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THE

Defender Picks

 

MERCREDI

July 30th

Double Indemnity
Prytania Theatre, 10a.m.
Barbara Stanwyck and Fred MacMurray star in the classic noir

 

Zephyrs vs. Iowa
Zephyr Stadium, 5p.m.
Local baseball in Metairie

 

Wednesdays on the Point
Algiers Ferry Dock, 5:30-8:30 p.m.
This week ft. Bag of Donuts, DJ Rik Ducci

 

Dawn and Hawks
the BEATnik, 9p.m.
Americana singer-songwriters from Austin, TX

 

The Dirty Nil, Pears, High
Gasa Gasa, 9p.m.
Sloppy loud rock’n’roll out of Ontario, Canada

JEUDI

July 31st

Thursdays at Twilight
City Park Botanical Garden, 6p.m.
This week ft. Ole Man River Band ($10)

 

Ogden After Hours
Ogden Museum, 6-8p.m.
This week ft. Ruby and the Rogues ($10)

 

Zephyrs vs. Iowa
Zephyr Stadium, 7p.m.
Local baseball in Metairie

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about the social effects of the Iraq War ($15)

 

Twelfth Night
Tulane Dixon Hall, 7:30p.m.
Ft. the student actors of the All Things Shakespeare Program

 

Cabaret
Tulane Dixon Hall, 8p.m.
Summer Lyric Theatre presents

 

The Gallery
Southport Hall, 8p.m.
Hooky indie rock out of western Massachusetts ($10)

 

Flesh Lights, Trampoline Team, Fez
Saturn Bar, 9p.m.

Naughty punk rock from Austin & NOLA ($7)

 

Bounce 4 Year Anniversary
Republic, 10p.m.
Ft. Big Freedia, Sissy Nobby & more ($10)

 

Monica McIntyre
Cafe Istanbul, 10p.m.
Cellist celebrates her birthday

 

Reggae Night
Blue Nile, 11p.m.
Hosted by DJ T-Roy

VENDREDI

August 1st

Satchmo Summerfest
Old U.S. Mint, 12-10p.m.
Friday ft. James Andrews, Dirty Dozen Brass Band, Wycliffe Gordon, & more

 

Friday Nights at NOMA
NOMA, 5-9p.m.
Gallery talk by Anne Roberts, music by Cristina Perez

 

What Made Milwaukee Famous

Euclid Records, 5p.m.

Preview their Gasa Gasa show tonight—free!

 

French Film Festival
Prytania Theatre, beginning 5:30p.m.
At 5:30, Tom at the Farm; at 7:45, Yves St. Laurent

 

Rolland Golden: Life, Love, and Art in the French Quarter
Garden District Gallery, 6p.m.
Local artist signs new memoir of his life 1955-1976

 

Zephyrs vs. Iowa
Zephyr Stadium, 7p.m.
Local baseball in Metairie

 

Kermit Ruffins & the BBQ Swingers
Blue Nile, 7p.m.
Catch Kermit on Frenchmen

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about the social effects of the Iraq War ($20)

 

Twelfth Night
Tulane Dixon Hall, 7:30p.m.
Ft. the student actors of the All Things Shakespeare Program

 

Cabaret
Tulane Dixon Hall, 8p.m.
Summer Lyric Theatre presents

 

Sarah McLachlan
Saenger Theater, 8p.m.
Canadian superstar’s new album is Shine On

 

Grieves, Son Real
One Eyed Jacks, 9p.m.
Seattle-based MC ($15)

 

Foundation Free Fridays
Tipitina’s, 10p.m.
This week ft. Iko Allstars

 

What Made Milwaukee Famous
Gasa Gasa, 10p.m.
w/ Breton Sound, A. Sinclair ($7)

SAMEDI

August 2nd

Satchmo Summerfest
Old U.S. Mint, 12-10p.m.
Saturday ft. Glen David Andrews, Brass-A-Holics, Topsy Chapman & more

 

French Film Festival
Prytania Theatre, beginning 12p.m.
At noon, Le Chef; at 1:45, Marius; at 3:45, Mr Leos CaraX; at 5:30, Tom at the Farm

 

White Linen Night
CAC & 300-600 blocks Julia St., beginning 6p.m.
Julia Street art scene’s big night out

 

Zephyrs vs. Nashville
Zephyr Stadium, 6p.m.

Local baseball in Metairie

 

Jesse McCartney
House of Blues, 6:30p.m.
90s teen pop sensation, now sponsored by Twix ($25)

 

Dying City
Shadowbox Theatre, 7:30p.m.
Christopher Shinn’s play about Iraq War's social effects ($20) (final performance)

 

Twelfth Night
Tulane Dixon Hall, 7:30p.m.
Ft. the student actors of the All Things Shakespeare Program

 

Cabaret
Tulane Dixon Hall, 8p.m.
Summer Lyric Theatre presents

 

Hank III
House of Blues, 8p.m.
AKA Shelton Hank Williams, AKA Hank Williams III ($31)

 

Big History Hiatus Show
Tipitina’s, 10p.m.
with Sweet Crude, Vox and the Hound ($10)

 

Ex-Cult, BABES, Giorgio Murderer
Saturn Bar, 10p.m.
Raucous post-rock out of Memphis ($7)

 

HUSTLE!
Hi-Ho Lounge, 11p.m.
DJ Soul Sister’s rare groove dance party

 

Mykki Blanco
One Eyed Jacks, 12a.m.
Queer hip-hop artist & performance artist ($12)
 

DIMANCHE

August 3rd

Satchmo Summerfest
Old U.S. Mint, 12-10p.m.
Sunday features Original Pinettes, Kermit Ruffins, Jeremy Davenport & more

 

French Film Festival
Prytania Theatre, beginning 12p.m.
At noon, A Summer’s Tale; at 2:30, Fanny; at 5, Mood Indigo

 

Twelfth Night
Tulane Dixon Hall, 1:30p.m.
Ft. the student actors of the All Things Shakespeare Program

 

Cabaret
Tulane Dixon Hall, 2p.m.
Summer Lyric Theatre presents

 

Zephyrs vs. Nashville
Zephyr Stadium, 4p.m.
Local baseball in Metairie

 

Justin Timberlake
Smoothie King Center, 8p.m.
Not A Bad Thing ($56+)

 

John Moreland
the BEATnik, 8p.m.
Tulsa, OK singer-songwriter
 


The Surprise Soloist

LPO Still Buzzing From Dazzling, Last-Minute Concerto By One of Their Own



When a world-renowned soloist fell ill, the Louisiana Philharmonic called on one of their own. Elizabeth Gross talks to orchestra members about Christopher Pell's heroic weekend.

 

Anticipation for Louisiana Philharmonic Orchestra’s “Eroica” concert on Thurs., Feb. 21, ran high. Beethoven’s “Eroica” is a favorite of many, and opportunities to hear world-class clarinetists like Jose Franch-Ballester don’t come often.

 

The concert began with American composer Michael Torke’s “Ash”, which created a bridge between Beethoven’s grand themes and Copland’s quintessentially American style. The piece was exciting to hear, relying on insistent repetitions in a rhythm that is just a little unsettling—as if the whole thing is spinning at an angle.

 

After applause came, there was an unexpected announcement from Maestro Carlos Miguel Prieto: the orchestra would take the intermission early because the featured guest soloist, clarinetist Franch-Ballester, was ill (and possibly unable to perform). With that, the lights came up on a concerned, disoriented audience. By the end of the intermission, rumors were circulating about what would happen next.

 

When Prieto addressed the audience again, he was excited. He announced that the LPO’s own principal clarinet, Christopher Pell, had volunteered to perform Copland’s Clarinet Concerto with the orchestra. Pell, who is only 21 and is still completing his undergraduate degree at Julliard, had already enchanted the LPO audience this season with memorable solos from his chair. But performing a 17-minute concerto alone in front of the orchestra was an entirely different task. Prieto stressed that the orchestra had not rehearsed this piece with Pell.

 

Violist Matt Carrington shared what went through his mind during the “emergency intermission” between Prieto’s two announcements. Like others in the orchestra and the audience, Carrington had a crazy thought: Pell could play this. Besides the soloist, there’s no clarinet part in the Copland. Even though Carrington’s gut feeling was that Pell could do it, when he saw Pell preparing backstage he thought, “Holy crap this is actually happening.”

 

Pell took the stage looking a little pale, and in the silence before the piece began it seemed the whole hall held its breath. And then, the haunting melody that opens the first movement lifted into the air. Pell’s performance was magical and moving. The intensity of the audience’s attention (and the orchestra’s) during his virtuosic cadenza in the second movement was unlike anything this writer has been a part of in a lifetime of symphony-going. The orchestra (or, rather, the rest of the orchestra) sounded great, too. Prieto’s conducting was responsive and kept everyone together throughout—both in the delicate conversation between clarinet and strings in the moody first movement and in the bright, jazzy third movement.

 

The audience response was immediate—a leaping ovation, complete with the kind of hooting and hollering usually reserved for sporting events. But what made the concert so special was the response Pell got from the rest of the orchestra, who also leapt to their feet for Pell’s first bow, then stamped their feet on the stage during his subsequent bows. Maestro Prieto gave Pell a warm hug, and showed his own triumph by raising both fists in the air as he bounded offstage.

 

 “It’s every orchestral musician’s dream to sort of step up and save the day and be in the limelight—and music-making captures the feeling of music when it can be so spontaneous and impromptu," Carrington said.

 

Copland originally wrote his Clarinet Concerto for jazz clarinetist Benny Goodman, a famous improviser. Through his beautiful interpretation and through the incredible circumstances, Pell’s unplanned performance brought that improvisational spirit to life. 

 

After a brief pause, Pell attempted a discreet return to his seat in the woodwind section, but was interrupted by more applause. He still had to play the “Eroica”! Prieto took Pell’s extraordinary example as an opportunity to remind the audience of the high caliber of musicianship in the LPO as a whole.

 

The timing for Beethoven’s triumphant third symphony couldn’t have been more appropriate. Though I doubt anyone was thinking of Napoleon Bonaparte that night, one could certainly make an argument for the values of egalité and fraternité. The LPO’s performance of “Eroica” captured perfectly the democratic ideals that inspired Beethoven, and are also present in the LPO organization itself as the nation’s only full time orchestra that is self-owned and self-managed. 

 

Pell stepping in at the last minute was nothing short of revolutionary in the world of professional orchestras.

 

“I have never seen this circumstance in my 40 years of professional playing, and it underscores the importance of live music. You never know what magic can happen," said Annie Cohen, a cellist and founding member of the LPO.

 

After the concert, the first question for the orchestra was “Who’s going to take Chris out to celebrate?” Violists Katie and Matt Carrington happily rose to the occasion. But before they headed out, Katie had to ask, “Wait—is he old enough?” (he is).

 

Pell performed Copland’s Clarinet Concerto again Friday night in Covington, as the guest soloist was still violently ill in his hotel. Friday night’s concert was also enthusiastically received.

 

Prieto has announced on the LPO’s website www.lpomusic.com that he will match all donations to the orchestra until March 31st of this year, inspired by Pell’s performance to ensure the LPO is able to continue to attract such extraordinary musicians.

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Contributors:

Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,

Staff Writers

Cheryl Castjohn, Sam Nelson

Listings Editor

Anna Gaca

Art Listings

Cheryl Castjohn

Photographers

Brandon Roberts, Rachel June, Daniel Paschall

Film Critic

Jason Raymond

Puzzler

Paolo Roy

Art Director:

Michael Weber, B.A.

Managing Editor

Stephen Babcock

Editor:

B. E. Mintz

Published Daily by

Minced Media, Inc.