possess that in abundance. The Pale King, while unfinished, still seems to me an American masterpiece. I believe it was Michael who said, “There’s not a bum line in the book.” Train Dreams is simply an exquisite tale of the American West—there are scenes in that book that will haunt me forever. And Swamplandia!—all I have to do is hear the title and I am immediately transported to that vivid landscape. The three books are so different from one another, such fine representatives of the array of talent in American writing.

 

Rm220: Was there anything about Swamplandia! that appealed to you personally, given your career as a book editor in the South and the novel’s Southern Gothic style?

 

 

SL: Oh, yes. Swamplandia! was one of my favorite novels of the year. I loved its grand ambition—it’s a truly great American tall tale. Ava Bigtree is such an engaging character, and her losses are so real, so total. And yet she has such spirit! The book is marked by such love of landscape—how heartbreaking it is to read “The swamp is writing her own suicide note.” That’s certainly something that speaks to all of us who live in Louisiana, isn’t it? I can’t wait to read what Karen Russell writes next.

 

 

Rm220: There are some who may interpret the lack of an award as a comment on the state of contemporary American literature. In your opinion, what role does the Pulitzer Prize play in the world of literary fiction and how should the Committee’s decision be viewed by the American reader?

 

SL: I don’t believe the board was trying to send a message about the state of contemporary American literature. I hope that they were just bound by their own rules and were unable to bend. It’s such an important prize—and usually it means the book has staying power. I loved the conversations I had with readers after the jury I worked with in 2009 selected Olive Kitteridge, by Elizabeth Strout, for the prize.This year, the conversations about the process have eclipsed the wonder of the books themselves. There are so many book clubs devoted to Pulitzer choices—everyone loves to debate their merits, predict outcomes, and suggest alternate choices. And these days, anything that drives a large readership to a particular book seems nothing short of a miracle. The best possible spin an American reader can put on this decision is that she should read all three books and decide for herself.

 

One of the things that surprised me the most on Monday was the public’s—and much of the media’s—misapprehension of the way the process works. Many seemed to think that the jury awarded the prize. The jury submits three finalists to the board in an unranked report. The jurors actually find out the result at the same time everyone else does.

 

Rm220: What other novels would you recommend from 2011 that didn’t make the final three? Were there any New Orleans authors up for consideration?

 

SL: Due to the confidential nature of the work, I don’t think I should comment on what other books were nominated. Speaking strictly for myself, among the books I admired most last year were Diana Abu-Jaber’s Birds of Paradise, Russell Banks’ The Lost Memory of Skin, Kevin Brockmeier’s The Illumination (a special favorite), Teju Cole’s Open City, Chad Harbach’s Art of Fielding, Julie Otsuka’s The Buddha in the Attic, Ann Patchett’s State of Wonder, Tom Perrotta’s The Leftovers, Hector Tobar’s Barbarian Nurseries, Justin Torres’We the Animals, Amy Waldman’s The Submission, Jesmyn Ward’s Salvage the Bones (one of the remarkable novels inspired by the events of Hurricane Katrina).

 

Rm220: What are your thoughts on the tradition of literary fiction in New Orleans and do you still see the city as an incubator for literary thought and expression?

 

SL: It just keeps on coming, doesn’t it? Natives come of age, turn to writing, render their experiences; writers come to town, settle down, stake out a literary neighborhood and bring it to life; other writers drift through, visiting for short or extended stays, and take away something that later comes to light in a surprising way. New Orleans is a kind of True South on the literary compass—its allure remains strong. And in these post-Katrina years, everyonein the city has a sense of story, a hard-won tale of their own. We all have a stake in our urban narrative. That’s a rare quality in a city, to value the shared story, to collaborate in the large sense of public creativity. No end in sight!

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.

Editor Emeritus



Stephen Babcock