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The Sunday Critic
Theatre Review: She Was Born
Last year a friend brought to my attention a quotation from the famed producer, playwright, and critic Robert Brustein that is much less sunny than he thought it to be. "The primary function of a theater is not to please itself, or even to please its audience. It is to serve talent." I take Mr Brustein to mean that theatre has no higher goal than to make it possible for genius to operate, fully and freely, whatever it takes.
hello I AM
Teen Board's Latest CAC Exhibit, Reviewed
The CAC show “Hello I AM” features artwork by New Orleans high school students from NOCCA, Warren Easton, Benjamin Franklin, McMain, Haynes, Grace King, Ursuline and Lusher.
'Macbeth' in Marigny
Skin Horse Theatre's Take on Shakespeare's Tragedy, Reviewed
Ever wonder how to hit heartstrings even harder when mounting one of Shakespeare's most famous and most powerful tragedies? Try having the title character hammer out some Satie and Debussy on the piano as he verbally wrangles the fangs of insanity. The Skin Horse Theatre does just that with their scaled-down production of Macbeth at the Tigermen Den (3113 Royal St.), focusing on the innate horror of the play and flaunting a few wonderful performances.
SARAH: A Review
Facing the Stage
Fringe Fest is over, but the New Orleans theatre community chugs on. Down in the Bywater, a performance collective known as Skin Horse is keeping their production of Sarah going well past the theatrical smorgasboard of mid-November. Today, Helen Jaksch reviews the site-specific work.
Dead Huey Long, Emma Boyce, Elizabeth Davas, Ian Hoch, Lindsay Mack, Anna Gaca, Jason Raymond, Lee Matalone, Phil Yiannopoulos, Joe Shriner, Chris Staudinger, Chef Anthony Scanio, Tierney Monaghan, Stacy Coco, Rob Ingraham,
Brandon Roberts, Rachel June, Daniel Paschall
Michael Weber, B.A.
B. E. Mintz
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